• Has the way the 4:3 flag is broadcast been changed?

    From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Mon Sep 7 21:28:55 2026
    From Newsgroup: uk.tech.broadcast

    (Or have they stopped bothering?) SD Freeview.

    On my elderly but still functional Panasonic TV (TX-L22X20B), when 4:3
    material was being transmitted - properly, rather than including the
    black bars sometimes with a dog in them - such as the original (and
    sometimes startlingly green due to film fading!) All Creatures Great and
    Small, and assorted other programmes (such as some BBC4 archive music programmes), the TV displayed it wrongly - i. e. filling the full width,
    so appearing squashed or stretched - unless I turned the subtitles off.
    (I presume doing subtitles _and_ rendering the picture pillarboxed was
    just too much processing load for whatever processor it contains.) If I
    turned subtitles off, the picture appeared properly pillarboxed.

    But recently, such material is filling the screen whether I turn the
    subtitles off or not; I've noticed it on the Catherine Cookson stuff on
    channel 20 on Sunday afternoons (I _think_ that has changed and used to
    be displayable correctly), and I'm seeing it now on the Mastermind 1977
    being shown on channel 9 (BBC Four) now (Monday 7, 21:00) - i. e. it's appearing full-screen, so squashed or stretched, regardless of whether I
    have subtitles on or not.

    Since I very much doubt there has been any OTA firmware "up" (down) date
    of such an old set, have the broadcasters just abandoned setting the
    flag altogether? Seems to apply to both BBC and whoever is responsible
    for channel 20 (U&Drama). (If they have, I'd rather have the broadcast
    include the side black bars - at least the picture would not be distorted.)

    On my bedrrom setup (HD-capable TEKNIKAL set-top box), BBC4 SD on
    channel 9 is also showing the old Mastermind full-screen (stretched); on
    HD (channel 106) it is showing correctly, i. e. pillarboxed. (Toggling subtitles makes no difference on either resolution, but I wasn't
    expecting it to on that setup.)
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf

    -I said to myself, "If it's my time to go to hell, I'm takin' him with
    me." - 82-yo lady bodybuilder after beating up a burglar (odJRDx3tA0w)

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  • From NY@me@privacy.net to uk.tech.broadcast on Sun Sep 13 21:11:58 2026
    From Newsgroup: uk.tech.broadcast

    On 07/09/2026 21:28, J. P. Gilliver wrote:
    (Or have they stopped bothering?) SD Freeview.

    On my elderly but still functional Panasonic TV (TX-L22X20B), when 4:3 material was being transmitted - properly, rather than including the
    black bars sometimes with a dog in them - such as the original (and
    sometimes startlingly green due to film fading!) All Creatures Great and Small, and assorted other programmes (such as some BBC4 archive music programmes), the TV displayed it wrongly - i. e. filling the full width,
    so appearing squashed or stretched - unless I turned the subtitles off.
    (I presume doing subtitles _and_ rendering the picture pillarboxed was
    just too much processing load for whatever processor it contains.) If I turned subtitles off, the picture appeared properly pillarboxed.

    But recently, such material is filling the screen whether I turn the subtitles off or not; I've noticed it on the Catherine Cookson stuff on channel 20 on Sunday afternoons (I _think_ that has changed and used to
    be displayable correctly), and I'm seeing it now on the Mastermind 1977
    being shown on channel 9 (BBC Four) now (Monday 7, 21:00) - i. e. it's appearing full-screen, so squashed or stretched, regardless of whether I
    have subtitles on or not.

    Since I very much doubt there has been any OTA firmware "up" (down) date
    of such an old set, have the broadcasters just abandoned setting the
    flag altogether? Seems to apply to both BBC and whoever is responsible
    for channel 20 (U&Drama). (If they have, I'd rather have the broadcast include the side black bars - at least the picture would not be distorted.)

    On my bedrrom setup (HD-capable TEKNIKAL set-top box), BBC4 SD on
    channel 9 is also showing the old Mastermind full-screen (stretched); on
    HD (channel 106) it is showing correctly, i. e. pillarboxed. (Toggling subtitles makes no difference on either resolution, but I wasn't
    expecting it to on that setup.)

    Some channels use the widescreen flag properly: they broadcast 4:3
    archive programmes using the full 720 pixels of width, and set the flag
    to tell the TV "display this in the centre of the screen and do not
    stretch 4:3 to 16:9". Some of the UKTV channels (eg Drama, Yesterday)
    used to do this at every transition between 16:9 adverts and 4:3 programme.

    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a proportion of the 720 pixels are used: the rest is used for the black
    border. This means that the horizontal resolution of the picture is crap
    (to use a technical term!).
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  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Sun Sep 13 22:39:02 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/13 21:11:58, NY wrote:
    []
    Some channels use the widescreen flag properly: they broadcast 4:3
    archive programmes using the full 720 pixels of width, and set the flag
    to tell the TV "display this in the centre of the screen and do not
    stretch 4:3 to 16:9". Some of the UKTV channels (eg Drama, Yesterday)
    used to do this at every transition between 16:9 adverts and 4:3 programme.

    But in the last month or so (?), I've found cases where - same channel,
    same actual programme - I cannot now display the picture unstretched,
    where I could before. Hence my query. In other words, they're still
    using the full 720 pixels (or whatever) of width - no actual
    transmission of black sidebars - but they've stopped using the flag
    properly. I see it as a combination of don't knoq/don't care (most
    likely), and (if paranoid) a deliberate attempt to make archive material
    look bad.>
    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a proportion of the 720 pixels are used: the rest is used for the black border. This means that the horizontal resolution of the picture is crap
    (to use a technical term!).

    Ah, but at least they can put a DOG in the black bit. :-)
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf

    All that glitters has a high refractive index.
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  • From Brian Gregory@void-invalid-dead-dontuse@email.invalid to uk.tech.broadcast on Sun Sep 13 23:39:25 2026
    From Newsgroup: uk.tech.broadcast

    HD is always 16:9 and there is, as far as I know, no flag.
    It's up to the people who configure things at the studio and transmitter
    to correctly add appropriate black bars when necessary.
    --
    Brian Gregory (in England).
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Mon Sep 14 03:12:39 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/13 23:39:25, Brian Gregory wrote:
    HD is always 16:9 and there is, as far as I know, no flag.
    It's up to the people who configure things at the studio and transmitter
    to correctly add appropriate black bars when necessary.

    Yes, the relevant prog.s (e. g. vintage Mastermind), when I looked on my
    HD set (when they were being broadcast on an HD channel as well as an SD
    one), were correctly pillarboxed. It's just when viewed on my SD set (on
    an SD channel, obviously), or the HD set on an SD channel, they have
    started to appear full-screen, and thus distorted (squashed/stretched).
    Until sometime in the last month or so, that set displayed such material pillarboxed automatically (though for some reason I had to turn
    subtitles off for that to work). Now it doesn't; I can only assume that
    the broadcasters - who are clearly broadcasting the material full-width
    - have stopped setting the flag.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From richard@richard@cogsci.ed.ac.uk (Richard Tobin) to uk.tech.broadcast on Mon Sep 14 09:55:29 2026
    From Newsgroup: uk.tech.broadcast

    In article <118702e$u449$1@dont-email.me>, NY <me@privacy.net> wrote:

    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a >proportion of the 720 pixels are used: the rest is used for the black >border. This means that the horizontal resolution of the picture is crap
    (to use a technical term!).

    Do they use the same bitrate as for 16:9 programs? If so, there
    should be less compression which will to some extent compensate
    for the lower resolution.

    -- Richard
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  • From NY@me@privacy.net to uk.tech.broadcast on Mon Sep 14 14:37:41 2026
    From Newsgroup: uk.tech.broadcast

    On 14/09/2026 10:55, Richard Tobin wrote:
    In article <118702e$u449$1@dont-email.me>, NY <me@privacy.net> wrote:

    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a
    proportion of the 720 pixels are used: the rest is used for the black
    border. This means that the horizontal resolution of the picture is crap
    (to use a technical term!).

    Do they use the same bitrate as for 16:9 programs? If so, there
    should be less compression which will to some extent compensate
    for the lower resolution.
    Very true. Except... Old 4:3 programmes were made using analogue cameras
    and stored on analogue videotape. This introduces noise that doesn't
    compress well. BBC channels often increase the bitrate of
    made-on-analogue archive programmes to compensate for this. Some other broadcasters don't bother - and the picture quality is worse.
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Mon Sep 14 19:15:27 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/14 14:37:41, NY wrote:
    On 14/09/2026 10:55, Richard Tobin wrote:
    In article <118702e$u449$1@dont-email.me>, NY <me@privacy.net> wrote:

    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a
    proportion of the 720 pixels are used: the rest is used for the black
    border. This means that the horizontal resolution of the picture is crap >>> (to use a technical term!).

    Do they use the same bitrate as for 16:9 programs? If so, there
    should be less compression which will to some extent compensate
    for the lower resolution.

    And, if there is compression, the side black bits should compress almost
    to nothing, which should also add to the available bits.

    Very true. Except... Old 4:3 programmes were made using analogue cameras
    and stored on analogue videotape. This introduces noise that doesn't compress well. BBC channels often increase the bitrate of
    made-on-analogue archive programmes to compensate for this. Some other broadcasters don't bother - and the picture quality is worse.

    I didn't know that. Though professional-quality VTRs would have pretty
    low noise.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf

    "Farc gorillas who live in the plains of the undies ..."
    - automatic subtitling seen on BBC one o'clock news, 2016-8-25,
    by Cynthia Hollingworth.
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From wolfgang s@see@sig.nature to uk.tech.broadcast on Fri Sep 18 09:19:17 2026
    From Newsgroup: uk.tech.broadcast

    NY <me@privacy.net> wrote in news:118702e$u449$1@dont-email.me:

    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a proportion of the 720 pixels are used: the rest is used for the black border. This means that the horizontal resolution of the picture is
    crap (to use a technical term!).

    The effective resolution left is 540x576. That is absolutely adequate
    for SD. 720 pixel columns is higher resolution than analogue PAL ever
    was.
    --
    Currently listening: https://www.youtube.com/watch?v=_yMTnAw0yYg

    http://www.wschwanke.de/ usenet_20031215 (AT) wschwanke (DOT) de
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From NY@me@privacy.net to uk.tech.broadcast on Fri Sep 18 13:09:11 2026
    From Newsgroup: uk.tech.broadcast

    On 18/09/2026 10:19, wolfgang s wrote:
    NY <me@privacy.net> wrote in news:118702e$u449$1@dont-email.me:

    Mainstream channels such as BBC1 and ITV broadcast everything as 16:9,
    so 4:3 programmes occupy the centre of the 16:9 frame and hence only a
    proportion of the 720 pixels are used: the rest is used for the black
    border. This means that the horizontal resolution of the picture is
    crap (to use a technical term!).

    The effective resolution left is 540x576. That is absolutely adequate
    for SD. 720 pixel columns is higher resolution than analogue PAL ever
    was.

    Is it? I thought that 720 was chosen specifically (*) to be about 4/3 of
    the number of rows (576), after the Kell Factor for interlacing is taken
    into account (ie the *perceived* vertical resolution of an interlaced
    display is less than for a progressive display).

    Given that almost every TV nowadays uses a non-CRT display, so the whole screen is illuminated for the whole frame, interlaced or progressive is
    fairly irrelevant: it's a difference only of delivery, rather than of
    display.


    (*) In the same way that the analogue bandwidth was limited to about 5.5
    MHz which limits horizontal resolution. 5.5*10^6 / (625*25) = 352, which
    is 352 pairs of alternate black/white pixels, so 704 pixels in total.
    And lo-and-behold, that's exactly the resolution that the BBC uses,
    whereas a lot of other broadcasters add 16 pixels to give 720.
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Fri Sep 18 22:13:39 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/18 13:9:11, NY wrote:
    []
    Given that almost every TV nowadays uses a non-CRT display, so the whole screen is illuminated for the whole frame, interlaced or progressive is fairly irrelevant: it's a difference only of delivery, rather than of display.

    Mostly true, but not entirely: fast-moving things have more ragged edges
    via i, assuming the movement is horizontal.

    The main improvement with constant lighting is the removal of flicker,
    the avoidance of which was a _main_ reason to use 50 or 60 (the
    bandwidth reduction being the other [reason for interlacing]); now we
    have steady lighting, it can be seen that an actual rate of 10 or 12 is sufficient for many subjects.
    []
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf

    There are two kinds of fool. One says, "This is old, and therefore
    good." And one says, "This is new, and therefore better."
    -John Brunner, science fiction writer (1934-1995)
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  • From Brian Gregory@void-invalid-dead-dontuse@email.invalid to uk.tech.broadcast on Fri Sep 18 22:42:29 2026
    From Newsgroup: uk.tech.broadcast

    On 18/09/2026 13:09, NY wrote:
    (*) In the same way that the analogue bandwidth was limited to about 5.5
    MHz which limits horizontal resolution. 5.5*10^6 / (625*25) = 352, which
    is 352 pairs of alternate black/white pixels, so 704 pixels in total.
    And lo-and-behold, that's exactly the resolution that the BBC uses,
    whereas a lot of other broadcasters add 16 pixels to give 720.

    Have you noticed that some stations use 704*576 but sent as 720*576 with
    8 black pixels at beginning and end of each line. Very annoying on
    modern flat screens that usually show every pixel sent.
    --
    Brian Gregory (in England).
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From Brian Gregory@void-invalid-dead-dontuse@email.invalid to uk.tech.broadcast on Fri Sep 18 22:50:46 2026
    From Newsgroup: uk.tech.broadcast

    On 14/09/2026 03:12, J. P. Gilliver wrote:
    Yes, the relevant prog.s (e. g. vintage Mastermind), when I looked on my
    HD set (when they were being broadcast on an HD channel as well as an SD one), were correctly pillarboxed. It's just when viewed on my SD set (on
    an SD channel, obviously), or the HD set on an SD channel, they have
    started to appear full-screen, and thus distorted (squashed/stretched).

    I think maybe it's just being done because some people (idiots?) like it better that way.

    "I paid a fortune for this huge screen, why aren't you using all of it?"

    Much in the same way that some people will stretch a photo to fill a gap
    left for it on a website even if it means the photo gets horribly
    stretched or squashed.
    --
    Brian Gregory (in England).
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From Brian Gregory@void-invalid-dead-dontuse@email.invalid to uk.tech.broadcast on Fri Sep 18 22:57:14 2026
    From Newsgroup: uk.tech.broadcast

    On 14/09/2026 03:12, J. P. Gilliver wrote:
    Yes, the relevant prog.s (e. g. vintage Mastermind), when I looked on my
    HD set (when they were being broadcast on an HD channel as well as an SD one), were correctly pillarboxed. It's just when viewed on my SD set (on
    an SD channel, obviously), or the HD set on an SD channel, they have
    started to appear full-screen, and thus distorted (squashed/stretched).
    Until sometime in the last month or so, that set displayed such material pillarboxed automatically (though for some reason I had to turn
    subtitles off for that to work). Now it doesn't; I can only assume that
    the broadcasters - who are clearly broadcasting the material full-width
    - have stopped setting the flag.

    Have you ever seen any of the Indian news channels on satellite? They
    are full of feeds from events or remote studios at the wrong aspect ratio?

    I suspect the BBC is almost unique among the worlds broadcasters in
    really wanting to do everything correctly and in the highest possible
    quality.
    --
    Brian Gregory (in England).
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Sat Sep 19 00:36:36 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/18 22:50:46, Brian Gregory wrote:
    On 14/09/2026 03:12, J. P. Gilliver wrote:
    Yes, the relevant prog.s (e. g. vintage Mastermind), when I looked on my
    HD set (when they were being broadcast on an HD channel as well as an SD
    one), were correctly pillarboxed. It's just when viewed on my SD set (on
    an SD channel, obviously), or the HD set on an SD channel, they have
    started to appear full-screen, and thus distorted (squashed/stretched).

    I think maybe it's just being done because some people (idiots?) like it better that way.

    "I paid a fortune for this huge screen, why aren't you using all of it?"

    I remember when shortscreen sets first appeared - back in CRT days - it
    was around one Wimbledon, which wasn't being broadcast in Widescreen;
    but a lot of people seemed to have that attitude (or didn't know any
    better). Now male tennis players are quite chunky already, or a lot of
    them are; but seen squashed to fit a short screen, they looked
    positively Neanderthal.>
    Much in the same way that some people will stretch a photo to fill a gap left for it on a website even if it means the photo gets horribly
    stretched or squashed.

    Yes. At least X (twitter) tends to use original aspect ratio, or at
    least the people I follow do - though that leads to a different problem
    for one of those I follow, as he uses a camera (presumably a 'phone)
    that seems to have about a 3:1 ratio. (And he will insist on using it vertically, and most of what he posts are landscapes.)
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf

    The voices of Radio 4 continuity and newsreading have been keeping me
    right for as long as I can remember. I can call on a million different information sources, but it doesn't make sense unti I've heard it from
    Peter, Harriet, Charlotte and the rest.
    - Eddie Mair in Radio Times 10-16 November 2012
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Sat Sep 19 00:38:52 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/18 22:57:14, Brian Gregory wrote:
    On 14/09/2026 03:12, J. P. Gilliver wrote:
    Yes, the relevant prog.s (e. g. vintage Mastermind), when I looked on my
    HD set (when they were being broadcast on an HD channel as well as an SD
    one), were correctly pillarboxed. It's just when viewed on my SD set (on
    an SD channel, obviously), or the HD set on an SD channel, they have
    started to appear full-screen, and thus distorted (squashed/stretched).
    Until sometime in the last month or so, that set displayed such material
    pillarboxed automatically (though for some reason I had to turn
    subtitles off for that to work). Now it doesn't; I can only assume that
    the broadcasters - who are clearly broadcasting the material full-width
    - have stopped setting the flag.

    Have you ever seen any of the Indian news channels on satellite? They
    are full of feeds from events or remote studios at the wrong aspect ratio?

    I suspect the BBC is almost unique among the worlds broadcasters in
    really wanting to do everything correctly and in the highest possible quality.

    They're better than many - but the vintage Mastermind I was watching was
    on a BBC channel (2 or 4). The HS version (102 or 106) _was_ correctly pillarboxed, but the SD one was not.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf

    The voices of Radio 4 continuity and newsreading have been keeping me
    right for as long as I can remember. I can call on a million different information sources, but it doesn't make sense unti I've heard it from
    Peter, Harriet, Charlotte and the rest.
    - Eddie Mair in Radio Times 10-16 November 2012
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From Brian Gregory@void-invalid-dead-dontuse@email.invalid to uk.tech.broadcast on Sat Sep 19 05:03:30 2026
    From Newsgroup: uk.tech.broadcast

    On 19/09/2026 00:38, J. P. Gilliver wrote:
    They're better than many - but the vintage Mastermind I was watching was
    on a BBC channel (2 or 4). The HS version (102 or 106) _was_ correctly pillarboxed, but the SD one was not.

    Ah, now that does seem unusual to me, but recently I haven't been
    watching a huge amount of off air TV.

    Perhaps you should double check you don't have a setting like Letterbox/PanScan/Scale/Auto somewhere in you TV or set top box that has
    been set wrongly. My satellite box has this, and weirdly PanScan is the correct setting, not Auto! I think I've seen similar settings on TVs too.
    --
    Brian Gregory (in England).
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.tech.broadcast on Sat Sep 19 22:01:03 2026
    From Newsgroup: uk.tech.broadcast

    On 2026/9/19 5:3:30, Brian Gregory wrote:
    On 19/09/2026 00:38, J. P. Gilliver wrote:
    They're better than many - but the vintage Mastermind I was watching was
    on a BBC channel (2 or 4). The HD version (102 or 106) _was_ correctly
    pillarboxed, but the SD one (2 or 9) was not.

    Ah, now that does seem unusual to me, but recently I haven't been
    watching a huge amount of off air TV.

    Perhaps you should double check you don't have a setting like Letterbox/PanScan/Scale/Auto somewhere in you TV or set top box that has been set wrongly. My satellite box has this, and weirdly PanScan is the correct setting, not Auto! I think I've seen similar settings on TVs too.

    Good steer, but I am aware of all those settings in my TV and box - in particular, on one of my TVs, it would display 4:3 material, broadcast
    with the correct flag, correctly pillarboxed if I turned the subtitles
    off (!). But suddenly that no longer caused such material to be
    displayed correctly - hence my original post in this thread; it was
    prompted by some programme, same time same channel(s), that previously
    had displayed correctly, now not doing so.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From wolfgang s@see@sig.nature to uk.tech.broadcast on Sun Sep 20 18:59:48 2026
    From Newsgroup: uk.tech.broadcast

    NY <me@privacy.net> wrote in news:118j9l8$18lvp$1@dont-email.me:

    The effective resolution left is 540x576. That is absolutely adequate
    for SD. 720 pixel columns is higher resolution than analogue PAL ever
    was.

    Is it? I thought that 720 was chosen specifically (*) to be about 4/3 of
    the number of rows (576),

    4:3 would be exactly 768x576, and that is a format actually used in
    some editing systems. But this an idealistic value that was never
    achieved in the analogue era. Even 720 wasn't.

    Given that almost every TV nowadays uses a non-CRT display, so the whole screen is illuminated for the whole frame, interlaced or progressive is fairly irrelevant: it's a difference only of delivery, rather than of display.

    Yeah but if the original content never had 720 pixels per line to begin
    with, it doesn't matter if they throw away part of it by cropping the
    sides. And it doesn't:

    (*) In the same way that the analogue bandwidth was limited to about 5.5
    MHz which limits horizontal resolution. 5.5*10^6 / (625*25) = 352, which
    is 352 pairs of alternate black/white pixels, so 704 pixels in total.

    Yes absolutely, but you're forgetting something: The sync pulse took up
    about 20 percent of each line, leaving roughly 280 cycles, which
    applying Nyquist requires 564 pixels.

    So if they broadcast an analogue era video production at 720x576
    widescreen and black side panels, you are still getting the full
    resolution of that videotape, or at least close enough.
    --
    Currently listening: https://www.youtube.com/watch?v=_yMTnAw0yYg

    http://www.wschwanke.de/ usenet_20031215 (AT) wschwanke (DOT) de
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From wolfgang s@see@sig.nature to uk.tech.broadcast on Sun Sep 20 19:03:00 2026
    From Newsgroup: uk.tech.broadcast

    NY <me@privacy.net> wrote in news:118j9l8$18lvp$1@dont-email.me:

    The effective resolution left is 540x576. That is absolutely adequate
    for SD. 720 pixel columns is higher resolution than analogue PAL ever
    was.

    Is it? I thought that 720 was chosen specifically (*) to be about 4/3 of
    the number of rows (576),

    4:3 would be exactly 768x576, and that is a format actually used in
    some editing systems. But this an idealistic value that was never
    achieved in the analogue era. Even 720 wasn't.

    Given that almost every TV nowadays uses a non-CRT display, so the whole screen is illuminated for the whole frame, interlaced or progressive is fairly irrelevant: it's a difference only of delivery, rather than of display.

    Yeah but if the original content never had 720 pixels per line to begin
    with, it doesn't matter if they throw away part of it by cropping the
    sides. And it doesn't:

    (*) In the same way that the analogue bandwidth was limited to about 5.5
    MHz which limits horizontal resolution. 5.5*10^6 / (625*25) = 352, which
    is 352 pairs of alternate black/white pixels, so 704 pixels in total.

    Yes absolutely, but you're forgetting something: The sync pulse took up
    about 20 percent of each line, leaving roughly 282 cycles, which
    applying Nyquist requires 564 pixels.

    So if they broadcast an analogue era video production at 720x576
    widescreen and black side panels cropped to 540 pixels, you are still
    getting the full resolution of that videotape, or at least close enough.
    --
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