From Newsgroup: rec.audio.high-end

Howard Stone's experience with the Radford amp brought this on, so please forgive the rant-like process here.
Guys and Gals:
When introducing a new piece of equipment to the system, please take NOTHING for granted, not even it it is brand-new, fresh from the box. And if it is used, or, much worse, vintage-used please be exceedingly cautious. Equipment failure can be anything from minimally annoying to spectacularly annoying to genuinely dangerous to life and property.
I have no problems running my 56 year old tube system in my office, and leaving it unattended for hours at a time. It has been through my bench, sat for hours on a metered variac, and I created a temperature-table using a heat-gun such that if I see changes over time, I have a pretty good idea where to look for trouble. But when it came to me, I had no such faith.
In all seriousness, if one is going to pursue this hobby at more than an occasional level, one should obtain the basic tools necessary to do so safely both for the equipment and the real-estate. This is not to suggest that such would have prevented Howard's experience - but he very probably would have seen it coming in time to prevent the special effects.
If there is a consensus, I would be glad to take a picture of my (very basic) bench, and (very basic) tooling, with an explanation for each item and the purpose(s) it services.
Thoughts?
Peter Wieck
Melrose Park, PA
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From Newsgroup: rec.audio.high-end

On 4/09/2019 6:11 am, Peter Wieck wrote:

Howard Stone's experience with the Radford amp brought this on, so please forgive the rant-like process here.

Guys and Gals:

When introducing a new piece of equipment to the system, please take NOTHING for granted, not even it it is brand-new, fresh from the box. And if it is used, or, much worse, vintage-used please be exceedingly cautious. Equipment failure can be anything from minimally annoying to spectacularly annoying to genuinely dangerous to life and property.

I have no problems running my 56 year old tube system in my office, and leaving it unattended for hours at a time. It has been through my bench, sat for hours on a metered variac, and I created a temperature-table using a heat-gun such that if I see changes over time, I have a pretty good idea where to look for trouble. But when it came to me, I had no such faith.

In all seriousness, if one is going to pursue this hobby at more than an occasional level, one should obtain the basic tools necessary to do so safely both for the equipment and the real-estate. This is not to suggest that such would have prevented Howard's experience - but he very probably would have seen it coming in time to prevent the special effects.

If there is a consensus, I would be glad to take a picture of my (very basic) bench, and (very basic) tooling, with an explanation for each item and the purpose(s) it services.

Thoughts?

**Yeah, one. I don't get the attraction to valve (tube) equipment.
Anything that is done with valves, can be done, better, cheaper and with
more consistency with solid state.

I mean to say: I get why hipsters embrace the stuff. Hell, my business
has undergone a renaissance thanks to hipster. Old Marantz, Yamaha,
Sansui, Accuphase and the others are suddenly desirable and, therefore valuable and worth repairing. And for an old fart like me, well, I cut
my teeth fixing that stuff. No surface mount, or microprocessors in
sight. Well, not if you exclude cassette decks.

But, Hell, valves start wearing out the minute they're first switched on!

And, before you get started, I've done a few blind tests with valves,
vs. solid state. The very best valve gear is VERY hard to pick from
decent SS gear. It just costs a whole lot more (check out the cost of a decent, multi-interleaved output tranny sometime - YIKES!). And then, of course, there's those pesky valve replacements at regular intervals.
I've replaced a full set of valves in a big power amp more than once and
seen the cost run to a couple of grand.

And yes, I've owned and built valve stuff too. Not anymore though. I
have better things to do with my life. Noisy and microphonic valves. No thanks. You can stick 'em where the Sun don't shine.
--
Trevor Wilson
www.rageaudio.com.au

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From Newsgroup: rec.audio.high-end

Almost the entire reason for a hobby is to be able to indulge in pointless behavior without consequence.

Peter Wieck
Melrose Park, PA
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From Newsgroup: rec.audio.high-end

On 7/09/2019 3:50 am, Peter Wieck wrote:

Almost the entire reason for a hobby is to be able to indulge in pointless behavior without consequence.

**I have a different aim: That is to attempt to provide for myself and
my clients, a musical experience that is as close to the original event
that is possible to obtain, given the usual room and budgetary
constraints. OH, and the partner, if one is in the picture.

[ASIDE] Many years ago, I was asked to supply and set-up a very nice
system for a local, well-heeled politician. The man was cultured and had
put in place an endowment for budding pianists. When I saw the room the
system was to be installed, my first words were: "Well, the Steinway has
to go." Went down like a lead balloon. We compromised. The Steinway
remained. The sound system woulda sounded better without it.
--
Trevor Wilson
www.rageaudio.com.au

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From Newsgroup: rec.audio.high-end

I donrCOt think Trevor, that the problem was caused by the fact that itrCOs a tube amp. I mean, in principle valve amps are as robust as SS arenrCOt they - apart from the fact that the tubes wear out,
My aim was to find an amp which I liked, regardless of whether or was valve or SS - the fact that the Radford has valves seemed an implementation detail which I would learn with,
Anyway, IrCOd like to hear a list of your favourite amps Trevor. Since I still donrCOt have my Radford!
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From Newsgroup: rec.audio.high-end

On 10/09/2019 8:08 pm, Howard Stone wrote:

I donrCOt think Trevor, that the problem was caused by the fact that itrCOs a tube amp. I mean, in principle valve amps are as robust as SS arenrCOt they - apart from the fact that the tubes wear out,

**Not even remotely close. Assuming good design and build quality, a
valve amp will always be a less reliable product. If only due to the necessarily higher Voltages involved and consequent extra stress on
insulation and other things. Then there's the output transformers. Two,
large, heavy and expensive components, which, whilst reasonably
reliable, are less reliable than a typical power transformer, thus
adding an extra layer of unreliability. And of course, whilst valve
failures are part of the game with valve products, the failure of a
valve can also result in the failure of some surrounding components. And
over the years I've seen some (ahem) 'interesting' valve amp failures.

My aim was to find an amp which I liked, regardless of whether or was valve or SS - the fact that the Radford has valves seemed an implementation detail which I would learn with,

Anyway, IrCOd like to hear a list of your favourite amps Trevor. Since I still donrCOt have my Radford!

**Oh, there's only one. Locally built (Australia) and has been out of production for a number of years, but sonically stunning. Solid state
(BJT), of course. Many listeners say that it has some of the
characteristics of the finest valve amps (triode, of course), but with
none of the drawbacks. The key? Zero global NFB, critically matched
components (better than 1% for transistors) and over-sized power
supplies, employing multiple, small value capacitors. I have not had
another amp (permanently) in my system since 1980. I have, however, had
a great many in the system for short periods. Some costing a great deal
of money.
--
Trevor Wilson
www.rageaudio.com.au

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From Newsgroup: rec.audio.high-end

OK, OK, I will bite! Minor rant to follow:
Tube vs. Solid State on reliability:
There are not so very many 60-year old components in operation these days unmodified since-new. My oldest tube item turned 100 this year and likely works better than when it was new based on a better understanding of antenna systems, optimum tube voltages and so forth. Other than moving parts (CD player), the newest component in my office system was made in 1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.
On the other hand, and given my hobby, I see a large number of SS components that have blown transistors, exploded capacitors and much worse, irrespective of age and source. The well made, well designed stuff is serviceable, distinguishing it from the rest of the garbage out there.
I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes or VW - few things were self-adjusting, and they required regular and attentive care-and-feeding. With such, they were good for several hundred thousand miles of reliable service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to survive 100,000 miles without heroic measures. Might run very nicely when running, but that would be your basic solid-state device in comparison.
Put simply, they are different beasts designed with different things in mind, but for the same basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in either case.
Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure that process also contains descriptives of "interconnects" rolled on the thighs of virgins on Walpurgis Night...
Note that even "critically matched" solid-state components drift after a very short period of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours or so.
Being as this is a hobby for me, I get to try things that are otherwise unproductive, unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then comparing it to the same device with carefully screened and matched caps. Or matching driver and output transistors and comparing to a similar device with disparate values. Guys and gals - you would be seriously shocked to discover how little difference some things make that the ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no difference at all.
Peter Wieck
Melrose Park, PA
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From Newsgroup: rec.audio.high-end

On 10/09/2019 9:54 pm, Peter Wieck wrote:

OK, OK, I will bite! Minor rant to follow:

Tube vs. Solid State on reliability:

There are not so very many 60-year old components in operation these days unmodified since-new. My oldest tube item turned 100 this year and likely works better than when it was new based on a better understanding of antenna systems, optimum tube voltages and so forth. Other than moving parts (CD player), the newest component in my office system was made in 1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

On the other hand, and given my hobby, I see a large number of SS components that have blown transistors, exploded capacitors and much worse, irrespective of age and source. The well made, well designed stuff is serviceable, distinguishing it from the rest of the garbage out there.

**Sure. That has been my observation. I see a lot of junk across my
bench, though I tend to reject many products nowadays. Not worth my
time. FWIW: I have 70 year old radio coming in next week. Obviously,
it's not really worthwhile, but it is a family heirloom, so the client
will spend whatever is necessary. I expect it will be an electrolytic
cap swap. Maybe a valve. We'll see.

I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes or VW - few things were self-adjusting, and they required regular and attentive care-and-feeding. With such, they were good for several hundred thousand miles of reliable service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to survive 100,000 miles without heroic measures. Might run very nicely when running, but that would be your basic solid-state device in comparison.

**That would be a poor comparison. Having owned a number of vehicles
over the past 50 years, I can assure you that, in general, modern cars
are VASTLY superior in most areas. Ignition systems and fuel handling
systems are the big ones. Before modern EFI, I grappled with
carburettors, that required constant adjustment and let's not even get
into the standard Kettering ignition systems. Such systems require
constant and careful adjustments. As for the body of the vehicle, shall
we discuss the impact of rust? Most (all?) modern cars utilise some kind
of rust prevention at manufacture. Older cars rely on paint. My two
present cars are thoroughly modern vehicles (one is 2 years old and one
is almost 20). Both are perfectly reliable and offer excellent levels of safety, fuel economy and performance. Both demonstrate the kind of
performance which would be associated with race cars from the 1960s
(though both could manage a tight, twisty race track more quickly, due
to their all wheel drive ability). Without the unreliability.

Anyway, that's all a bit off-topic.

I service equipment from all generations. Older equipment almost always require replacement of electrolytic caps and carbon composition
resistors (where used). That may be valve or SS.

Put simply, they are different beasts designed with different things in mind, but for the same basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in either case.

Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure that process also contains descriptives of "interconnects" rolled on the thighs of virgins on Walpurgis Night...

**I did not mention "interconnects". However, you may care to
investigate the possible reasons why many listeners prefer the sound of
valve amps. Consider the amount of global NFB used in typical valve
products. Compared to SS gear, that NFB is either very low, or
non-existent. Consider the action of valve amps under the conditions of Voltage limiting (clipping) and current limiting. Most SS amps do not
cope with such conditions well, whereas most valve amps clip and current
limit in a benign fashion. SS camps can be designed to act similarly,
but few are. As for the matched components, it's a necessity in the
design I cited. Without matched components, it is impossible to achieve
high reliability, low distortion and zero global NFB. Cumbersome? Sure.

Further and for the record: I have subjected myself to many double blind
tests over the years to verify my preference is uncoloured by vision.

Note that even "critically matched" solid-state components drift after a very short period of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours or so.

**The solid state devices are matched at the operational temperature of
the amplifier (60 degrees C) of course. The amplifiers use a demand
responsive fan (infinitely variable speed), which maintains the heat
sink temperatures at 60 degrees C (+/- 3 degrees) at all times. A short
(20 mins) warm-up time is necessary for optimal performance.

Being as this is a hobby for me, I get to try things that are otherwise unproductive, unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then comparing it to the same device with carefully screened and matched caps. Or matching driver and output transistors and comparing to a similar device with disparate values. Guys and gals - you would be seriously shocked to discover how little difference some things make that the ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no difference at all.

**Well, that has not been my experience. It depends on the design. A
standard, high global NFB amp, which has been designed to cope with off
the shelf devices will likely show zero difference when fitted with
critically matched devices. HOWEVER, in a past life, I was service
manager for Marantz Australia for several years. During the late 1960s
and 1970s I noted that most Marantz models (even some of the Japanese
built stuff) was specified to use closely matched output and driver
devices (roughly 30% HFE match). I vividly recall the time when, for a
short time, stocks of output devices for the Model 240 (250, 250M, 1200, 1200B) were depleted. I decided to try using unmatched devices in one
repair. Distortion approached 0.5% (rated distortion was 0.1%, but I
would typically measure 0.01%). Clearly a most unacceptable result. I explained to the customer that they would need to wait for Marantz to
supply the correct devices.

So, matched devices are not as uncommon as you might imagine.
--
Trevor Wilson
www.rageaudio.com.au

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From Newsgroup: rec.audio.high-end

On 10/09/2019 11:54 PM, Peter Wieck wrote:

OK, OK, I will bite! Minor rant to follow:

Tube vs. Solid State on reliability:

There are not so very many 60-year old components in operation these days unmodified since-new. My oldest tube item turned 100 this year and likely works better than when it was new based on a better understanding of antenna systems, optimum tube voltages and so forth. Other than moving parts (CD player), the newest component in my office system was made in 1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

On the other hand, and given my hobby, I see a large number of SS components that have blown transistors, exploded capacitors and much worse, irrespective of age and source. The well made, well designed stuff is serviceable, distinguishing it from the rest of the garbage out there.

I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes or VW - few things were self-adjusting, and they required regular and attentive care-and-feeding. With such, they were good for several hundred thousand miles of reliable service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to survive 100,000 miles without heroic measures. Might run very nicely when running, but that would be your basic solid-state device in comparison.

Put simply, they are different beasts designed with different things in mind, but for the same basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in either case.

Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure that process also contains descriptives of "interconnects" rolled on the thighs of virgins on Walpurgis Night...

Note that even "critically matched" solid-state components drift after a very short period of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours or so.

Being as this is a hobby for me, I get to try things that are otherwise unproductive, unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then comparing it to the same device with carefully screened and matched caps. Or matching driver and output transistors and comparing to a similar device with disparate values. Guys and gals - you would be seriously shocked to discover how little difference some things make that the ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no difference at all.

Thanks for your input Peter. If I may ask, do you have an opinion on 'storage capacitors' on an
amplifier power supply? What in your opinion is 'better', a single (or few) very large caps or
multiple smaller caps to the same / similar capacitance?

I have a long term project building my own amp based on PCBs taken from 100w MOSFET (two pairs of
J50 / K135 devices per amp) PA amps made by a New Zealand company in the 1980s. (Craft, Gary
Morrison's company before he went on to become head designer at Plinius until 2005 when he left to
set up Pure Audio). I got my hands on a rack of four of these mono amps and preliminary testing
using a clean source and good speakers suggest they will make a great stereo amp.

I need to put together a power supply to feed two of these and have some new 10,000uF caps but was
wondering if multiple smaller caps would be better. (In the PA amps they only had 2,200uF but
obviously weren't called on to reproduce much bass.)

As it is I'll be using fly leads from the rectifier PCB to the caps, then to the amps and I'm
building my own case. I was thinking of maybe using my 10,000uF caps as well as maybe some smaller
ones, perhaps 1,000 in a bank, the best of both worlds. (There are also 100uF electros across the
rails on the amp PCBs that I'll be replacing.) That said I could also just go to multiple

Cheers,
--
Shaun.

"Humans will have advanced a long, long way when religious belief has a cozy little classification
in the DSM"
David Melville

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From Newsgroup: rec.audio.high-end

OK... getting down to basics:
Electrolytic capacitors are essentially chemical engines. The materials developed over the last 20 years have greatly improved along with longevity and reliability, but they remain chemical engines. A single very large capacitor will, therefore, necessarily be slower than multiple smaller capacitors in parallel, all other things being equal. The limiting factor being real-estate in most cases.
Generally, I try to run multiple caps in parallel where real-estate permits, with a small-value, high-voltage film cap across each as a snubber. This is a preference, not a requirement.
For something as brute-force as a power-supply for audio purposes, the difference(s) will be manifest only at or near clipping, or when the amps are fed signal with extreme Peak-to-Average content. A cap bank will be able to deliver a *marginally* faster transient than a single very large cap. NOTE: If you are going to have the capacity (pun intended) to overdrive your output devices for these transients, you might need to install some sort of speaker protection. Solid-state devices often do not clip nicely.
Peter Wieck
Melrose Park, PA
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On 12/09/2019 2:45 AM, Peter Wieck wrote:

OK... getting down to basics:

Electrolytic capacitors are essentially chemical engines. The materials developed over the last 20 years have greatly improved along with longevity and reliability, but they remain chemical engines. A single very large capacitor will, therefore, necessarily be slower than multiple smaller capacitors in parallel, all other things being equal. The limiting factor being real-estate in most cases.

Generally, I try to run multiple caps in parallel where real-estate permits, with a small-value, high-voltage film cap across each as a snubber. This is a preference, not a requirement.

For something as brute-force as a power-supply for audio purposes, the difference(s) will be manifest only at or near clipping, or when the amps are fed signal with extreme Peak-to-Average content. A cap bank will be able to deliver a *marginally* faster transient than a single very large cap. NOTE: If you are going to have the capacity (pun intended) to overdrive your output devices for these transients, you might need to install some sort of speaker protection. Solid-state devices often do not clip nicely.

Peter Wieck
Melrose Park, PA

Thank you Peter.

I already have speaker protection ready to install. I bought two of these <https://www.aliexpress.com/item/1350315871.html> Probably not the best option but I don't know how
to make such things myself.
--
Shaun.

"Humans will have advanced a long, long way when religious belief has a cozy little classification
in the DSM"
David Melville

This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.
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From Newsgroup: rec.audio.high-end

On 12/09/2019 12:17 am, ~misfit~ wrote:

On 10/09/2019 11:54 PM, Peter Wieck wrote:

OK, OK, I will bite! Minor rant to follow:

Tube vs. Solid State on reliability:

There are not so very many 60-year old components in operation these
days unmodified since-new. My oldest tube item turned 100 this year
and likely works better than when it was new based on a better
understanding of antenna systems, optimum tube voltages and so forth.
Other than moving parts (CD player), the newest component in my office
system was made in 1963. The system runs 9 hours per day, 5 days per
week. Oh, and the tubes are original as well.

On the other hand, and given my hobby, I see a large number of SS
components that have blown transistors, exploded capacitors and much
worse, irrespective of age and source. The well made, well designed
stuff is serviceable, distinguishing it from the rest of the garbage
out there.

I would make a fairly apt comparison: A tube amplifier is much like a
mid-last-century Mercedes or VW - few things were self-adjusting, and
they required regular and attentive care-and-feeding. With such, they
were good for several hundred thousand miles of reliable service. A
contemporary Ford, Cadillac, Plymouth would be considered remarkable
were it to survive 100,000 miles without heroic measures. Might run
very nicely when running, but that would be your basic solid-state
device in comparison.

Put simply, they are different beasts designed with different things
in mind, but for the same basic purpose. That one is or is not
"BETTER" than the other is not relevant to the purpose in either case.

Now, when I here things like "Zero global NFB" and "Critically matched
components", I can smell the snake-oil from a great distance, even the
10,000 miles from here to Australia. I am sure that process also
contains descriptives of "interconnects" rolled on the thighs of
virgins on Walpurgis Night...

Note that even "critically matched" solid-state components drift after
a very short period of time in-service. All of them, such that that
"less than 1%" is meaningful for perhaps 12 hours or so.

Being as this is a hobby for me, I get to try things that are
otherwise unproductive, unprofitable or impractical. Such as
shotgunning a device with single-value capacitors and then comparing
it to the same device with carefully screened and matched caps. Or
matching driver and output transistors and comparing to a similar
device with disparate values. Guys and gals - you would be seriously
shocked to discover how little difference some things make that the
ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no
difference at all.

Thanks for your input Peter. If I may ask, do you have an opinion on 'storage capacitors' on an amplifier power supply? What in your opinion
is 'better', a single (or few) very large caps or multiple smaller caps
to the same / similar capacitance?

I have a long term project building my own amp based on PCBs taken from
100w MOSFET (two pairs of J50 / K135 devices per amp) PA amps made by a
New Zealand company in the 1980s. (Craft, Gary Morrison's company before
he went on to become head designer at Plinius until 2005 when he left to
set up Pure Audio). I got my hands on a rack of four of these mono amps
and preliminary testing using a clean source and good speakers suggest
they will make a great stereo amp.

I need to put together a power supply to feed two of these and have some
new 10,000uF caps but was wondering if multiple smaller caps would be better. (In the PA amps they only had 2,200uF but obviously weren't
called on to reproduce much bass.)

As it is I'll be using fly leads from the rectifier PCB to the caps,
then to the amps and I'm building my own case. I was thinking of maybe
using my 10,000uF caps as well as maybe some smaller ones, perhaps 1,000
in a bank, the best of both worlds. (There are also 100uF electros
across the rails on the amp PCBs that I'll be replacing.) That said I
could also just go to multiple

Cheers,

**Those old MOSFETs were pretty ordinary devices (not very linear).
Evidenced by the fact that Plinius amps have always used BJTs. As Peter
has stated, multiple small value caps will usually provide a superior,
higher speed power supply. However, I would posit that those old MOSFETs
are so horrible (modern MOSFETs are far superior), that it may not be
worth the effort. Craft amps used huge amounts of global NFB, required
due to very low bias currents and the necessity to reduce the huge
levels of distortion caused by the 'knee' at low currents (A Class A, or
high bias MOSFET amp would have been much better). Anyway, the huge
levels of global NFB means that PSRR (Power Supply Rejection Ratio) will
be quite high, thus the influence of power supply changes will be
relatively small.

One more thing: Decent amounts of capacitance placed close to the output devices is far more influential than caps placed some distance away. In
fact, long(ish) cables AFTER the main filter caps can be a serious
limiting factor on the effectiveness of a power supply in a Class A/B amplifier. This is because the inductance of the wires can be a factor.
--
Trevor Wilson
www.rageaudio.com.au

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https://www.eeweb.com/tools/parallel-wire-inductance
This website will allow you to calculate inductance by giving it the gauge, type and nature of the wire you are using. You will find, pretty quickly, that the distances involved in the typical component of say 40 cm (16") square are such that the actual inductance realized will be infinitesimal in "real life".
Again, getting to practical matters: there are common-sense applications and techniques for wiring electronics, much dependent on the nature and use intended. Part of my hobby is the restoration of vintage Zenith TransOceanic tube radios - and wire location/component location can be critical for high-band Short Wave sensitivity. It is common sense to shield power-supplies in pre-amplifiers, especially those that contain phono or NAB pre-amp sections. And, wire-dressing is always good practice. But worrying about straight-wire inductance at audio frequencies is much akin to worrying about skin-effect...
Now, Trevor clearly has a 'thing' about negative feedback, which is entirely his choice, and doubtless for sufficient and good reasons. But, again, in the real world, negative feedback, done properly, has many more advantages than disadvantages. Done badly - Ouch! Keep in mind that in its most practical application, it dates back to 1927, and was patented by Bell Labs in 1937. So, it is a pretty well established technique, such that any thoughtful designer not totally strangled by the bean-counters will get it right very nearly all of the time.
https://en.wikipedia.org/wiki/Negative-feedback_amplifier#Two-port_analysis_of_feedback
Go down to the "distortion" section. As brief as it is, it conveys some very good information.
In point-of-fact, part of the TIP-Mod for your 120 involved increasing capacitance within the feedback loop to reduce bass roll-off.
Peter Wieck
Melrose Park, PA
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On 12/09/2019 11:32 pm, Peter Wieck wrote:

https://www.eeweb.com/tools/parallel-wire-inductance

This website will allow you to calculate inductance by giving it the gauge, type and nature of the wire you are using. You will find, pretty quickly, that the distances involved in the typical component of say 40 cm (16") square are such that the actual inductance realized will be infinitesimal in "real life".

**Some of the products I work on are significantly larger than 40cm. One (badly designed) amplifier, from a well-known 'high end' manufacturer,
used power supply wires which were approximately 60cm long! Whilst it
made servicing easier (allowing the output device heat sinks to be
removed from the amplifier and still be fully operational, the
additional inductance damaged the ability of the output stage to deliver
fast transients. A bunch of capacitance close to the output devices made things much better.

Again, getting to practical matters: there are common-sense applications and techniques for wiring electronics, much dependent on the nature and use intended. Part of my hobby is the restoration of vintage Zenith TransOceanic tube radios - and wire location/component location can be critical for high-band Short Wave sensitivity. It is common sense to shield power-supplies in pre-amplifiers, especially those that contain phono or NAB pre-amp sections. And, wire-dressing is always good practice. But worrying about straight-wire inductance at audio frequencies is much akin to worrying about skin-effect...'

**No. Skin effect is only a worry at RF and for power line companies,
where VERY long cables can lead to significant losses (hence the rising popularity of DC transmission systems).

Now, Trevor clearly has a 'thing' about negative feedback, which is entirely his choice, and doubtless for sufficient and good reasons.

**Let me be very clear about several things:

* NFB is fine. In fact, NO audio amplifier can work without it.
* GLOBAL NFB is also fine. When properly applied.
* I have a personal preference for the amplifiers I use, which employ
lots of local NFB and no global NFB. Others may have a different opinion.
* As part of my education into the world of zero global NFB amplifiers,
I subjected myself to a couple of single (unfortunately) blind tests,
between two, otherwise identical, amplifiers. One employed zero GNFB and
one employed a modest amount of GNFB. I preferred the zero GNFB one.
Since that time, I subjected several (10) of my clients to the same test (DBT). The zero GNFB models was preferred every time. Except one.
* Once more: I would posit that part of the reason why some listeners
prefer valve amplifiers, is due to the fact that global NFB levels are
very low, or non-existent.


But, again, in the real world, negative feedback, done properly, has
many more advantages than disadvantages.

**Again: No issue with NFB. In fact, no issue with GNFB, when done well.


Done badly - Ouch! Keep in mind that in its most practical
application, it dates back to 1927, and was patented by Bell Labs in
1937. So, it is a pretty well established technique, such that any
thoughtful designer not totally strangled by the bean-counters will get
it right very nearly all of the time.

**Sure. I learned about GNFB back when I was a teenager, having just
built my second amplifier. A mighty 10 Watt/ch, push pull amp using 6V6
output valves. It had no GNFB. It also had a gain control before the
phase splitter. After reading an old article in a local electronics
magazine about NFB, I decided to try it. With the in-loop gain control,
I found I could vary the amount of NFB right up to the point of
oscillation. Backed off a fraction, I found that GNFB improved the sound quality significantly.

https://en.wikipedia.org/wiki/Negative-feedback_amplifier#Two-port_analysis_of_feedback

Go down to the "distortion" section. As brief as it is, it conveys some very good information.

**Indeed. All good and well, but that does prompt the question as to why
your preference is for an old valve amp, which employs far less GNFB
than a typical SS amp?

In point-of-fact, part of the TIP-Mod for your 120 involved increasing capacitance within the feedback loop to reduce bass roll-off.

**Huh?
--
Trevor Wilson
www.rageaudio.com.au

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On Saturday, September 14, 2019 at 9:58:44 AM UTC-4, Trevor Wilson wrote:

So, a little Ohm's Law should tell you if you are demanding more current than the output devices are capable of delivering. 14 Amps is, by high
end audio standards, a relatively modest current ability for a (say) 100 Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
benign, you should be OK.

Hmm, that's not what a little Ohm's law tells me.

100 Watts into 8 Ohms is a tad over 3.5 amps. Let's say it's a VERY
robust 100 watt amplifier, delivering 200 Watts into 4 Ohms requires
about 7 amps, and, let's pretend it has essentially ZERO output
impedance and an effectively limitless power supply, you're not reaching
14 amps until you're driving 400 watts into 2 ohms.

So, a couple of questions that Mr. Ohm may ask; what kind of loudspeaker presents a broadband 2 ohm impedance or, conversely, what kind of
musical content would generate that kind of power requirement over
the pretty narrow band of frequencies where a loudspeaker has the
kind of pathological impedance curve that would dip to as low as
2 ohms.

(Yes, there exist SOME rare examples of loudspeakers with
2 ohm impedance, but such are confined to a VERY narrow
band of frequencies)

Okay, let's pretend we have real examples of the above. Let's assume
such a speaker has a moderately low efficiency, say the equivalent
of, oh, 86 dB SPL/1W/1M. We're blowing in 400 watts that means the speaker
is putting out 112 dB 1 meter way, a stereo pair, assuming the two
channels are uncorrelated, that's 115 dB. Really? This is a serious requirement?

But wait, you explicitly stated:

"Provided the driver impedance is relatively benign"

and you specified 8 Ohms. So let's assume it's a nominal 8 ohm
impedance 3-way speaker using at least a 2nd-order crossover
network. The impedance will be around 6.5 ohms below system
cutoff (DC resistance of woofer voice coil), will rise to
perhaps 30 Ohms at and around system cutoff, then drop down
to perhaps 15% above the DC resistance above there, start
rising again until the woofer-midrange crossover starts working,
maybe betting to 10-12 ohms, then dip to perhaps 60% of the rated
impedance, so about 4.8 ohms, rise again to about 12 ohms or so
at the mid-tweeter crossover point, drop down to about 10-15% above
the tweeter DC resistance (which, for the purpose of argument, we'll
take to be a nominal 4 Ohm tweeter, so about 4.5 Ohms, after which
it starts rising again.

So, minimum impedance of about 4.8 ohms will occur over perhaps
a 2-octave band around 1 kHz, then about 4.5 ohms around 5 kHz.

Let's take your 14 amps, produce a musical signal where ALL the energy
is concentrated from about 500-2000 Hz and from about 4000-8000 Hz
ALONE, and see what 14 Amps does.

Well, since

P = I^R

And we'll assume the impedance at these points is largely resistive,
which is is, then:

P = 14^2 * 4.5

882 watts. And to do that, the amplifier must be capable of outputting

E = I R

E = 14 * 4.5

63 volts RMS.

Really?

Oh, wait! Everyone knows that under transient conditions, the loudspeaker impedance can actually go well below the lowest impedance of the
speaker for brief moments due to back EMF, Otala said so.

Oh, wait! Everyone who knows that is wrong and has yet to advance any
confirmed data sowing this to be the case and, by the way, Otala DID
NOT say so: he basically said that the peak current requirement under
actual transient conditions is exactly what is expected from the actual
measure steady state impedance, and the only thing he really said
that's even remotely like this is that the peak current requirements
are greater than predicted by the "nominal" impedance of the loudspeaker.

Give me a shovel, Mr. Ohm wants to go back to sleep.
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IF all you are doing is wanting to power speakers at a reasonable listening level in a reasonably sized room, and you do not want ear-bleed levels, your major task in this case is managing transients.

Your plan to use a large amount of capacitance will address that fairly nicely. And if your amp "breathes" at high volumes (you will absolutely know if that happens), then and only then consider (a) beefier power-supply(ies).

I run a pair of AR3a speakers (4-ohm, nominal) in a fairly small room (17 x 14 x 10 (feet)) with a 60 wpc/rms amp, and it does fine at any listening level I would care to use. It has about 8,000 uF/channel of capacitance.

Peter Wieck
Melrose Park, PA
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While much of what you say below is, strictly speaking, technically
correct under some very specific cases, it's misleading and could well
not be applicable in reality.

I've not got a lot of time to spend on this, so let me just
take on a couple of your points.

On Monday, September 16, 2019 at 5:52:54 AM UTC-4, Trevor Wilson wrote:

On 16/09/2019 7:49 am, dpierce.cartchunk.org@gmail.com wrote:

On Saturday, September 14, 2019 at 9:58:44 AM UTC-4, Trevor Wilson wrote:

So, a little Ohm's Law should tell you if you are demanding more current >> than the output devices are capable of delivering. 14 Amps is, by high
end audio standards, a relatively modest current ability for a (say) 100 >> Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
benign, you should be OK.

Hmm, that's not what a little Ohm's law tells me.

100 Watts into 8 Ohms is a tad over 3.5 amps. Let's say it's a VERY
robust 100 watt amplifier, delivering 200 Watts into 4 Ohms requires
about 7 amps, and, let's pretend it has essentially ZERO output
impedance and an effectively limitless power supply, you're not reaching
14 amps until you're driving 400 watts into 2 ohms.

**Well, no. The RMS current is certainly 3.5 Amps, but output devices
only 'care' about PEAK currents. The peak current is, of course, 3.5 X
1.414 ~ 5 Amps.

With a 4 Ohm load, the peak current required is 10 Amps. For 2 Ohms, it
is 20 Amps.

Assuming a 100 Watt amp. For a (say) 200 Watt amp, those peak current figures become 7 Amps, 14 Amps and 28 Amps respectively. WAY past the ability of two pairs of old Hitachi MOSFETs to deal with.

All of your calculations ASSUME several things, none of which are
likely to be true in real usage.

1. Your continuous-to-peak current calculations using a factor of
sqrt(2) ASUMMES that the excitation is pure sine. That's surely
not the case in real life, I'm sure you'd agree. Yes, the actual
crest fact may be greater than 3dB, but, again, you ASSUME that
in actual practice those peak current are REQUIRED> I suggest
they are not, in absence of any supporting evidence they are.

2. The comprehensive list of impedance curves is, yes, useful but
the interpretation of them as applied to your case ignores the
VERY important details and thus is overly simplistic and mis-
leading. Let me take just a couple of example from the list:

a. Westlake BBSM-6F
Yes, the impedance gets to 2 ohms, but look at the
broadband sensitivity 92dB/2.83V: less power is needed to
achieve a given sound pressure level, continuous, peak or
otherwise. It illustrates that you simply can't look at one
particular measurement in isolation.

And, not that it may be relevant, this is specifically
marketed towards studio use at high (deafening?:-) level.

b. The acoustat impedance curve you posted on the RageAudio
site: indeed, the impedance drops WAY down to under 1 Ohm.
BUT it does it over a VERY narrow bandwidth, and it does
it at 15 kHz. It's above 4 ohms over the entire audio range
from 10Hz to 9kHz. Exactly what kind of musical material
would require one to dump a LOT of power between 9 kHz and
20+kHz? Over the majority of the audio bandwidth, the impedance
is 6 ohms or higher. Even if you assume (quite unrealistically)
that the energy is distributed across the spectrum, equal
energy per octave, your impedance problems ar confined to about
1 octave out of 10, suggesting that if you need 100 watts in that
one octave, you'll need another 900! for everything else.

Ah, but what about short-term transients, you ask. Look at the
spectral distribution of such in actual music: sorry, you're
still NOT generating a lot of power over such a narrow bandwidth
(Sorry, Mr. Fourier, you can lay back down, we shan't be needing
you just yet).

So, a couple of questions that Mr. Ohm may ask; what kind of loudspeaker presents a broadband 2 ohm impedance or, conversely, what kind of
musical content would generate that kind of power requirement over
the pretty narrow band of frequencies where a loudspeaker has the
kind of pathological impedance curve that would dip to as low as
2 ohms.

**I have a few here that are tougher than that. Some of the Peerless
XXLS drivers dip to the low 2 Ohm region. Most ESLs fall lower than that
at HF.

Yes, over VERY narrow bands and at high frequencies, where your
power requirements are not anywhere near as large as at significantly
lower frequencies.

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On 17/09/2019 11:54 AM, Trevor Wilson wrote:

On 16/09/2019 11:01 pm, ~misfit~ wrote:

On 16/09/2019 9:53 PM, Trevor Wilson wrote:

**Sure. However, make certain the drive circuitry can cope.

I'm not exactly sure of how to do that?

**You need to examine the drive circuitry, the components used and then calculate if those
components can cope with the extra load caused by extra MOSFETs. It will PROBABLY be OK, but I
don't know.

I intend to use the system in my lounge so won't want crazy SPLs, the speakers likely wouldn't
handle that much power anyway. I actually do have two of the toroids but that would make for a
big amplifier case - and surely then I'd need to consider adding *two* more pairs of output
MOSFETs per amplifier?

[ Massively pruned of old quotes because your mod just
couldn't take it any more. --dsr ]

**As Peter has correctly stated, provided you don't need the full continuous power capacity of the
amplifier at all times, then one transformer will likely be plenty. From my perspective, I am a
purist. If I am presented with an amplifier rated at (say) 200 Watts/channel, then that amplifier
needs to be able to deliver 200 Watts/channel INDEFINITELY and, possibly more importantly, it needs
to be able to deliver roughly 40% of it's maximum power without thermal distress. With one
transformer in your amplifier chassis, it would fail such a test. But, your amplifier is not a
commercial item. You can make it anything you want.

I was thinking that, as I don't listen to dubstep or extremely bass-heavy music, using one toroid
and a lot of capacitance (in the region of 20,000 to 50,000 uF per rail) would be enough to
handle transients. If not then I might as well build a pair of monoblocks.

**A worthy consideration.

I've got a few coffee-cup sized Mepco/Electra 14,000 uF / 100v caps but they're not new... I also
have 8 new 10,000 uF / 100v Elna caps that are only about 1/4 of the size.

**The amplifier I presently use has a 5.5kVA (yes, 5,500VA), split wound (one winding for each
channel), double C core power transformer, followed by 92 X 3,300uF filter capacitors.

Wow! Decades ago I used to work with a touring band doing stage lighting and (some) sound mixing
and that's a more capable amplifier power supply than were in some amps we used at medium-sized gigs.

The result
is to ensure that, under full power operation (at any impedance higher than 2 Ohms) ripple is kept
below 100mV. So, discussions of 10,000uF per rail doesn't excite me. It's what I expect to see in a
mass market product from Yamaha or NAD. However, as Peter and I have both suggested, in a high
global NFB amp, such as yours, huge lumps of filter capacitance will not be pivotal to performance.
Placing a decent amount near the output devices will be beneficial though.

Thanks for your input Trevor. It helps me to decide how to go about building my 'franken-amp'.
--
Shaun.

"Humans will have advanced a long, long way when religious belief has a cozy little classification
in the DSM"
David Melville

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On 20/09/2019 10:52 PM, ~misfit~ wrote:

On 17/09/2019 11:54 AM, Trevor Wilson wrote:

On 16/09/2019 11:01 pm, ~misfit~ wrote:

On 16/09/2019 9:53 PM, Trevor Wilson wrote:

**Sure. However, make certain the drive circuitry can cope.

I'm not exactly sure of how to do that?

**You need to examine the drive circuitry, the components used and then calculate if those
components can cope with the extra load caused by extra MOSFETs. It will PROBABLY be OK, but I
don't know.

I intend to use the system in my lounge so won't want crazy SPLs, the speakers likely wouldn't
handle that much power anyway. I actually do have two of the toroids but that would make for a
big amplifier case - and surely then I'd need to consider adding *two* more pairs of output
MOSFETs per amplifier?

-a-a [ Massively pruned of old quotes because your mod just
-a-a-a-a couldn't take it any more. --dsr-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a ]

Thanks. I actually seriously considered doing the same but, as a relative newbie here didn't want
to upset any pie-carts. :)

[ Always feel free to trim quotes in your reply down to
the points you are actively addressing. Usenet is
archived all over the world, it's really easy to
reconstruct threads. --dsr ]
--
Shaun.

"Humans will have advanced a long, long way when religious belief has a cozy little classification
in the DSM"
David Melville

This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.
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On 12 Sep 2019 20:28:33 GMT, Trevor Wilson wrote:

<snip>

**Let me be very clear about several things:

* NFB is fine. In fact, NO audio amplifier can work without it.
* GLOBAL NFB is also fine. When properly applied.
* I have a personal preference for the amplifiers I use, which employ
lots of local NFB and no global NFB. Others may have a different opinion.
* As part of my education into the world of zero global NFB amplifiers,
I subjected myself to a couple of single (unfortunately) blind tests, >between two, otherwise identical, amplifiers. One employed zero GNFB and
one employed a modest amount of GNFB. I preferred the zero GNFB one.
Since that time, I subjected several (10) of my clients to the same test >(DBT). The zero GNFB models was preferred every time. Except one.
* Once more: I would posit that part of the reason why some listeners
prefer valve amplifiers, is due to the fact that global NFB levels are
very low, or non-existent.

But, again, in the real world, negative feedback, done properly, has
many more advantages than disadvantages.

**Again: No issue with NFB. In fact, no issue with GNFB, when done well.

How do modern switching amps (class D) stack up for HiFi use? Aren't
most PA systems now fully digital? Do they actually use FB? If I look
at the spec sheet of the TDA7492 it doesn't look like it. Do they
sound worse than a good analog amp?

The class-D amps typically have a series inductance between the
switching elements and the speakers, does that influence transients?
Even a tweeter has already 15-20 microHenry of inductance.

Mat Nieuwenhoven






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On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

On 12 Sep 2019 20:28:33 GMT, Trevor Wilson wrote:

<snip>

**Let me be very clear about several things:

* NFB is fine. In fact, NO audio amplifier can work without it.
* GLOBAL NFB is also fine. When properly applied.
* I have a personal preference for the amplifiers I use, which employ
lots of local NFB and no global NFB. Others may have a different opinion.
* As part of my education into the world of zero global NFB amplifiers,
I subjected myself to a couple of single (unfortunately) blind tests,
between two, otherwise identical, amplifiers. One employed zero GNFB and
one employed a modest amount of GNFB. I preferred the zero GNFB one.
Since that time, I subjected several (10) of my clients to the same test
(DBT). The zero GNFB models was preferred every time. Except one.
* Once more: I would posit that part of the reason why some listeners
prefer valve amplifiers, is due to the fact that global NFB levels are
very low, or non-existent.


But, again, in the real world, negative feedback, done properly, has
many more advantages than disadvantages.

**Again: No issue with NFB. In fact, no issue with GNFB, when done well.

How do modern switching amps (class D) stack up for HiFi use?

**Provided the switching frequency is high enough and the load impedance
is benign, then they should work well. I was particularly impressed with
the interesting design from Devialet. A small Class A stage is used in
much the same way that Quad did several decades ago for their Current Dumpingrao products. They used a Class A stage, combined with a Class C
power stage.

Aren't

most PA systems now fully digital?

**No such thing.

Do they actually use FB?

**EVERY amplifier uses NFB. Every single one. Regardless of technology
or claims from manufacturers.

If I look

at the spec sheet of the TDA7492 it doesn't look like it. Do they
sound worse than a good analog amp?

**I see a loop feedback mechanism in the block diagram. I see some
audibly significant problems with the amplifier. Max THD is cited aas
0.4% and the frequency response is poor, compared to even modest Class
A/B amplifiers. The low switching frequency ensures that low impedance
(<4 Ohms) loads are not well catered for.

The class-D amps typically have a series inductance between the
switching elements and the speakers, does that influence transients?

**Of course.

Even a tweeter has already 15-20 microHenry of inductance.

Mat Nieuwenhoven

--
Trevor Wilson
www.rageaudio.com.au

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On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

Even a tweeter has already 15-20 microHenry of inductance.

**Not so. I haven't measured one in quite some time, but the EMIT HF
drivers, used in many Infinity speakers exhibit far lower inductance
figures than that. If I had to guess, I'd estimate the inductance figure
to be around 5 X 10^-6H. I'll see if I can locate one to measure. Then,
of course, is the sadly deleted Audax HD-3P Piezo HF driver. And any
number of ELS HF drivers.
--
Trevor Wilson
www.rageaudio.com.au

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On 14 Oct 2019 18:58:55 GMT, Trevor Wilson wrote:

On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

Even a tweeter has already 15-20 microHenry of inductance.

**Not so. I haven't measured one in quite some time, but the EMIT HF >drivers, used in many Infinity speakers exhibit far lower inductance
figures than that. If I had to guess, I'd estimate the inductance figure
to be around 5 X 10^-6H. I'll see if I can locate one to measure. Then,
of course, is the sadly deleted Audax HD-3P Piezo HF driver. And any
number of ELS HF drivers.

Some data from the German magazine "Hobby Hifi", from various
manufacturers:

Omnes Audio AMT50 (Air Motion Transformer): 10 uH/20 kHz
Audaphon APR 1.0, band tweeter: 54 uH/20 kHz
Monacor DT-352NF, dome tweeter: 45 uH/20 kHz
SB Acoustics TW29B, dome tweeter: 18 uH/20 kHz
Scan Speak D3404-552000, elliptical dome tweeter: 18 uH/20 kHz
Tang Band 25-2234SD, inverse dome tweeter: 24 uH/20 kHz

Multiple have a copper covering in the magnetgap to reduce the
increase of impedance at the higher frequencies, and to reduce
distortion.

Mat Nieuwenhoven


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On Wednesday, October 16, 2019 at 6:50:03 AM UTC-4, Mat Nieuwenhoven wrote:

On 14 Oct 2019 18:58:55 GMT, Trevor Wilson wrote:

On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

Even a tweeter has already 15-20 microHenry of inductance.

**Not so. I haven't measured one in quite some time, but the EMIT HF >drivers, used in many Infinity speakers exhibit far lower inductance >figures than that. If I had to guess, I'd estimate the inductance figure >to be around 5 X 10^-6H. I'll see if I can locate one to measure. Then,
of course, is the sadly deleted Audax HD-3P Piezo HF driver. And any >number of ELS HF drivers.

Some data from the German magazine "Hobby Hifi", from various
manufacturers:

Omnes Audio AMT50 (Air Motion Transformer): 10 uH/20 kHz
Audaphon APR 1.0, band tweeter: 54 uH/20 kHz
Monacor DT-352NF, dome tweeter: 45 uH/20 kHz
SB Acoustics TW29B, dome tweeter: 18 uH/20 kHz
Scan Speak D3404-552000, elliptical dome tweeter: 18 uH/20 kHz
Tang Band 25-2234SD, inverse dome tweeter: 24 uH/20 kHz

Multiple have a copper covering in the magnetgap to reduce the
increase of impedance at the higher frequencies, and to reduce
distortion.

Mat's data is far closer to prevailing reality here. Trevor cites but
two potential examples: one of which never had wide distribution
and is essentially unobtainable, the other is a proprietary unit
that is, at very best, rarely found in even restricted distribution.

And even looking at the real data on the Audax, it exhibits significant inductive behavior over its bandwidth. From 5 kHz to 7 kHz, the impedance
has a significant inductive component, then again from about 12 kHz to
almost 16 kHz, it's impedance has an inductive component to it.

The point being is that the vast majority of tweeters and speaker
systems, that is, those that are now and have been available to any
segment of consumer or pro audio market you care to choose, have
impedances in the HF region that exhibit a predominantly inductive
component. One can cherry pick counterexamples, to be sure, but
do note, that particular cherry tree is nearly devoid of usable
fruit.

Like the prior discussion on impedance in this thread, yes, there
can be found isolated examples of speakers whose arguably pathological properties can be found to conform to a particular narrow view. But
the reality and the practicality of the actual situational use in
situ is often very different than the conclusions that might be drawn
from such a viewpoint.


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a) Argument-by-exception is, generally, fallacious.
b) Anything including a coil that carries current will be inductive.
c) Most well-designed speakers using conventional drivers that include voice-coils will account for this in their design.
d) Many crossover designs include inductors of various natures typed.
e) And those well-designed speakers that incorporate the exceptions will also account for those option.

Comes down to the question of: Does driver/speaker inductance in *this* particular speaker coupled with *that* particular amplifier matter at *this* range of frequencies and volumes?

Theory is all well and good, but how things operate in the real world at the living/listening room level are, or at least should, be the primary issue.

Peter Wieck
Melrose Park, PA
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On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

<snip>

Do they actually use FB?

**EVERY amplifier uses NFB. Every single one. Regardless of technology
or claims from manufacturers.

If I look

at the spec sheet of the TDA7492 it doesn't look like it. Do they
sound worse than a good analog amp?

**I see a loop feedback mechanism in the block diagram. I see some
audibly significant problems with the amplifier. Max THD is cited aas
0.4% and the frequency response is poor, compared to even modest Class
A/B amplifiers. The low switching frequency ensures that low impedance
(<4 Ohms) loads are not well catered for.

The TDA7492 has a switching frequency of typically 310 kHz. How is
this related to bad handling of a 4 ohm load, and why is that
dependent on the load resistance? And this IC is specified for 4 ohm
or more.

The low frequency fall off is deliberate (page 24 of the ST spec),
easily fixed by increasing the input size capacitor. The
THD-versus-frequency plot is indeed not impressive, THD rises in
spots to 0.2 %. You don't happen to have a link to a similar plot
from a good quality analog amp? Also, a link for a similar FFT plot ?
I am curious.

The IC is also dirt cheap, on a board for less than 10 $. For that
price, it is superb value for money.

There is indeed a feedback path from the OUTx pins to the second amp
inside.

<snip>
For a professional product, see e.g. https://icepower.dk/products/other/a-series/ . Its datasheet is at https://icepower.dk/download/2414/ . It supports loads down to 2.7
ohm loads. Again I wonder what the switching frequency has to do with
load.

I wonder if the phase plot can be matched by any analog amp, or even
the output resistance of <50 mOhm .

Mat Nieuwenhoven




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From Newsgroup: rec.audio.high-end

On 19/10/2019 11:03 pm, Mat Nieuwenhoven wrote:

On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

<snip>

Do they actually use FB?

**EVERY amplifier uses NFB. Every single one. Regardless of technology
or claims from manufacturers.

If I look

at the spec sheet of the TDA7492 it doesn't look like it. Do they
sound worse than a good analog amp?

**I see a loop feedback mechanism in the block diagram. I see some
audibly significant problems with the amplifier. Max THD is cited aas
0.4% and the frequency response is poor, compared to even modest Class
A/B amplifiers. The low switching frequency ensures that low impedance
(<4 Ohms) loads are not well catered for.

The TDA7492 has a switching frequency of typically 310 kHz. How is
this related to bad handling of a 4 ohm load, and why is that
dependent on the load resistance? And this IC is specified for 4 ohm
or more.

**The output filter will affect phase and frequency response, when used
with <8 Ohm loads. A switching frequency closer to (or exceeding 1Mhz)
is desirable to ensure phase/frequency response errors are not extant
with lower impedance loads.

The low frequency fall off is deliberate (page 24 of the ST spec),
easily fixed by increasing the input size capacitor.

**Yes, but the problems are also obvious at the other end of the
frequency spectrum. The problems with this chip will be audibly obvious,
if it is attempted to be used in a high quality system.


The

THD-versus-frequency plot is indeed not impressive, THD rises in
spots to 0.2 %. You don't happen to have a link to a similar plot
from a good quality analog amp? Also, a link for a similar FFT plot ?
I am curious.

**Here's one:
http://www.ti.com/lit/ds/symlink/lm3886.pdf

Here is one of my all-time favourite Class A/B chips (sadly no longer manufactured, but excellent performance):

http://pdf.datasheetcatalog.com/datasheet/philips/TDA1514.pdf

Either will comfortably outperform your cheap 'n cheerful Class D chip.
At the cost of efficiency, price and heat sinking, of course.

The IC is also dirt cheap, on a board for less than 10 $. For that
price, it is superb value for money.

**No argument from me. Telephones, TV sets, portable audio equipment can
all make good use of such chips. For QUALITY audio, however, forget it.
Far too many audibly significant problems. Same as cheap tube amps - too
many audible problems to bother with.

There is indeed a feedback path from the OUTx pins to the second amp
inside.

**Of course. See my previous comment. ALL amplifiers use some kind (or
kinds) of NFB.

<snip>
For a professional product, see e.g. https://icepower.dk/products/other/a-series/ . Its datasheet is at https://icepower.dk/download/2414/ . It supports loads down to 2.7
ohm loads. Again I wonder what the switching frequency has to do with
load.

**The last ICEpower amp I had on my bench sounded horrible. It's been a
few years. Perhaps they're better now. That said, the issue with
switching frequency is pivotal the the high frequency performance when
used with low impedance loads. The output filter is almost always a
simple 6dB/octave affair. As such, it can introduce phase shift and/or frequency response errors down into the audio band. Raising the
switching frequency to >1MHz means that almost any speaker system can be
used without causing such problems. IMO, once switching frequencies
reach (say) 1.5MHz, then Class A and Class A/B amps will no longer need
to exist. Right now, at the present state of the art, Class A and Class
A/B amps still provide superior performance, when used with low
impedance loads. Of course, this means that for subwoofers, Class D is
the only sane choice.

I wonder if the phase plot can be matched by any analog amp, or even
the output resistance of <50 mOhm .

**Of course. Achieving an output impedance of 50mOhm is easy enough. The
catch is achieving that output impedance at 20kHz.
--
Trevor Wilson
www.rageaudio.com.au

--
This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus

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From Newsgroup: rec.audio.high-end

On 20/10/2019 1:03 AM, Mat Nieuwenhoven wrote:

On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

<snip>

Do they actually use FB?

**EVERY amplifier uses NFB. Every single one. Regardless of technology
or claims from manufacturers.

If I look

at the spec sheet of the TDA7492 it doesn't look like it. Do they
sound worse than a good analog amp?

**I see a loop feedback mechanism in the block diagram. I see some
audibly significant problems with the amplifier. Max THD is cited aas
0.4% and the frequency response is poor, compared to even modest Class
A/B amplifiers. The low switching frequency ensures that low impedance
(<4 Ohms) loads are not well catered for.

The TDA7492 has a switching frequency of typically 310 kHz. How is
this related to bad handling of a 4 ohm load, and why is that
dependent on the load resistance? And this IC is specified for 4 ohm
or more.

The low frequency fall off is deliberate (page 24 of the ST spec),
easily fixed by increasing the input size capacitor. The
THD-versus-frequency plot is indeed not impressive, THD rises in
spots to 0.2 %. You don't happen to have a link to a similar plot
from a good quality analog amp? Also, a link for a similar FFT plot ?
I am curious.

The IC is also dirt cheap, on a board for less than 10 $. For that
price, it is superb value for money.

There is indeed a feedback path from the OUTx pins to the second amp
inside.

<snip>
For a professional product, see e.g. https://icepower.dk/products/other/a-series/ . Its datasheet is at https://icepower.dk/download/2414/ . It supports loads down to 2.7
ohm loads. Again I wonder what the switching frequency has to do with
load.

I wonder if the phase plot can be matched by any analog amp, or even
the output resistance of <50 mOhm .

Mat Nieuwenhoven

So would it be worth my while to buy one or two of these and play with them? <https://www.aliexpress.com/item/32796154933.html> I have a few ~100w laptop power bricks around
that I could use to feed power to them (that I could supplement with a large local capacitor...).

I realise it's in a different class to the links you provided but I don't have a big budget. That
said I don't have money to waste either...

Cheers,
--
Shaun.

"Humans will have advanced a long, long way when religious belief has a cozy little classification
in the DSM"
David Melville

This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.
--- Synchronet 3.21d-Linux NewsLink 1.2

From Newsgroup: rec.audio.high-end

On 20/10/2019 1:07 pm, ~misfit~ wrote:

On 20/10/2019 1:03 AM, Mat Nieuwenhoven wrote:

On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

<snip>

-a Do they actually use FB?

**EVERY amplifier uses NFB. Every single one. Regardless of technology
or claims from manufacturers.

-a If I look

at the spec sheet of the TDA7492-a it doesn't look like it. Do they
sound worse than a good analog amp?

**I see a loop feedback mechanism in the block diagram. I see some
audibly significant problems with the amplifier. Max THD is cited aas
0.4% and the frequency response is poor, compared to even modest Class
A/B amplifiers. The low switching frequency ensures that low impedance
(<4 Ohms) loads are not well catered for.

The TDA7492 has a switching frequency of typically 310 kHz. How is
this related to bad handling of a 4 ohm load, and why is that
dependent on the load resistance? And this IC is specified for 4 ohm
or more.

The low frequency fall off is deliberate (page 24 of the ST spec),
easily fixed by increasing the input size capacitor. The
THD-versus-frequency plot is indeed not impressive, THD rises in
spots to 0.2 %. You don't happen to have a link to a similar plot
from a good quality analog amp? Also, a link for a similar FFT plot ?
I am curious.

The IC is also dirt cheap, on a board for less than 10 $. For that
price, it is superb value for money.

There is indeed a feedback path from the OUTx pins to the second amp
inside.

<snip>
For a professional product, see e.g.
https://icepower.dk/products/other/a-series/ . Its datasheet is at
https://icepower.dk/download/2414/ . It supports loads down to 2.7
ohm loads. Again I wonder what the switching frequency has to do with
load.

I wonder if the phase plot can be matched by any analog amp, or even
the output resistance of <50 mOhm .

Mat Nieuwenhoven

So would it be worth my while to buy one or two of these and play with
them?
<https://www.aliexpress.com/item/32796154933.html> I have a few ~100w
laptop power bricks around that I could use to feed power to them (that
I could supplement with a large local capacitor...).

I realise it's in a different class to the links you provided but I
don't have a big budget. That said I don't have money to waste either...

Cheers,

**Depends on what you are trying to achieve. For 4 Bucks, it represents
very good value for money, for an amplifier that can make some noise. It
ain't 'proper' hi fi, but it will certainly outperform many highly
prized (and very expensive) valve amps. It cannot hope to perform as
well as any competently designed Class A/B solid state amp though.
Still, it is FOUR BUCKS!
--
Trevor Wilson
www.rageaudio.com.au

--
This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus

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From Newsgroup: rec.audio.high-end

On 21/10/2019 9:31 AM, Trevor Wilson wrote:

On 20/10/2019 1:07 pm, ~misfit~ wrote:

On 20/10/2019 1:03 AM, Mat Nieuwenhoven wrote:

On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

<snip>

-a Do they actually use FB?

**EVERY amplifier uses NFB. Every single one. Regardless of technology >>>> or claims from manufacturers.

-a If I look

at the spec sheet of the TDA7492-a it doesn't look like it. Do they
sound worse than a good analog amp?

**I see a loop feedback mechanism in the block diagram. I see some
audibly significant problems with the amplifier. Max THD is cited aas
0.4% and the frequency response is poor, compared to even modest Class >>>> A/B amplifiers. The low switching frequency ensures that low impedance >>>> (<4 Ohms) loads are not well catered for.

The TDA7492 has a switching frequency of typically 310 kHz. How is
this related to bad handling of a 4 ohm load, and why is that
dependent on the load resistance? And this IC is specified for 4 ohm
or more.

The low frequency fall off is deliberate (page 24 of the ST spec),
easily fixed by increasing the input size capacitor. The
THD-versus-frequency plot is indeed not impressive, THD rises in
spots to 0.2 %. You don't happen to have a link to a similar plot
from a good quality analog amp? Also, a link for a similar FFT plot ?
I am curious.

The IC is also dirt cheap, on a board for less than 10 $. For that
price, it is superb value for money.

There is indeed a feedback path from the OUTx pins to the second amp
inside.

<snip>
For a professional product, see e.g.
https://icepower.dk/products/other/a-series/ . Its datasheet is at
https://icepower.dk/download/2414/ . It supports loads down to 2.7
ohm loads. Again I wonder what the switching frequency has to do with
load.

I wonder if the phase plot can be matched by any analog amp, or even
the output resistance of <50 mOhm .

Mat Nieuwenhoven

So would it be worth my while to buy one or two of these and play with them? >> <https://www.aliexpress.com/item/32796154933.html> I have a few ~100w laptop power bricks around
that I could use to feed power to them (that I could supplement with a large local capacitor...).

I realise it's in a different class to the links you provided but I don't have a big budget. That
said I don't have money to waste either...

Cheers,

**Depends on what you are trying to achieve. For 4 Bucks, it represents very good value for money,
for an amplifier that can make some noise. It ain't 'proper' hi fi, but it will certainly
outperform many highly prized (and very expensive) valve amps. It cannot hope to perform as well as
any competently designed Class A/B solid state amp though. Still, it is FOUR BUCKS!

Thanks Trevor. Yeah US$4 + some postage, not a lot of money to spend to find out. I had zero
interest in this sort of thing until I saw the post I replied to then started to wonder it it might
be worth converting some of the less valuable speakers in my speaker collection (that I need to
part with soon) to powered speakers. The sort of thing a smart phone can be plugged into...

That might make them a bit more profitable to sell on the current market. The ones I'm thinking of
are old-ish but not classic. T'was just a passing thought. I see there are also Bluetooth enabled
versions of TDA7492-based power amps for sale for not a lot more than that one.

Cheers,
--
Shaun.

"Humans will have advanced a long, long way when religious belief has a cozy little classification
in the DSM"
David Melville

This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.
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From Newsgroup: rec.audio.high-end

On Wednesday, October 16, 2019 at 12:43:04 PM UTC-4, Peter Wieck wrote:

a) Argument-by-exception is, generally, fallacious.

Argument-by-exceptionally-rare-exception: more fallacious? :-)

b) Anything including a coil that carries current will be inductive.

Not necessarily true, especially over the bandwidth of interest.
I have, for example, measured transformers intended for wide-
band audio use (Jensen comes to mind) that, when e secondary is
loaded with it's intended resistive load, exhibits completely
resistive impedance with NO sign of an indictive component well
beyond the audio bandwith.

Further, even considering the lowly typical "high-end tweeter",
as one sweeps upward in frequency, one observes first primarily
resistive impedance, then resistive-inductive, then resistive,
then resistive-capactive, then resistive and then, finally, as
one approaches the high-frequency cutoff, resistive-inductive. And
even at that, the impedance is dominated by, in the vast majority
of cases (both tweeters and frequencies) the resistive component
of the impedance.

But, really, to be technically accurate, one should say that when
current is being asked to move across a subtended area, it will
exhibit inductive behavior. It has nothing, per se, to do with
"coils": the effective inductance of the prior circular particle
accelerators was a rather thorny problem. It's not as much of an
issue for the LHC, simple because you really have two "coils"
occupying the same physical space (to a reasonable approximation),
running 180 degrees out of phase, thus cancelling the inductance.

c) Most well-designed speakers using conventional drivers that include voice-coils will account for this in their design.

I might be inclined to emphasize "most" in this context". The two
exception noted were, in one case, a proprietary driver not
widely available, the second being a very interesting driver
that never achieved real production and distribution.

d) Many crossover designs include inductors of various natures typed.

Yes, but they, in and of themselves, do not necessarily
contribute to the effective inductive behavior of
the impedance curve.

This last point is THE crucial one: regardless of what's under
the hood, it's the resulting impedance curve that's the issue
at hand. One can have parts that are inductive (or even inductors)
in a circuit) that, overall, does NOT exhibit an inductive
component to the impedance, and one can have a circuit that has
NO inductors whatsoever whose impedance looks all the world
like an inductor (the classic gyrator is one example).

e) And those well-designed speakers that incorporate the exceptions
will also account for those option.

Yes, but the details of such may well be irrelevant in
the current scheme of things.

Comes down to the question of: Does driver/speaker inductance
in *this* particular speaker coupled with *that* particular
amplifier matter at *this* range of frequencies and volumes?

Theory is all well and good, but how things operate in the real
world at the living/listening room level are, or at least should,
be the primary issue.

Entirely agreed, and I would only emphasize the point by saying
that it is certainly possible for one to find a exceptionally
rare combination of things that support a particular thesis:
such exceptions, contrary to the popular idiom, do NOT prove
the rule: they simply demonstrate the ability to concoct a
completely pathological exception.

In following this thread, I did review Trevor's list of
"pathological" (my use of the term) loudspeaker impedance
curves to be found at Stereophile, and my overall reaction is
that I find the situation they (these manufacturers) enumerate
to be disturbingly irresponsible. With few exception, when I
have been asked to consult on projects which exhibited these
sorts of pathological; impedance curves, almost without
exception, are the result of design imcompetence. There are
ways of designing passive crossovers with the same electro-acoustic
transfer functions that DO NOT have these same gross impedance
anomalies. This is especially true of three-way, multi-order
passive parallel ladder-type networks (which are the vast majority
of such found in such multi-way systems).

Designing a system that exhibits the kinds of impedance
properties that lead to the sorts of issues discussed here
is highly irresponsible and yet another sign of the technically
insular nature of the high-end world.
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From Newsgroup: rec.audio.high-end

Mpffffff....

Now, we need to get into the difference between "accuracy" and "precision" - which for the record, are not even a little bit the same thing.

Accuracy: A digital thermometer calibrated in two (2) degree Celsius increments, that is always with two degrees of the actual temperature is accurate - but not necessarily precise.

Precision: A digital thermometer that is calibrated to six (6) decimal places of a degree, but is randomly somewhere between 4 and 8 degrees off the actual temperature is very precise. Not hardly accurate.

Point being that good speaker design covers inductance, whether intentional or accidental (peculiar to the nature of the elements in use).

DO, PLEASE look up the original definition of Peculiar.

Peter Wieck
Melrose Park, PA
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