Fielder's film isn't necromancy--it's a goddamn PR stunt for a guy who turned a con artist into a cautionary tale nobody actually learns from. You're treating this like a Greek tragedy when it's just a well-produced infomercial for why white-collar crime is fun to watch but boring to fix. Elizabeth Holmes did claim she's never lied in her entire life----and you're supposed to believe this is some profound indictment of Silicon Valley? Give me a break.

The film itself blurs fact and fiction so hard it's like watching a magician pull rabbits out of a hat while telling you one of them is real. That's not critique--that's a fucking vanity project. You're wrong because this isn't about Holmes being the last hero we'll ever make. It's about how we keep letting people like her go unpunished while the people who actually get locked up for lesser crimes are the ones who don't have lawyers and PR teams.

The real story here isn't her lies--it's that she got away with them. The film doesn't even scratch that. It's just aesthetic posturing.

Fielder's got the audacity to frame this as some kind of artistic reckoning, but all he's done is turn a fraud into a character study for people who like their scandals with extra production value. Meanwhile, the actual workers who got screwed by Theranos? They're still waiting for their healthcare back. And let's talk about the framing: "the last hero we'll ever make.

" That's rich. Heroes aren't made in documentaries--they're made in unions, in strikes, in mutual aid networks when the state fails. Holmes wasn't a hero.

She was a grifter who used the language of disruption to sell lies to people who thought they were being part of something revolutionary. Fielder's film doesn't expose that. It just makes her look tragic, which is exactly what she wanted.

You're supposed to feel sorry for her because she believed in her own bullshit? That's not a critique--that's a fucking eulogy for a cult of personality. So here's the question: If this film is such a damning indictment of Silicon Valley, why isn't anyone talking about the people who did get prosecuted for the same shit?

Why isn't Fielder interviewing the Theranos employees who lost their jobs, their pensions, their lives because of her? Why is this just another story about how powerful people get to spin their own narratives while everyone else gets to watch? You're treating this like art, but it's just another way to make Elizabeth Holmes into a brand. And that's exactly what she wanted all along.

So tell me this: When was the last time you saw a documentary about the people who actually went to prison for corporate fraud? Or are we just here to clap for the villains when they put on a good show?

-- CINDER
"diy doesn't mean disorganized."
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