From Newsgroup: comp.lang.mumps

Dine Dine My Darling has to be number 1 for me. I love how it appeals to something that is probably the most intimate moment of anybody's life, more personal and romantic than sex or marriage or anything else. The sharing of your final moments and the hope of the one you love being there until you leave, that's so powerful to me. The words Dan puts into songs are always top notch, so no surprise on some of the lyrics here. For me this is a song that is for the true love of your life and nobody else, period.
As the new chairman I'm bringing my flavor of music, and I wanna go w an Alkaline Trio song this week. I've already done Anthony Green, Hail The Sun, and Twenty One Pilots (my one outlier in music that's my guilty pleasure).
trio mio latest song download
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Finally got a party trio running and we are working on the setlist now. We do songs like summer of 69, lay down sally, sweet home ala, livin on a prayer, sweet child of mine, get back, back in the ussr, sharp dressed man... I could use tips on great trio songs that gets people asses up and moving... My drummer cant handle SRV and simular train beats just yet... Dont ask:)
I see your point. But how many do you know who can do that? Im having a hard time visualizing me being that person The song has to have a groove to it for people to dance. Can you do that with any tune? My bandmembers isnt on that level, Im afraid, so I have to pick the right songs
I have to agree with whomever said not to limit yourself to 3-piece covers! My band is a 3 piece, and we do a wide variety of covers...from a 3-piece like Nirvana to Incubus, which I think is a 5-piece? It's all about the talent of your members and the creativity you employ to tweak a song performed by 5 to sound good with 3!
I agree that you'd be amazed what you can do as a trio. After managing to pull off "Speed of Sound" by Coldplay with guitar/bass/drums, there isn't much we won't at least attempt. And yes, it goes over well with a younger audience.
It seems I have played in three-piece situations more often lately, so it often takes some creativity to try to get the spirit of a song that has multiple voices and instruments. The lead singer/bandleader of my most recent band would rarely play guitar or sing backup on the songs I sang, so I just considered the band going into "three-piece mode" for those tunes and the band before that, the lead singer wouldn't even do backup for me near the end of my time with the group, so we were basically guitar/vocals, bass/keyboards/vocals (me) and drums/vocals on those songs.
I read an interview with Michael Anthony of Van Halen in a guitar magazine back in 1990. He said when they were a cover band, playing 70s funk and disco songs, they would sing the horn parts for songs like "That's The Way (Uh Huh Uh Huh) I Like It." So, pretty much any song can be approximated as a trio if you are creative enough.
"Hell Yes" is a song by the Chicago-based punk rock band Alkaline Trio, released as a single in 2001 through Lookout! Records. Both tracks of the single, "Hell Yes" and "My Standard Break from Life", were recorded in 2000 at Pachyderm Studio in Cannon Falls, Minnesota during sessions for the band's 2001 album From Here to Infirmary. The single was the band's final release to include drummer Mike Felumlee, who left the group shortly after From Here to Infirmary's release. Both tracks were reissued in 2007 on the compilation album Remains.
Singer and guitarist Matt Skiba wrote "Hell Yes" in tribute to Anton LaVey, founder and High Priest of the Church of Satan.[1] It was written shortly after Skiba moved to the San Francisco Bay Area where LaVey had once lived. In the liner notes for Remains, Skiba commented that "I miss the Bay, and Doktor LaVey and The Black House on the hill that has since gone away."[1] Singer and bassist Dan Andriano cited "Hell Yes" as one of his favorite songs to perform and noted it as one of the most often-requested numbers at the band's performances, describing it as "a perfect punk rock song about doing what makes you happy. Plain and simple."[1]
"My Standard Break from Life" was written by Andriano in the span of roughly twenty minutes during a time when he was living on Chicago's north side next to a crack house.[1] Describing his inspiration, he stated "Let's just say I was pretty depressed. I was totally unmotivated, drinking way too much, smoking way too much, and the ladies weren't exactly banging down my door. But, somehow the song is pretty fun to play."[1] Though infrequently performed as a group, Andriano occasionally plays the song solo at the band's shows.[1]
"Sadie" is a song by American rock band, Alkaline Trio. The song was initially released on April 20, 2004, as part of band's split album with One Man Army, and is notable for being included on multiple major releases throughout their discography. The song was written by Matt Skiba, Dan Andriano, and Derek Grant.
"Sadie" was written by Skiba while the band was on tour in support of their 2003 album, Good Mourning. It was initially played only at sound checks for their shows, but the diversity in sound that it had to their previous songs grew fondly with the band, which led them to record it for BYO Split Series Volume V. At the same time however, all three members knew that "Sadie" was the tone they wanted to set for their next album, and intended to rerecord it for their 2005 album, Crimson.
"The feel of the song was different, so we were just trying to go for something. A blaring sort of rock and roll guitar in the beginning wouldn't have really been appropriate. We wanted something that was dirty and dark, but not too dark to where it was dull-sounding. We messed around with it for quite a while, and then when we went in to do Crimson, we sort of emulated that tone as best we could without completely trying to just redo the way it was done originally." - Matt Skiba[4]
The song was written about Susan Atkins; a member of the Manson Family involved in all but one of the nine murders the family committed in California in the 1960s. Atkins was nicknamed Sadie Mae Glutz (or Sexy Sadie) by Charles Manson, which is where the song's name came from. Skiba wrote it as a more sympathetic look at Atkins and her involvement with the Manson Family, seeing her more as a victim of manipulation. During the bridge of the song, a section of Atkins' testimony is read by Heather Gabel, who designed the band's Heart & Skull logo.[5][6] The song also features the band's touring manager/guitarist, Nolan McGuire, on lead guitar.[7]
"Sadie" originally released as part of BYO Split Series Volume V, but the band would go on to rerecord the song for Crimson. The original version of the song was also included in the band's compilation album, Remains.
In 2016, Grant uploaded a music video for the song to his personal YouTube channel. The video shows the band playing the original version of the song in their old practice space in 2004. Grant also noted that the video was originally released with the song, but that "it eventually disappeared back into the vault where it remained until now." While McGuire's guitar parts can be heard, he is not present in the video.[8]
Oberlin Trio Welcomes Cellist Dmitry Kouzov with Virtual Recital
The program, which features trios by Haydn, Schumann, and Pulitzer Prize-winning Oberlin alumnus George Walker, marks the Oberlin Trio debut of cellist Dmitry Kouzov, who joined the conservatory string faculty in fall 2020. He will share the stage with longtime trio members David Bowlin on violin and Haewon Song on piano.
2022 will start under the best auspices, with Breath By Breath with his new trio + string quartet. A new composition by Fred will be premiered in early January on the stage of Carnegie Hall in New York
**Please Note** We are primarily a Modern Country Band playing all the current Country Music Hits! However, we can also do lots of 90's alternative radio rock (Matchbox 20, Goo Goo Dolls, etc) and can do some Classic Rock as well. For an extended list of over 700 songs (Country, 90's and Classic Rock), please visit our "Contact" page. We would be glad to email you a complete list.
"We were standing, all three of us, on Exit Glacier, in a spot where even five, ten years ago, the glacier was a hundred feet tall," said drag queen and vocalist Pattie Gonia, who collaborated on the song with 2019 NPR Tiny Desk Contest winner Quinn Christopherson and famed cellist Yo-Yo Ma. The trio traveled to the site in Kenai Fjords National Park to shoot the accompanying music video. "And now it's nothing," Gonia added. "Now it's the rocks underneath."
"He's playing these ethereal harmonics which are beautiful and also a little haunting," said Nate Sloan, a University of Southern California musicologist and co-host of the pop music podcast Switched on Pop. "And that tension to me captures something about the subject of this song, which is preserving this beautiful planet we live on while acknowledging how delicate and fragile it is and how quickly it's being threatened."
Despite the song's connection to melting glaciers, its lyrics don't specifically reference climate change. Sloan said the "Won't Give Up" refrain could serve as a rallying cry for many social movements.
"There's a lot of potential for this song to be sung at climate rallies, to be sung as a part of the climate movement," said Gonia. "But also for the song to be what it needs to be and mean what it needs to mean to other people, no matter who they are. If a person hears it and thinks that it's not about climate but that it's about racial justice or that it's about queer rights, that's beautiful. Take it, go for it."
"We have to be able to express these big emotions so we can continue to take action and not fall into this pit of despair," said workshop organizer Princess Daazhraii Johnson, a board member of Native Movement, an indigenous-led advocacy group in Alaska. (Johnson identifies as Neets'aii Gwich'in and Ashkenazi Jewish.) "The song is so much more than just about the climate crisis and our Mother Earth. It is about our connection as a human species and as a family."
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