• Flott ist Tot[1]

    From Nick Odell@nickodell49@yahoo.ca to uk.media.radio.archers on Sun May 17 13:08:43 2026
    From Newsgroup: uk.media.radio.archers

    It's been an uncommonly tearful weekend here in Lake Wobegone this
    week - especially uncommon because everything is fine with me and
    those around me and those I love. It's just that some things trigger
    me to well up inside and this weekend there have been more than a few
    of them. A couple, three at least.

    The repeat of "This Cultural Life" on Saturday was preceded by the
    news that Dame Felicity (Flott) Lott had just died. The edition of
    This Cultural Life being broadcast was John Wilson's interview with
    Dame Felicity but it hadn't been slipped into the schedule in
    memoriam; it was a repeat of the programme originally broadcast on
    Thursday when she was still very much alive.

    Somehow that made it even more poignant. To hear the joy and
    enthusiasm with which she was speaking, only a short while earlier,
    just made me well up.

    I might not have been quite so sensitised if I hadn't already listened
    to David Morrissey's Desert Island Discs the day before. If his
    childhood experiences were not enough to bring one to tears, his
    choice of music was. The first four notes of Keith Jarrett's K%ln '75
    are always enough to trigger me. Just the first four sodding notes! I
    suppose, even on their own, they are enough to speak of what came
    before and what happened after they were played.

    Morrissey's choice of discs was a double-tap because he then went on
    to pick another item which did it to me all over again. It is left as
    an exercise for the reader to pore over the list of recordings played
    in that edition of DID and guess which one that might have been.

    And tonight, I'm going out to see Simon Armitage at our local. Lake
    Wobegone, theatre. I wonder what he is going to perform? Will I be
    able to stay dry-eyed?





    Nick
    [1] My first and probably only Frederich Nietzsche pun in umra[2]
    [2] To give you some measure of the standing of the academic institute
    I attended, many, many years ago, in one of the cubicles in one of the
    men's lavatories, somebody had scrawled on the wall:

    God is Dead - Nietzsche

    and in a different coloured crayon-

    Nietzsche is dead - God.

    Oh well, please yourselves.
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From J. P. Gilliver@G6JPG@255soft.uk to uk.media.radio.archers on Sun May 17 14:12:22 2026
    From Newsgroup: uk.media.radio.archers

    On 2026/5/17 13:8:43, Nick Odell wrote:
    []
    news that Dame Felicity (Flott) Lott had just died. The edition of
    []
    Very sad to hear it. I have absolutely nothing to do with the world of classical music, but my brother's partner's mother was one of Flott's
    pianists, and once when visiting the mother there was some minor party
    or something at Flott's home, and I was taken along - and she made me
    welcome, and not an outsider. Like many of her profession, she seemed a
    very nice person.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()ALIS-Ch++(p)Ar++T+H+Sh0!:`)DNAf
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From Kate B@elvira@nospam.demon.co.uk to uk.media.radio.archers on Sun May 17 17:41:16 2026
    From Newsgroup: uk.media.radio.archers

    On 17/05/2026 13:08, Nick Odell wrote:
    It's been an uncommonly tearful weekend here in Lake Wobegone this
    week - especially uncommon because everything is fine with me and
    those around me and those I love. It's just that some things trigger
    me to well up inside and this weekend there have been more than a few
    of them. A couple, three at least.

    The repeat of "This Cultural Life" on Saturday was preceded by the
    news that Dame Felicity (Flott) Lott had just died. The edition of
    This Cultural Life being broadcast was John Wilson's interview with
    Dame Felicity but it hadn't been slipped into the schedule in
    memoriam; it was a repeat of the programme originally broadcast on
    Thursday when she was still very much alive.

    Somehow that made it even more poignant. To hear the joy and
    enthusiasm with which she was speaking, only a short while earlier,
    just made me well up.

    I might not have been quite so sensitised if I hadn't already listened
    to David Morrissey's Desert Island Discs the day before. If his
    childhood experiences were not enough to bring one to tears, his
    choice of music was. The first four notes of Keith Jarrett's K||ln '75
    are always enough to trigger me. Just the first four sodding notes! I suppose, even on their own, they are enough to speak of what came
    before and what happened after they were played.

    Morrissey's choice of discs was a double-tap because he then went on
    to pick another item which did it to me all over again. It is left as
    an exercise for the reader to pore over the list of recordings played
    in that edition of DID and guess which one that might have been.

    And tonight, I'm going out to see Simon Armitage at our local. Lake
    Wobegone, theatre. I wonder what he is going to perform? Will I be
    able to stay dry-eyed?





    Nick
    [1] My first and probably only Frederich Nietzsche pun in umra[2]
    [2] To give you some measure of the standing of the academic institute
    I attended, many, many years ago, in one of the cubicles in one of the
    men's lavatories, somebody had scrawled on the wall:

    God is Dead - Nietzsche

    and in a different coloured crayon-

    Nietzsche is dead - God.

    Oh well, please yourselves.

    I worked with her at the Royal Opera House and at Glyndebourne in the eighties. She was the nicest person there and a voice to bring down
    heaven to earth. One of my best memories ever is rehearsing
    Rosenkavalier in the London Welsh Rugby hall in the middle of a
    snowstorm. It was absolutely freezing and the divas all had their fur
    coats on. They sang the Trio about ten feet from me and gave it their
    best because we all wanted to stop and go somewhere warmer. Felicity
    Lott as the Marschallin, Agnes Baltsa as Octavian, Barbara Bonney as
    Sophie. Somewhere in my heart they are all still singing it.
    --
    Kate B
    --- Synchronet 3.22a-Linux NewsLink 1.2
  • From Nick Odell@nickodell49@yahoo.ca to uk.media.radio.archers on Sun May 17 22:47:37 2026
    From Newsgroup: uk.media.radio.archers

    On Sun, 17 May 2026 17:41:16 +0100, Kate B <elvira@nospam.demon.co.uk>
    wrote:

    On 17/05/2026 13:08, Nick Odell wrote:
    It's been an uncommonly tearful weekend here in Lake Wobegone this
    week - especially uncommon because everything is fine with me and
    those around me and those I love. It's just that some things trigger
    me to well up inside and this weekend there have been more than a few
    of them. A couple, three at least.

    The repeat of "This Cultural Life" on Saturday was preceded by the
    news that Dame Felicity (Flott) Lott had just died. The edition of
    This Cultural Life being broadcast was John Wilson's interview with
    Dame Felicity but it hadn't been slipped into the schedule in
    memoriam; it was a repeat of the programme originally broadcast on
    Thursday when she was still very much alive.

    Somehow that made it even more poignant. To hear the joy and
    enthusiasm with which she was speaking, only a short while earlier,
    just made me well up.

    I might not have been quite so sensitised if I hadn't already listened
    to David Morrissey's Desert Island Discs the day before. If his
    childhood experiences were not enough to bring one to tears, his
    choice of music was. The first four notes of Keith Jarrett's K%ln '75
    are always enough to trigger me. Just the first four sodding notes! I
    suppose, even on their own, they are enough to speak of what came
    before and what happened after they were played.

    Morrissey's choice of discs was a double-tap because he then went on
    to pick another item which did it to me all over again. It is left as
    an exercise for the reader to pore over the list of recordings played
    in that edition of DID and guess which one that might have been.

    And tonight, I'm going out to see Simon Armitage at our local. Lake
    Wobegone, theatre. I wonder what he is going to perform? Will I be
    able to stay dry-eyed?





    Nick
    [1] My first and probably only Frederich Nietzsche pun in umra[2]
    [2] To give you some measure of the standing of the academic institute
    I attended, many, many years ago, in one of the cubicles in one of the
    men's lavatories, somebody had scrawled on the wall:

    God is Dead - Nietzsche

    and in a different coloured crayon-

    Nietzsche is dead - God.

    Oh well, please yourselves.

    I worked with her at the Royal Opera House and at Glyndebourne in the >eighties. She was the nicest person there and a voice to bring down
    heaven to earth. One of my best memories ever is rehearsing
    Rosenkavalier in the London Welsh Rugby hall in the middle of a
    snowstorm. It was absolutely freezing and the divas all had their fur
    coats on. They sang the Trio about ten feet from me and gave it their
    best because we all wanted to stop and go somewhere warmer. Felicity
    Lott as the Marschallin, Agnes Baltsa as Octavian, Barbara Bonney as
    Sophie. Somewhere in my heart they are all still singing it.

    Careful, Kate. You'll set me off again.

    Nick
    --- Synchronet 3.22a-Linux NewsLink 1.2