"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to ten
-- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as lineated
prose - simply chopping a memoir sentence into tiny fragments. Yet,
when it hits, it hits beautifully: the imagery of the Spiderweb of a
city, the mad cult leader drawing energy from capsized tugboats, and
dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen
in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Cujo DeSockpuppet wrote:
will.dockery@gmail-dot-com.no-spam.invalid (Will Dockery) wrote in news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to ten
-- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring
background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as lineated
prose - simply chopping a memoir sentence into tiny fragments. Yet,
when it hits, it hits beautifully: the imagery of the Spiderweb of a
city, the mad cult leader drawing energy from capsized tugboats, and
dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation seen
in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet poetry newsgroup.
Originally spammed
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him? Also rate this poet's skill on a scale of one to ten
-- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as lineated
prose - simply chopping a memoir sentence into tiny fragments. Yet,
when it hits, it hits beautifully: the imagery of the Spiderweb of a
city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen
in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed
Cujo DeSockpuppet wrote:
will.dockery@gmail-dot-com.no-spam.invalid (Will Dockery) wrote in
news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to ten
-- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring
background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as
lineated prose - simply chopping a memoir sentence into tiny
fragments. Yet, when it hits, it hits beautifully: the imagery of
the Spiderweb of a city, the mad cult leader drawing energy from
capsized tugboats, and dropping pages into a roaring creek are
magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation
seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed by attention whore Little Willie Douchebag because
he's a sad pissbum with no redeeming characteristics.
Hypocrite much, Cujo?
Cujo DeSockpuppet <cujo@petitmorte.net> posted:
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in
news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to
ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The
recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as
lineated prose - simply chopping a memoir sentence into tiny
fragments. Yet, when it hits, it hits beautifully: the imagery of
the Spiderweb of a city, the mad cult leader drawing energy from
capsized tugboats, and dropping pages into a roaring creek are
magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation
seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed
No, there was an error that I corrected and reposted.
Cujo DeSockpuppet wrote:
Will Dockery <user3274> wrote in
news:1790358675-3274@newsgrouper.org:
Cujo DeSockpuppet <cujo> posted:
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in
news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to
ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The
recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as
lineated prose - simply chopping a memoir sentence into tiny
fragments. Yet, when it hits, it hits beautifully: the imagery of
the Spiderweb of a city, the mad cult leader drawing energy from
capsized tugboats, and dropping pages into a roaring creek are
magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation
seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed
No, there was an error that I corrected and reposted.
Not like you. What did you actually add to the original post other than making sure your name is on it, spammer?
Damn, you're f***ing stupid.
there was an error that I corrected and reposted.
Cujo DeSockpuppet wrote:
Will Dockery <user3274> wrote in
news:1790358675-3274@newsgrouper.org:
Cujo DeSockpuppet <cujo> posted:
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in
news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to
ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The
recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as
lineated prose - simply chopping a memoir sentence into tiny
fragments. Yet, when it hits, it hits beautifully: the imagery of
the Spiderweb of a city, the mad cult leader drawing energy from
capsized tugboats, and dropping pages into a roaring creek are
magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation
seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed
No, there was an error that I corrected and reposted.
Not like you. What did you actually add to the original post other
than making sure your name is on it, spammer?
Damn, you're f***ing stupid.
He attached a different photograph of himself to it. I've no idea
why... it's not like he was picking his nose in the one I attached.
Bruce wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
You could use that for a sig file.
Bruce wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
You could use that for a sig file.
Done!
Michael Pendragon
"(T)here was an error that I corrected and reposted."
Will Donkey.
HarryLime wrote:
Cujo DeSockpuppet wrote:
Will Dockery <user3274> wrote in
news:1790358675-3274@newsgrouper.org:
Cujo DeSockpuppet <cujo> posted:
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in
news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to
ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The
recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as
lineated prose - simply chopping a memoir sentence into tiny
fragments. Yet, when it hits, it hits beautifully: the imagery of
the Spiderweb of a city, the mad cult leader drawing energy from
capsized tugboats, and dropping pages into a roaring creek are
magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation
seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed
No, there was an error that I corrected and reposted.
He attached a different photograph of himself to it. I've no idea why...
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him? Also rate this poet's skill on a scale of one to ten
-- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as lineated
prose - simply chopping a memoir sentence into tiny fragments. Yet,
when it hits, it hits beautifully: the imagery of the Spiderweb of a
city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen
in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
he's xxxxxxxxxx xxxxx xxxxxxxxxx xxxxx xxxxxxxxxx
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
EfyA
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error, Donkey.
Words matter.
Learn what they mean and how to use them correctly.
Will-Dockery wrote:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet poetry newsgroup.
George J. Dance wrote:
Will-Dockery wrote:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet poetry newsgroup.
Thanks for reposting. It made me aware of "Profile Shot" which I missed earlier, though I see it's
been on your blog for five years: That would indeed play a central role in a "Shadowville Mythos" book. https://shadowville-mythos.blogspot.com/search?q=Profile+Shot
I notice that the review is based on just three poems, which
(depending on the poems) could obviously bias the AI's response.
I also notice that the AI commented on only two of them: "Profile
Shot" and "I Met a Girl". Any idea what the third one was?
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error, Donkey.
Words matter.
Learn what they mean and how to use them correctly.
[quote="Cujo DeSockpuppet"]michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) wrote in
news:OCidnTowhbmVQCr3nZ2dnZfqn_adnZ2d@giganews.com:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error, Donkey.
Words matter.
Learn what they mean and how to use them correctly.
Words hold a special place in Shitkickerville history.
Where else can you find some Douchebag trying to play "Spellpecking
NA*I and Grammar Gestapo" and f**ks up what he's incoherently babbling
about?
Dreckweasel is an institution.
Sorry. I meant to say "Dreckweasel belongs in an institution."
Douchebag!!!!
Sorry, I meant to say, "Dreckweasel longs for prostitution."
HarryLime wrote:
George J. Dance wrote:
Will-Dockery wrote:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet poetry newsgroup.
Thanks for reposting. It made me aware of "Profile Shot" which I missed earlier, though I see it's
been on your blog for five years: That would indeed play a central role in a >> "Shadowville Mythos" book.
https://shadowville-mythos.blogspot.com/search?q=Profile+Shot
I notice that the review is based on just three poems, which
(depending on the poems) could obviously bias the AI's response.
I also notice that the AI commented on only two of them: "Profile
Shot" and "I Met a Girl". Any idea what the third one was?
It was based on the first three poems that appeared at the top of this page: the third was "Connection."
HarryLime wrote:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error
No, I corrected the error and reposted the corrected version.
Understand now?
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error
No, I corrected the error and reposted the corrected version.
Understand now?
I always understood what you *meant* to say
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error
No, I corrected the error and reposted the corrected version.
Understand now?
I always understood what you *meant* to say
Okay, that's good to know because you seemed confused there for a
while.
Will-Dockery wrote:
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error
No, I corrected the error and reposted the corrected version.
Understand now?
I always understood what you *meant* to say
Okay, that's good to know because you seemed confused there for a while.
EfyA
[quote:96ea430715="Cujo DeSockpuppet"]michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) wrote in
news:OCidnTowhbmVQCr3nZ2dnZfqn_adnZ2d@giganews.com:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error, Donkey.
Words matter.
Learn what they mean and how to use them correctly.
Words hold a special place in Shitkickerville history.
Where else can you find some Douchebag trying to play "Spellpecking
NA*I and Grammar Gestapo" and f**ks up what he's incoherently babbling
about?
Dreckweasel is an institution.
Sorry. I meant to say "Dreckweasel belongs in an institution."
Douchebag!!!!
Sorry, I meant to say, "Dreckweasel longs for prostitution."
HarryLime wrote:
[snip]
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
NancyGene wrote:
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
That's still not correct, though. The corrected version was never posted before so it couldn't have been "reposted." Grammar goes to Shitkickerville to die.
NancyGene wrote:
[snip]
NancyGene wrote:
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
That's still not correct, though. The corrected version was never
posted before so it couldn't have been "reposted." Grammar goes to
Shitkickerville to die.
Damn! I should have caught that.
"He who converses too long with Donkeys becomes a Donkey himself." -- Nietzsche.
[quote="Cujo
DeSockpuppet"]nancygene.andjayme@gmail-dot-com.no-spam.invalid
(NancyGene) wrote in
news:9bycnfBJzYJElyX3nZ2dnZfqnPudnZ2d@giganews.com:
[quote:96ea430715="Cujo
DeSockpuppet"]michaelmaleficapendragon@gmail-dot-com.no-spam.invalid
(HarryLime) wrote in
news:OCidnTowhbmVQCr3nZ2dnZfqn_adnZ2d@giganews.com:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error, Donkey.
Words matter.
Learn what they mean and how to use them correctly.
Words hold a special place in Shitkickerville history.
Where else can you find some Douchebag trying to play "Spellpecking
NA*I and Grammar Gestapo" and f**ks up what he's incoherently
babbling about?
Dreckweasel is an institution.
Sorry. I meant to say "Dreckweasel belongs in an institution."
Douchebag!!!!
Sorry, I meant to say, "Dreckweasel longs for prostitution."
Sorry, I meant to say, "Dreckweasel songs are audio pollution"
Sorry, I meant to say, "Dreckweasel wrongs all evolution."
Will-Dockery wrote:
NancyGene wrote:
[snip]
Ir was corrected and reposted.
Glad to clear up your confusion.
EfyA
HarryLime wrote:
NancyGene wrote:
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
That's still not correct, though. The corrected version was never posted before so it couldn't have been "reposted." Grammar goes to Shitkickerville to die.
Damn! I should have caught that.
"He who converses too long with Donkeys becomes a Donkey himself." -- Nietzsche.
NancyGene wrote:
Will-Dockery wrote:
NancyGene wrote:
[snip]
It was corrected and reposted.
Glad to clear up your confusion.
What is "Ir?"
NancyGene wrote:
[snip]
Will-Dockery wrote:
NancyGene wrote:
[snip]
It was corrected and reposted.
Glad to clear up your confusion.
(Typo corrected)
EfyA
[quote:02d0cfb2e1="Cujo DeSockpuppet"]nancygene.andjayme@gmail-dot-com.no-spam.invalid
(NancyGene) wrote in
news:9bycnfBJzYJElyX3nZ2dnZfqnPudnZ2d@giganews.com:
[quote:96ea430715="Cujo DeSockpuppet"]michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) wrote in
news:OCidnTowhbmVQCr3nZ2dnZfqn_adnZ2d@giganews.com:
Will Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
there was an error that I corrected and reposted.
"(T)here was an error that I corrected and reposted."
That's what happened
You're saying that you reposted the error, Donkey.
Words matter.
Learn what they mean and how to use them correctly.
Words hold a special place in Shitkickerville history.
Where else can you find some Douchebag trying to play "Spellpecking
NA*I and Grammar Gestapo" and f**ks up what he's incoherently
babbling about?
Dreckweasel is an institution.
Sorry. I meant to say "Dreckweasel belongs in an institution."
Douchebag!!!!
Sorry, I meant to say, "Dreckweasel longs for prostitution."
Sorry, I meant to say, "Dreckweasel songs are audio pollution"
Sorry, I meant to say, "Dreckweasel wrongs all evolution."
Cujo DeSockpuppet wrote: michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) wrote
in news:Qo6cnUnv6bvSzSX3nZ2dnZfqn_idnZ2d@giganews.com:
NancyGene wrote:
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
That's still not correct, though. The corrected version was never
posted before so it couldn't have been "reposted." Grammar goes to
Shitkickerville to die.
Damn! I should have caught that.
"He who converses too long with Donkeys becomes a Donkey himself." --
Nietzsche.
I was wondering if his "reposted the corrected version" was an excuse to
spam the same nonsense. Because that's what he did, I saw no difference either.
Good work, Douchebag!
--
"I've known for over a year that this guy is the assassin of the Usenet poetry community. When I first arrived, I thought he was keeping the
lights on in a dead group by reposting from archives. I soon realized
that he was just endlessly reposting his own stuff, that he had killed
the group by flooding it, and that most of the people he called
"trolls" were actually the members of the group.
I've joined the crowd. I'm done trying to work with him and speak reason
to him. It's exhausting and pointless." - Little Willie Douchebag gets another asskicking from The One True Melissa
Will-Dockery wrote:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet poetry newsgroup.
Cujo DeSockpuppet wrote: michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) wrote
in news:Qo6cnUnv6bvSzSX3nZ2dnZfqn_idnZ2d@giganews.com:
NancyGene wrote:
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
[snip]
No, I corrected the error and then reposted the corrected version.
All clear now?
EfyA
That's better.
So you do have some understanding of basic grammar.
You should try using it more often.
That's still not correct, though. The corrected version was never
posted before so it couldn't have been "reposted." Grammar goes to
Shitkickerville to die.
Damn! I should have caught that.
"He who converses too long with Donkeys becomes a Donkey himself." --
Nietzsche.
I was wondering if his "reposted the corrected version" was an excuse to
spam the same nonsense. Because that's what he did, I saw no difference either.
Good work, Douchebag!
HarryLime wrote:
[snip]
NancyGene wrote:
[snip]
Will Dockery wrote:
Artificial intelligence poetry critique:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Original text restored, troll content removed.
Nor does reposting it in any way remove the comments
Will Dockery wrote:
michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) posted:
Will Dockery wrote:
Artificial intelligence poetry critique:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Original text restored, troll content removed.
Nor does reposting it in any way remove the comments
They're not in my post.
EfyA
HarryLime wrote:
Will Dockery wrote:
michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) posted: >>
Will Dockery wrote:
Artificial intelligence poetry critique:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Original text restored, troll content removed.
Nor does reposting it in any way remove the comments
They're not in my post.
Now they're just in-between the two posts.
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) posted: >>>
Will Dockery wrote:
Artificial intelligence poetry critique:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Original text restored, troll content removed.
Nor does reposting it in any way remove the comments
They're not in my post.
Now they're just in-between the two posts.
Better there than here.
EfOe
Will-Dockery wrote:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet poetry newsgroup.
Will-Dockery wrote:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Miguel could run three of his poems through the A.I. if, if course, Miguel actually has any poetry.
EfyA
HarryLime wrote:
Will Dockery wrote:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Miguel could run three of his poems through the A.I. if, if course, Miguel actually has any poetry.
Miguel sits at the table
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Miguel could run three of his poems through the A.I. if, if course, Miguel actually has any poetry.
Miguel sits at the table
Miguel is an anonymous troll, we all know that.
EfyA
Will-Dockery wrote:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to ten
-- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring
background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as lineated
prose - simply chopping a memoir sentence into tiny fragments. Yet,
when it hits, it hits beautifully: the imagery of the Spiderweb of a
city, the mad cult leader drawing energy from capsized tugboats, and
dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation seen
in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Miguel could run three of his poems through the A.I. if, if course,
Miguel actually has any poetry.
EfyA
Is AAPC membership only granted to poets?
Are the opinions of poets (even lousy poets who write "unspeakable
shit") given more weight than those of poetry readers?
Miguel sits at the table with the cool kids, whereas you've been
banned from the cafeteria.
Miguel is an anonymous troll, we all know that.
HarryLime wrote:
Will-Dockery wrote:
HarryLime wrote:
Will Dockery wrote:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Miguel could run three of his poems through the A.I. if, if course, Miguel actually has any poetry.
Miguel sits at the table
Miguel is an anonymous troll, we all know that.
Really?
From where I'm sitting (at the cool kids' table, of course), you're the one who appears to be trolling him.
HarryLime wrote in article
<05idnU2MPa4tBSX3nZ2dnZfqn_idnZ2d@giganews.com>:
They're not in my post.
So what?
They're also not in the original post.
Now they're just in-between the two posts.
You've accomplished nothing... apart from making yourself appear
childish and delusional.
I'm pretty sure that Will believes he is updating the web page on
the JLA Forums site. That's why he thinks he can bump threads,
thinks there's a top to be on, thinks that text is "removed" or
"restored," etc. He doesn't know what Usenet is or how it works,
so he acts like he's using a web forum because that's what he
personally sees.
I tried to explain that he's actually sending flurries of
separate messages, but he either didn't understand or didn't
care. I'm sure others have tried before me. I'm happy to explain
again, but there's no point if he doesn't listen.
Will, everyone's telling you the truth. You're not restoring
squat. The troll's message doesn't change the original message,
and yours doesn't change the troll's message. Nothing has
changed. You're just flooding, piling on more and more messages
of nonsense nobody wants to read.
I'm pretty sure that Will believes he is updating the web page on
the JLA Forums site. That's why he thinks he can bump threads,
thinks there's a top to be on, thinks that text is "removed" or
"restored," etc. He doesn't know what Usenet is or how it works,
so he acts like he's using a web forum because that's what he
personally sees.
I tried to explain that he's actually sending flurries of
separate messages, but he either didn't understand or didn't
care. I'm sure others have tried before me. I'm happy to explain
again, but there's no point if he doesn't listen.
Will, everyone's telling you the truth. You're not restoring
squat. The troll's message doesn't change the original message,
and yours doesn't change the troll's message. Nothing has
changed. You're just flooding, piling on more and more messages
of nonsense nobody wants to read.
He's had over 25 years of people explaining
how
Usenet actually works.
Will Dockery wrote:
Miguel could run three of his poems through the A.I. if, if course, Miguel actually has any poetry." INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Miguel is an anonymous troll, we all know that.
Really?
The True Melissa <thetruemelissa@gmail.comNOSPAM> posted:
I'm pretty sure that Will believes he is updating the web page on
the JLA Forums site. That's why he thinks he can bump threads,
thinks there's a top to be on, thinks that text is "removed" or
"restored," etc. He doesn't know what Usenet is or how it works,
so he acts like he's using a web forum because that's what he
personally sees.
I tried to explain that he's actually sending flurries of
separate messages, but he either didn't understand or didn't
care. I'm sure others have tried before me. I'm happy to explain
again, but there's no point if he doesn't listen.
Will, everyone's telling you the truth. You're not restoring
squat. The troll's message doesn't change the original message,
and yours doesn't change the troll's message. Nothing has
changed. You're just flooding, piling on more and more messages
of nonsense nobody wants to read.
Good morning, Melissa.
I thought you had me blocked?
Cujo DeSockpuppet <cujo@petitmorte.net> posted:
He's had over 25 years of people explaining
how
Usenet actually works.
I'm pretty sure that Will believes he is updating the web page on
the JLA Forums site. That's why he thinks he can bump threads,
thinks there's a top to be on, thinks that text is "removed" or
"restored," etc. He doesn't know what Usenet is or how it works,
so he acts like he's using a web forum because that's what he
personally sees.
I tried to explain that he's actually sending flurries of
separate messages, but he either didn't understand or didn't
care. I'm sure others have tried before me. I'm happy to explain
again, but there's no point if he doesn't listen.
Will, everyone's telling you the truth. You're not restoring
squat. The troll's message doesn't change the original message,
and yours doesn't change the troll's message. Nothing has
changed. You're just flooding, piling on more and more messages
of nonsense nobody wants to read.
I have no problem understanding Usenet.
Like you said, I've been here a while.
They're not in my post.
So what?
They're also not in the original post.
Now they're just in-between the two posts.
You've accomplished nothing... apart from making yourself appear childish and delusional.
Cujo DeSockpuppet wrote:
Will Dockery <user3274> wrote in news:1790522523-
3274@newsgrouper.org:
Cujo DeSockpuppet <cujo> posted:
He's had over 25 years of people explaining
how
Usenet actually works.
That's not what I wrote, dishonest Douchebag!
Let's see what I actually wrote, Douchebag!
*************
I'm pretty sure that Will believes he is updating the web page on
the JLA Forums site. That's why he thinks he can bump threads,
thinks there's a top to be on, thinks that text is "removed" or
"restored," etc. He doesn't know what Usenet is or how it works,
so he acts like he's using a web forum because that's what he
personally sees.
I tried to explain that he's actually sending flurries of
separate messages, but he either didn't understand or didn't
care. I'm sure others have tried before me. I'm happy to explain
again, but there's no point if he doesn't listen.
Will, everyone's telling you the truth. You're not restoring
squat. The troll's message doesn't change the original message,
and yours doesn't change the troll's message. Nothing has
changed. You're just flooding, piling on more and more messages
of nonsense nobody wants to read.
He's had over 25 years of people explaining to his donkey-stubborness how Usenet actually works. I'm not sure any of the facts penetrated.
That partially Dreckweasel's well known and proven issues with reading comprehension. His other issues, like malignant narcissism and
accompanying delusions as well as his grandiose and unjustified opinion
of himself are not helping.
Douchebag Willie only accepts help on his terms which guarantees it will never be fixed. He can't even be bothered get glasses, dental work or
medical assistance.
His deperate need to be the center of all conversations isn't endearing
to anyone other than people who are at least as worse off.
Have I mentioned he's also a Douchebag?
**************
Now let's return to your laughable reply.
I have no problem understanding Usenet.
Just like you have no problem understanding that Benders trolled the sh*t
out of you? I'll bet!
Like you said, I've been here a while.
25 years experience in your case comprises the same day 9,131 times, Douchebag. You haven't learned proper hygeine and you've had 68 years to
get that right.
--
"I've known for over a year that this guy is the assassin of the Usenet poetry community. When I first arrived, I thought he was keeping the
lights on in a dead group by reposting from archives. I soon realized
that he was just endlessly reposting his own stuff, that he had killed
the group by flooding it, and that most of the people he called
"trolls" were actually the members of the group.
I've joined the crowd. I'm done trying to work with him and speak reason
to him. It's exhausting and pointless." - Little Willie Douchebag gets another asskicking from The One True Melissa
Cujo DeSockpuppet wrote:
[snip]
Will-Dockery wrote:
Cujo DeSockpuppet wrote:
[snip]
Actually, I've only been a poetry newsgroup regular for about 23 years, give or take.
EfyA
Will Dockery wrote:
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have influenced him?
Also rate this poet's skill on a scale of one to ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir mimicking a walking tour of a faded, gritty mid-century American industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like Desolation Row; Allen Ginsberg, and Charles Bukowski. The recurring background gunshots, specific historical drop-ins: nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual grit are deeply rooted in the American Beat and folk-lyric traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it frequently loses its identity as poetry. Much of it reads as lineated prose - simply chopping a memoir sentence into tiny fragments. Yet, when it hits, it hits beautifully: the imagery of the Spiderweb of a city, the mad cult leader drawing energy from capsized tugboats, and dropping pages into a roaring creek are magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude, hyper-literal sexual detail that lacks the poetic transformation seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic memory, but lack structural discipline and consistent taste."
***
Miguel could run three of his poems through the A.I. if, if course, Miguel actually has any poetry.
Is AAPC membership only granted to poets?
Will Dockery <user3274@newsgrouper.org.invalid> wrote in news:1790358675-3274@newsgrouper.org:
Cujo DeSockpuppet <cujo@petitmorte.net> posted:
will.dockery@gmail-dot-com.no-spam.invalid (Will-Dockery) wrote in
news:WqmdnePRRNq-Lyv3nZ2dnZfqn_qdnZ2d@giganews.com:
"HarryLime" wrote "
" INSTRUCTIONS
Here are three poems by someone who is not me. What writers have
influenced him? Also rate this poet's skill on a scale of one to
ten -- one being Great, ten being awful.
The Sprawling Beatsmith
Profile Shot is a massive, stream-of-consciousness narrative memoir
mimicking a walking tour of a faded, gritty mid-century American
industrial town.
Apparent Influences
Bob Dylan, specifically his mid-60s surrealist narratives like
Desolation Row; Allen Ginsberg, and Charles Bukowski. The
recurring background gunshots, specific historical drop-ins:
nineteen-eighty-five, Saint Mary's Road, Carver Heights, and casual
grit are deeply rooted in the American Beat and folk-lyric
traditions.
The Critique
Profile Shot is fascinating, gritty, and atmospheric, but it
frequently loses its identity as poetry. Much of it reads as
lineated prose - simply chopping a memoir sentence into tiny
fragments. Yet, when it hits, it hits beautifully: the imagery of
the Spiderweb of a city, the mad cult leader drawing energy from
capsized tugboats, and dropping pages into a roaring creek are
magnificent.
Conversely, I Met A Girl takes a sharp, jarring turn into crude,
hyper-literal sexual detail that lacks the poetic transformation
seen in the rest of their work.
Skill Rating
5 / 10 Average
They possess a phenomenal eye for Americana, grit, and cinematic
memory, but lack structural discipline and consistent taste."
***
Originally posted by Michael Pendragon aka Harry Lime to the Usenet
poetry newsgroup.
Originally spammed
No, there was an error that I corrected and reposted.
Not like you. What did you actually add
Will Dockery wrote:
[snip]
Actually, I've only been a poetry newsgroup regular for about 23 years, give or take.
And hopefully many more years to come.
rYnN+A
Good morning, Melissa.
I thought you had me blocked?
The True Melissa wrote:
Will Dockery wrote in article <1790522140>:
Good morning, Melissa.
I thought you had me blocked?
Yes, I do. That doesn't mean you've turned invisible. I still see
your writing when someone else quotes it, as Michael did there,
or when you reply to something I've written and I specifically
check for replies to myself, as I've done here.
--
The True Melissa - Canal Winchester - Ohio
United States of America - North America - Earth
Solar System - Milky Way - Local Group
Virgo Cluster - Laniakea Supercluster - Cosmos
The True Melissa wrote:
Will Dockery wrote in article <1790522140>:
Good morning, Melissa.
I thought you had me blocked?
Yes, I do. That doesn't mean you've turned invisible. I still see
your writing when someone else quotes it, as Michael did there,
or when you reply to something I've written and I specifically
check for replies to myself, as I've done here.
--
The True Melissa - Canal Winchester - Ohio
United States of America - North America - Earth
Solar System - Milky Way - Local Group
Virgo Cluster - Laniakea Supercluster - Cosmos
NancyGene wrote:
The True Melissa wrote:
Will Dockery wrote in article <1790522140>:
Good morning, Melissa.
I thought you had me blocked?
Yes, I do. That doesn't mean you've turned invisible. I still see
your writing when someone else quotes it, as Michael did there,
or when you reply to something I've written and I specifically
check for replies to myself, as I've done here.
--
The True Melissa - Canal Winchester - Ohio
United States of America - North America - Earth
Solar System - Milky Way - Local Group
Virgo Cluster - Laniakea Supercluster - Cosmos
Turning invisible is a good idea. Mute also.
Will Dockery wrote:
mummycullen@gmail-dot-com.no-spam.invalid (MummyChunk) posted:
Will Dockery wrote:
[snip]
Actually, I've only been a poetry newsgroup regular for about 23 years, give or take.
And hopefully many more years to come.
rYnN+A
I'm expecting, so Good Lord willing.
EfOA
Will Dockery wrote:
mummycullen@gmail-dot-com.no-spam.invalid (MummyChunk) posted:
Will Dockery wrote:
[snip]
Actually, I've only been a poetry newsgroup regular for about 23
years, give or take.
And hopefully many more years to come.
rYnN+A
I'm expecting, so Good Lord willing.
When are you due?
HarryLime wrote:
Will Dockery wrote:
mummycullen@gmail-dot-com.no-spam.invalid (MummyChunk) posted:
Will Dockery wrote:
[snip]
Actually, I've only been a poetry newsgroup regular for about 23 years, give or take.
And hopefully many more years to come.
rYnN+A
I'm expecting, so Good Lord willing.
EfOA
When are you due?
NancyGene wrote:
The True Melissa wrote:
Will Dockery wrote in article <1790522140>:
Good morning, Melissa.
I thought you had me blocked?
Yes, I do. That doesn't mean you've turned invisible. I still see
your writing when someone else quotes it, as Michael did there,
or when you reply to something I've written and I specifically
check for replies to myself, as I've done here.
--
The True Melissa - Canal Winchester - Ohio
United States of America - North America - Earth
Solar System - Milky Way - Local Group
Virgo Cluster - Laniakea Supercluster - Cosmos
Turning invisible is a good idea. Mute also.
Then who would you have to obsess over and stalk, NG?
Cujo DeSockpuppet wrote: michaelmaleficapendragon@gmail-dot-com.no-spam.invalid (HarryLime) wrote
in news:k5icnTWm6sYF-Sf3nZ2dnZfqn_qdnZ2d@giganews.com:
Will Dockery wrote:
mummycullen@gmail-dot-com.no-spam.invalid (MummyChunk) posted:
Will Dockery wrote:
[snip]
Actually, I've only been a poetry newsgroup regular for about 23
years, give or take.
And hopefully many more years to come.
rYnN+A
I'm expecting, so Good Lord willing.
When are you due?
You're must not talking about Douchebag's back child support.
--
"I've known for over a year that this guy is the assassin of the Usenet poetry community. When I first arrived, I thought he was keeping the
lights on in a dead group by reposting from archives. I soon realized
that he was just endlessly reposting his own stuff, that he had killed
the group by flooding it, and that most of the people he called
"trolls" were actually the members of the group.
I've joined the crowd. I'm done trying to work with him and speak reason
to him. It's exhausting and pointless." - Little Willie Douchebag gets another asskicking from The One True Melissa
The True Melissa wrote:
Will Dockery wrote in article <1790522140>:
Good morning, Melissa.
I thought you had me blocked?
Yes, I do. That doesn't mean you've turned invisible. I still see
your writing when someone else quotes it, as Michael did there,
or when you reply to something I've written and I specifically
check for replies to myself, as I've done here.
--
The True Melissa - Canal Winchester - Ohio
United States of America - North America - Earth
Solar System - Milky Way - Local Group
Virgo Cluster - Laniakea Supercluster - Cosmos
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