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THE MT VOID
09/04/26 -- Vol. 45, No. 10, Whole Number 2448
Editor: Evelyn Leeper,
evelynchimelisleeper@gmail.com
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Topics:
Money in Time and Space (comments by Evelyn C. Leeper)
THE EVERLASTING by Alix E. Harrow (book review
by Joe Karpierz)
2026 Hugo Awards
Milk in Tea (comment by Evelyn C. Leeper)
Art That Does't Age Well (letters of comment
by Richie Bielak and Scott Coltrin)
THE BATTLESHIP POTEMKIN, SILENT MOVIE, YOUNG FRANKENSTEIN,
and THE PRODUCERS (letters of comment
by Lawrence D'Oliveiro, Gary McGath, Scott Dorsey,
and Tim Merrigan)
John Profumo (letters of comment by Hal Heydt
and Paul Dormer)
This Week's Reading (A BASQUE HISTORY OF THE WORLD)
(book comments by Evelyn C. Leeper)
===================================================================
TOPIC: Money in Time and Space (comments by Evelyn C. Leeper)
Random notes about money through time and space:
Older Americans (like me) remember when US and Canadian dollars
were equal in value and not only could you spend bills relatively
freely back and forth (at least when you were close to the
border), you could spend coins the same way.
We were on a tour in Europe in 1986 and when we were in the third
country or so, the woman in front of me at the cafeteria we had
stopped at held out a handful of mixed change from all three
countries and asked, "Can I pay with any of this?" The tour bus
had previously stopped somewhere for us to change money; this
woman just threw everything in the same purse and couldn't be
bothered figured out which coins and bills went with which
country. (This is somewhere on the level of the two women on our
China tour, who always wanted forks but couldn't be bothered to
learn how to say that one word in Chinese.)
In 1990 we were in the Amsterdam airport leaving for home, and
Mark was looking at a couple of CDs in one of the shops. When we
left the shop, I asked why he didn't buy them, and he said he
thought we didn't have any Dutch money left. I said no, but we had
a credit card, upon which he immediately pivoted back into the
store.
Back in the early 1990s, I bought a book from a dealer in
Amsterdam. This was before PayPal or even payment online by credit
cards, so I paid Helene-Hanff-style, by mailing them a $10 bill.
The total was $8, but it would have put the weight of the envelope
into the next weight class to send four bills, so I sent them an
extra $2 rather than pay it to the USPS. I figured they could
always take it to a bank to exchange it, and the extra $2 should
cover any fees.
I must remember to take my leftover European money to Montreal for
the Worldcon, in case I can spend it in the Dealers Room with
European vendors. In Edinburgh in 1995, I bought an alternate
history fanzine from a German fan. It was DM8, and since I had
some left-over DM from our stop-over on the way to India, I gave
him DM10, getting 90p change. Thus is international finance
carried out at conventions.
In 1990 the exchange rate in Hong Kong was approximately HKD8 to
US$1. At one of the tourist attractions there a woman who was
selling a pack of post cards for "a dollar," but when Mark offered
her a Hong Kong dollar, it turned out she meant a United States
dollar. This hardly seemed reasonable, but I guess she figured
Americans couldn't deal with the concept of Hong Kong dollars. We
didn't buy the cards.
But this proves that some vendors outside the US take US dollars,
or did. This is much less common in (western) Europe. But
elsewhere things are different.
For example, in Yugoslavia in 1991, the last thing anyone wanted
was Yugoslav dinars. Similarly, in 2012 in Zimbabwe they weren't
even dealing in Zimbabwe dollars any more, though they tended to
prefer South African rand to US dollars. (If you paid in US
dollars, you might still get your change in South African rand, or
sometimes in candy or other small items.) And the US dollars had
to be 2001 or later, and not torn.
Money in India in 1993 was ... weird. As Mark described it in our
log, "Indian money is a trip all by itself. The books say to
change a fair amount each time because it takes so long in most
banks, but what they don't say is that you end up with a *huge*
wad of money. At the current rate, thirty-one rupees is one United
States dollar. A rupee is about three cents. The biggest bill you
generally see is Rs100. Imagine commerce in the United States if
there were no bills worth more than US$3. You don't have to be
very rich to sport a wad of bills that would choke a horse. We
changed US$500. That means we got a lot of bills. They staple them
together in stacks of a hundred about a half an inch thick. Then
you have to remove the staples and a torn bill will probably be
refused. It is a very big mess removing the staples. It took
Evelyn almost a half hour to remove the multiple staples from one
batch we got."
And there is the travel hint (sorry, I guess "hack" is the word
now) of using your remaining local currency on the last day to pay
part of your hotel bill and use your credit card for the rest.
This has the advantage of saving standing in line at the airport
to change your money back. Just be sure you have a way to pay for
the ride back to the airport!
Our other hack when we went with three friends to Southeast Asia
in 1990 was that one of us would change out remaining money for
the country we were leaving (A) for the one we were going to (B).
Since coins are not legal tender outside of their issuing country
(though see Canada above) that person would get bills for country
B and the leftover in coins for country A. They would hand the
coins to the second person in our group, who would add them to
their money and change that. And so on. This meant we ended up
with very little in coins from country A. (No one was big on
collecting souvenir coins for their nephew or whatever.)
And finally, I just noticed that of the new coins for the
semiquincentennial, only one has Washington on the front
(Revolutionary War). One has two Pilgrims (Mayflower Compact), one
has Jefferson (Declaration of Independence), one has Adams (the
Constitution), and one has Lincoln (Gettysburg Address). The
Mayflower Compact, Revolutionary War, and Gettysburg Address also
have, for the first time, the value in digits (25c). The other two
still say only "quarter dollar"--I have no idea why. ChatGPT says
that the Constitution one has the clock in the tower set to
2:50--but that's not 25, and it later says that represents the semiquincentennial. When pressed further about "25 cents" it
claims that no US quarter has the denomination printed in
digits--clearly not true. [-ecl]
===================================================================
TOPIC: THE EVERLASTING by Alix E. Harrow (copyright 2025,
Macmillan Audio, 13 hours and 41 minutes, narrated by Moira Quirk
and Sid Sagar, ASIN: B0F1DSGT76; Tor books, 320 pp., hardcover,
ISBN-10: 1250799082, ISBN-13: 978-1250799081) (book review by Joe
Karpierz)
Who knew that we needed a semi-Arthurian time travel love story
between a soldier turned historian-scholar and a mythical knight
who helped forge the country called Dominion? I sure didn't. Alix
E. Harrow's THE EVERLASTING quickly informed me that I did indeed
need those very things.
Owen Mallory has come home from the war, and decides to try to
become a scholar. His specialty will be the study of Sir Una
Everlasting, the knight from deep in Dominion's past who, along
with Queen Yvanne, built the country that Owen fought for in the
war. The Owen that we meet at the beginning of the story has
pretty much failed at everything he has tried. He wasn't a very
good soldier--although he did have one skill that will turn out to
be useful throughout the novel--or scholar. His colleagues
ridicule him for his choice of study, as they all believe that
there is nothing more to learn about Una, and in fact most of what
is known is most likely a myth written to entertain children and
convince them they all want to be heroic countrymen. He is even a disappointment to his father, who does not approve of his life
choices.
But Mallory plods on, and one day, via a stroke of luck, a copy of
a rare book--again thought to be mythical--detailing the death of
Una Everlasting shows up on his desk. He's been hoping it would
show up, as he wants to expand Una's story and provide depth to
the character, ultimately telling the true story of Una. His
colleagues think the book is rubbish, that it can't say any more
about Una than what is already known. Possession of the book leads
him to meet with Vivian Rolfe, Dominion's new Minister of War. And
that, really, is where the story really begins.
It is said that one should never meet one's heroes, as this way
typically leads to disappointment. What Mallory, and all of
Dominion knows, is that Una Everlasting pulled the sword Valiance
from a yew tree, used it to slay the last dragon, and recover the
lost Grail. The real story, the story that Mallory really wanted
to know, is much more involved than that. Oh, those events did
happen, but as we find out as the novel progresses, Una is a much
deeper and unhappier character than the legends say she is. She is
devoted to the Queen, who is ambitious, repressive, and not really
the Queen the stories make her out to be. All of this changes with
the arrival of Owen in her time. Earlier I did say there would be
time travel involved, and a love story, and here we are (and how
the time travel works ventures into the realm of spoilers, but I
will say that there are revelations throughout the novel about the
mechanics of how it works that I found somewhat ingenious and
interesting). Owen does not travel back to Una's time just once,
but several times, and each time their love for each other grows
deeper as they try to change Una's story to something more
satisfying. For the mythical book that started this whole thing is
entitled "The Death of Una Everlasting", and why wouldn't you want
to change that outcome?
So yes, this is indeed a semi-Arthurian (I mean, the sword was
pulled from a magical tree and made Una a legendary hero, and the
story does take place in an England-like country) time travel
(Owen is a man out of time, and he basically has to go back
multiple times to get things right. Does that make him a failure
for taking so many trips, thus paralleling his failures in his own
time?) love story (although I don't think it's too often that one
main character meets his hero and falls in love with her) between
a scholar and a mythical knight. But it is so much more than that.
It's a tale of just how far someone will go to gain power and hang
on to it--forever, it seems. I've listened to Harrow talk about
the book on a podcast, and I've read a few things about it, but I
never ran across anything that indicated just when it was written.
But it sure seems like she saw coming what is happening in today's
political climate, not only in the U.S. but all over the world.
It's another thing you don't see coming until it finally does hit
you over the head with it--over and over and over again. It's also
a love story that survives all the tumult of that power grab, a
story that transcends time (yeah, I know, we've seen that before,
but still). It's a beautifully written story, with wonderful
characters that Harrow makes the reader care deeply about. The
reader wants to see how it ends, and hopes it ends well. But don't
all fairy tales end with "and they lived happily ever after"?
After everything that Owen and Una have gone through, you
certainly hope they do. I know I did.
I highly recommend THE EVERLASTING, and I can see it winning this
year's Hugo Award for Best Novel. In my opinion it's in a tight
race with two other of the finalists this year, so it will be
interesting to see what happens. [-jak]
[Evelyn notes: It won. See below. -ecl]
===================================================================
TOPIC: 2026 Hugo Awards
Best Novel: THE EVERLASTING by Alix E. Harrow
Best Novella: THE RIVER HAS ROOTS by Amal El-Mohtar
Best Novelette: "Never Eaten Vegetables" by H.H. Pak
(Clarkesworld, Issue 220)
Best Short Story: "In My Country" by Thomas Ha
(Clarkesworld, Issue 223)
Best Series: "Old Man's War" by John Scalzi
Best Graphic Story or Comic: A WIZARD OF EARTHSEA: A GRAPHIC
NOVEL, written by Ursula K. Le Guin,
adapted and art by Fred Fordham
Best Related Work: INVENTING THE RENAISSANCE by Ada Palmer
Best Dramatic Presentation, Long Form: SINNERS
Best Dramatic Presentation, Short Form: MURDERBOT: "All Systems
Red"
Best Game or Interactive Work: Clair Obscur: Expedition 33
Best Editor Short Form: Neil Clarke
Best Editor Long Form: Diana M. Pho
Best Professional Artist: John Picacio
Best Semiprozine: Uncanny Magazine
Best Fanzine: nerds of a feather, flock together
Best Fancast: Hugo, Girl!
Best Fan Writer: Jason Sanford
Best Fan Artist: Yuumei
Best Poem: "Hex Supply Customer Support Log" by Elis Montgomery
(Strange Horizons, Issue 25 August 2025)
Lodestar Award for Best YA Book: COFFEESHOP IN AN ALTERNATE
UNIVERSE by C.B. Lee
Astounding Award for Best New Writer (sponsored by Must Read Books
Publishing): Antonia Hodgson (1st year of eligibility)
(2492 ballots were cast)
===================================================================
TOPIC: Milk in Tea (comment by Evelyn C. Leeper)
There was an on-line discussion that led to the question of which
goes in the cup first: the tea or the milk?
One site says, "However, scientifically speaking, putting the milk
in your cup first, allows the fat content of the milk to emulsify
differently when the tea is poured over it, which gives the tea a
more even and creamier flavour."
Another says, "... pouring milk after hot tea preserves flavor and
texture."
And a third explains the (possible) origin:
"The practice of adding milk first is believed to have originated
to prevent china cups from cracking due to thermal shock from hot
tea. However, this theory is largely considered incorrect today,
as modern porcelain is robust enough to handle hot liquids."
The lower class had cheap porcelain cups that would crack, while
the upper class had expensive bone china cups that would not. This
meant milk first was an lower-class thing, and tea first a
upper-class thing.
This showed up in GOSFORD PARK, which was reviewed in the 08/14/26
issue of the MT VOID. In the tea scene, Inspector Thomson starts
to pour the milk in first, but Lady Sylvia stops him and says she
prefers the tea first. Thomson complies, but notes that his wife
prefers the milk first, thereby marking her as lower-class. [-ecl]
===================================================================
TOPIC: Art That Does't Age Well (letters of comment by Richie
Bielak and Scott Coltrin)
In response to Evelyn's comments on songs that don't age well in
the 08/28/26 issue of the MT VOID, Richie Bielak writes:
Regarding songs that may have different interpretations today: "On
the Street Where You Live", from "My Fair Lady", could be by a guy
in love, or a stalker. :-) [-rb]
Steve Coltrin gave this example in books:
"On the surface, she was a lovely young woman, certainly as
beautiful as Taniquel, but as sexless as a child of seven or
eight. Rannirl had said something about ritual virginity--and
Elorie was certainly as unconscious of her own beauty and
desirability as the youngest, most unaware of children. Or more
so; most little girls, by eight or nine, were quite aware of their
own femininity and one could see in them the seeds of
desirability. Elorie, somehow, seemed entirely unaware of her own
womanhood." -Marion Zimmer Bradley, THE BLOODY SUN (quoted
material added in the 1979 rewrite)
In 1979? Wut. Today (particularly with what is now more generally
known about the author)? *Yeesh!* [-sc]
===================================================================
TOPIC: THE BATTLESHIP POTEMKIN, SILENT MOVIE, YOUNG FRANKENSTEIN,
and THE PRODUCERS (letters of comment by Lawrence D'Oliveiro, Gary
McGath, Scott Dorsey, and Tim Merrigan)
In response to Evelyn's comments on various films in the 08/28/26
issue of the MT VOID, Lawrence D'Oliveiro writes:
[Evelyn writes,] "THE BATTLESHIP POTEMKIN was terrifically
influential, being referenced directly in 105 feature films, 57 TV
episodes, and 13 TV movies, not counting videos, shorts, and
probably ads as well." [-ecl]
... baby pram careening down the Odessa Steps ... [-ldo]
Evelyn adds:
Also the scene with the eyeglasses. [-ecl]
[re SILENT MOVIE]
And it did have one word of actual dialogue ... spoken by, of all
people, Marcel Marceau.
(Trivia question: what language was that word in?) [-ldo]
Gary McGath replies:
I don't know. I don't speak French. [-gmg]
Lawrence responds:
Well played. [-ldo]
Scott Dorsey also responded to Gary:
But for my part, 'twas Gr... French to me. [-sd]
Tim Merrigan gives a more straightforward answer:
French: "Non." which, unless one is listening closely, when spoken
in a French accent, sounds a whole lot like "no" in English or
Spanish. [-tm]
[re YOUNG FRANKENSTEIN]
Another classic, featuring one of the two terrifyingly memorable
roles for Cloris Leachman in a Brooks movie. And Marty Feldman,
yet. [-ldo]
[re THE PRODUCERS]
In the beginning, there was "The Producers", the movie <
https://www.imdb.com/title/tt0063462/>, about the making of the
fictional musical "Springtime for Hitler". Then it was made into an
actual stage musical. And from there into another movie <
https://www.imdb.com/title/tt0395251/>. [-ldo]
===================================================================
TOPIC: John Profumo (letters of comment by Hal Heydt and Paul
Dormer)
In response to Evelyn's comments on GIGI in the 08/28/26 issue of
the MT VOID, Hal Heydt writes:
[Evelyn writes,] "(For those old enough to remember Christine
Keeler, I think that makes her a courtesan.)" [-ecl]
After the [John] Profumo scandal, a joke went around.
Unfortunately, it works better verbally because it uses a homonym,
but still...
Did you hear that Christine Keeler tried to commit suicide?
She was found lying under a peer/pier. [-hh]
Paul Dormer notes:
I was ten at the time the scandal broke and I kept hearing the
name Christine Keeler, but it was about ten years before I found
out what it was about. [-pd]
Hal adds:
The other name that goes with the Profumo scandal was Mandy Rice
Davies. [-hh]
And Paul adds another name:
As does Stephen Ward.
When I started work in 1973, I shared an office with someone
called Stuart Ward. People would occasionally get confused and
call him Stephen.
Ward's trial began on my 10th birthday. I don't remember hearing
anything about it at the time. It was at that trial Mandy
Rice-Davies uttered the famous line "Well he would, wouldn't he?"
[-pd]
Evelyn observes:
Profumo managed to redeem himself enough to be made a CBE thirteen
years later. Mandy Rice-Davies also managed to recover from the
scandal, but Christine Keeler did not, accusing someone of
assault. He committed suicide before the verdict was given, and
then witnesses came forward to testify that Keeler had lied. She
served six months in prison, and basically disappeared from public
view afterwards. [-ecl]
===================================================================
TOPIC: This Week's Reading (book comments by Evelyn C. Leeper)
A BASQUE HISTORY OF THE WORLD by Mark Kurlansky (Penguin, ISBN 978-0-140-29851-2) is more a Basque history of the Basque Country
(Euskal Herria) than a history of the world from a Basque
perspective. While it does talk about other areas (in particular
Spain and France, obviously), these are all in connections with
Euskal Herria. For example, China is mentioned only as a place
that started manufacturing cheap espadrilles, which affected the
Basque economy. It also has a lot of recipes.
Kurlansky claims that "honcho" derives from the Basque word
"jauntxo" (a powerful rural landlord). Every other
source--including the OED-- claims "honcho" comes from the
Japanese "hancho" and was picked up by American soldiers after
World War II. This may be an occasion where Kurlansky's enthusiasm
for things Basque has gotten away from him.
Also claimed (not by Kurlansky) to be of Basque origin is
"bizarre" which came from Italian via French. "Chaparral" does
seem to be of Basque origin, coming from "txapar" meaning "little
thicket". And "silhouette" comes from the proper name
"silhouette", which is believed to have Basque origins. "Anchovy"
may be of Greek, Latin, Portuguese, or Basque origin.
(Kurlansky refers to the language as Euskera, but that is the
Basque word for it, and seems to me a bit strange, the same as
referring to Francais, Deutsch, or Ellinika, instead of French,
German, or Greek would be.)
This book covers a piece of history usually ignored in most
history books, and is worth reading if you want some history you
haven't heard of before. The one problem is that it is twenty-five
years old, so gives you no information about the current state of
Basque separatism. In particular, it does not cover the end of the fifty-two-year-long Basque Conflict in 2011 (thought the ETA did
not formally dissolve until 2016). [-ecl]
===================================================================
Evelyn C. Leeper
evelynchimelisleeper@gmail.com
The first 90% of the code accounts for the first
90% of the development time.
The remaining 10% of the code accounts for the other
90% of the development time.
--Tom Cargill
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