• Afrika Bambaataa, Often Called the =?UTF-8?B?4oCYR29kZmF0aGVyIG9mIEhpcC1Ib3As4oCZ?= Dies at 68

    From Big Mongo@mongo@biteme.com to alt.obituaries on Sun Apr 12 01:09:29 2026
    From Newsgroup: alt.obituaries

    https://www.nytimes.com/2026/04/09/arts/music/afrika-bambaataa-dead.html

    Afrika Bambaataa, Often Called the rCyGodfather of Hip-Hop,rCO Dies at 68

    A pioneering rapper and D.J. from the Bronx, he was a key force in
    propelling hip-hop into the mainstream. He was accused of child sexual
    abuse later in his career.

    By Jonathan Abrams and Hannah Ziegler
    Published April 9, 2026
    Updated April 11, 2026, 12:02 p.m. ET
    Afrika Bambaataa, whose spellbinding breakbeat deejaying at house and
    street parties in the Bronx helped give shape to hip-hop in the early
    1970s, but whose legacy was later tarnished by widespread accusations of sexual abuse, died on Thursday in Pennsylvania. He was 68.

    Mickey Bentson, a close friend, confirmed the death but did not provide an exact location or cause.

    Hip-hoprCOs origins are murky and debated, but Mr. Bambaataa was often credited as one of three Bronx D.J.s rCo along with D.J. Kool Herc and Grandmaster Flash rCo who founded and propelled hip-hop forward.

    Hip-hop in those early days revolved around the D.J. locating and
    extending popular breaks rCo the parts of a song containing the percussion
    and rhythm sections rCo so that B-boys and B-girls could perform their acrobatic dance moves.

    Mr. Bambaataa, who was born Lance Taylor, was hailed as a master of
    records and drew from a wide range of genres and sources, including
    European industrial bands like Kraftwerk (rCLTrans-Europe Express,rCY rCLNumbersrCY) as well as funk and salsa. He often removed or masked the labels of his records to obscure the musicrCOs origins.

    rCLI remember a park jam at the Bronx River projects in which kids start pogoing to rCyI Dream of JeannierCOsrCO theme song because they recognized that
    he was sampling from various cultures and making it work within his style, within dance, within funk, within soul, within hip-hop,rCY said Michael Holman, a filmmaker who was active on the early hip-hop scene. rCLNot only
    did he have an enormous record collection, but he knew how to wield it.rCY

    Mr. Bambaataa often dressed as his music sounded, with a nod to the
    future. He wore capes, huge jewelry and leather. Soon, he shifted with
    hip-hop from jams, parks and playgrounds and into studios and record
    labels.

    Mr. Bambaataa defined the early culture of hip-hop when, in 1973, he
    created the Universal Zulu Nation, an international hip-hop awareness
    group. He also popularized the term hip-hop, defining it as encompassing
    four distinct components: D.J.ing, M.C.ing, breaking and graffiti.

    In 1981, he became the first major hip-hop artist to sign with Tommy Boy Records, a label that later recruited other influential hip-hop acts like
    De La Soul and Queen Latifah.

    rCLMany people have a misconception of what hip-hop is,rCY Mr. Bambaataa told The New York Times in 2014. rCLWhen they say hip-hop, they only say itrCOs the rapper, and thererCOs a whole culture and movement behind it.rCY

    Sexual abuse allegations against Mr. Bambaataa became public in 2016, when
    the political activist and former music industry executive Ronald Savage accused him of repeated abuse.

    Mr. Savage later retracted his accusations, but more people soon emerged making similar allegations. Rolling Stone reported last year that 12 men
    in addition to Mr. Savage had accused Mr. Bambaataa of sexually abusing
    them.

    Rolling Stone reported in 2016 that the Universal Zulu Nation had issued a letter apologizing to Mr. BambaataarCOs alleged victims. The group disassociated itself from him 2016. Mr. Bambaataa denied allegations of
    sexual abuse.

    A lawsuit filed against him in 2021 accused him of abusing his position
    within the Universal Zulu Nation to groom and sexually molest children.
    The lawsuit also accused the Universal Zulu Nation of providing Mr.
    Bambaataa with access to children despite knowing about allegations of
    sexual misconduct against him.

    He lost the civil case in 2025.

    Lance Taylor was born on April 17, 1957, in New York City and grew up in
    the Bronx River Houses, a low-income public housing project in the
    boroughrCOs Soundview neighborhood. In 2017, he told the Red Bull Music Academy that his parents were New Yorkers but that he had Caribbean roots.

    His mother, Lamarse Taylor, a nurse, had an expansive record collection
    that became his first introduction to popular music.

    As a youth, he joined the Black Spades, a flourishing street gang. He told
    Red Bull that his worldview began shifting after he won a school essay
    contest that included a trip to Africa. Soon after returning, he began performing under the name Afrika Bambaataa, which he said was inspired by
    a 19th-century Zulu chief, Bambatha kaMancinza.

    rCLHe recognized that it was time to stop fighting and time to start partying,rCY Mr. Holman said. rCLBecause of his leadership in transforming the Bronx from a battlefield to a park jam, most people think of D.J. Afrika Bambaataa as the architect of hip-hop. So the world owes a debt to him,
    and hip-hop culture owes a debt to him.rCY

    Mr. Bambaataa released rCLJazzy SensationrCY with the Jazzy Five in 1981, which blended rap routines with a Gwen McCrae sample.

    A list of survivors was not immediately available.

    In 1982, Mr. Bambaataa released one of hip-hoprCOs most influential songs, rCLPlanet Rock,rCY with the Soulsonic Force. The recording, produced by Arthur Baker, combined rap with sophisticated electronic dance music. The track, later released on an album, influenced much of the hip-hop subgenres that followed, including West Coast electro funk and Miami bass.

    Mr. Bambaataa did not receive the national name recognition of other acts
    and producers as hip-hop crossed into the mainstream in the mid-1980s. Yet
    he continued to make his mark with recordings like rCLLooking for the
    Perfect BeatrCY (1983) and rCLUnity,rCY with James Brown (1984).

    He returned to his electro roots in the 1990s through offerings like
    rCLPlanet Rock rCO98,rCY and by 2006 he had released about 20 albums.

    Clay Risen contributed reporting.
    --- Synchronet 3.21f-Linux NewsLink 1.2
  • From David Samuel Barr@dsbarr@mindspring.com to alt.obituaries on Sun Apr 12 09:26:13 2026
    From Newsgroup: alt.obituaries

    Bam's work on Tommy Boy, cited below,
    was before I joined the label in 1987
    so I met him only a couple of times
    when he dropped in to visit later,
    though when I was doing the royalties
    setup for the 1992 10th anniversary
    "Don't Stop...Planet Rock" remixes
    release I was amused to see that the
    original contracts for him and his
    producer, Arthur Baker, had been
    negotiated on their side by Baker's
    then-wife/lawyer, Tina Klein-Baker,
    who had worked for my father's law
    firm shortly before then (just one
    more of a number of small-world
    coincidences at the label which
    convinced me that it was inevitable
    that I ended up there without even
    having heard of it before I did so).


    On 4/11/2026 9:09 PM, Big Mongo wrote:
    https://www.nytimes.com/2026/04/09/arts/music/afrika-bambaataa-dead.html

    Afrika Bambaataa, Often Called the rCyGodfather of Hip-Hop,rCO Dies at 68

    A pioneering rapper and D.J. from the Bronx, he was a key force in
    propelling hip-hop into the mainstream. He was accused of child sexual
    abuse later in his career.

    By Jonathan Abrams and Hannah Ziegler
    Published April 9, 2026
    Updated April 11, 2026, 12:02 p.m. ET
    Afrika Bambaataa, whose spellbinding breakbeat deejaying at house and
    street parties in the Bronx helped give shape to hip-hop in the early
    1970s, but whose legacy was later tarnished by widespread accusations of sexual abuse, died on Thursday in Pennsylvania. He was 68.

    Mickey Bentson, a close friend, confirmed the death but did not provide an exact location or cause.

    Hip-hoprCOs origins are murky and debated, but Mr. Bambaataa was often credited as one of three Bronx D.J.s rCo along with D.J. Kool Herc and Grandmaster Flash rCo who founded and propelled hip-hop forward.

    [snippage]

    In 1981, he became the first major hip-hop artist to sign with Tommy Boy Records, a label that later recruited other influential hip-hop acts like
    De La Soul and Queen Latifah.

    [more snippage]

    Mr. Bambaataa released rCLJazzy SensationrCY with the Jazzy Five in 1981, which blended rap routines with a Gwen McCrae sample.
    [a bit more snippage]

    In 1982, Mr. Bambaataa released one of hip-hoprCOs most influential songs, rCLPlanet Rock,rCY with the Soulsonic Force. The recording, produced by Arthur
    Baker, combined rap with sophisticated electronic dance music. The track, later released on an album, influenced much of the hip-hop subgenres that followed, including West Coast electro funk and Miami bass.

    Mr. Bambaataa did not receive the national name recognition of other acts
    and producers as hip-hop crossed into the mainstream in the mid-1980s. Yet
    he continued to make his mark with recordings like rCLLooking for the
    Perfect BeatrCY (1983) and rCLUnity,rCY with James Brown (1984).
    --- Synchronet 3.21f-Linux NewsLink 1.2