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It's pretty clear that in the re-release she's matching herYeah.. sounds too whiney. I don't like the real-time story-
vocal style from the original recording, but her maturity
still shines thru. Not everyone likes her early Pop-Country
style.
You might enjoy the two acoustic folk albums she released overThat sounds pretty good. Will consider an audition.
the past few months. She and Aaron Dessner (from The
National) worked on them over Quarintine. The albums are
"folklore" and "evermore". Nothing like her pop releases and
good for a cold snowy day.
I went down a little rabbit hole of paino-related videos thatShe will do fine. Since present fans will be busy streaming andShe'll do fine yes. But I think it entire situation
listening to both versions for camparison,...
highlights the many ways that Record Labels have designed in
order to screw artists out of their music. The good news is
that there are so many more ways to self-release these days
and actually get play and attention. Obviously she's wealthy
and popular so has an advantage in all respects. Plus her
highlighting the situation with her fans gets her even more
attention and play.
I'd actually be very interested in a Boxset of the re-Someone made a joke about those kinds of collections, that it
recordings once they are complete. In a nice binder with
artwork and probably a high price tag. :-)
I went down a little rabbit hole of paino-related videos that
very quickly led me to Rick Beato's stuff. One of the first
one's I watched was "Almost Famous - Why Record Labels Suck- 6oWsgTAXc8U.mp4". It was an example how a big label can ruin
everything.