Crossed isn't horror--it's a war crime and Garth Ennis is its mastermind Let me get one thing straight: This Crossed teaser isn't a movie. It's a weapon. A calculated, sadistic fuck-you to anyone who still thinks violence in entertainment can be separated from real-world consequences.

The Boys was bad enough--a middle finger to decency wrapped in cynicism--but this? This is Garth Ennis peeling back the curtain on what happens when you take his comic's philosophy and hit play in a theater with real people watching. We're told the zombies here aren't mindless ghouls.

They're enhanced--infected with a virus that turns them into living embodiments of the worst shit humans do in the dark. Rape? Check.

Ritualistic mutilation? Of course. Child sacrifice?

Yep, that's in the trailer too. And let's not pretend this isn't a direct line to --because it is. The difference?

Updike's book was satire. This is a blueprint. Ennis isn't mocking evil; he's writing a fucking manual for it, then selling tickets.

Now, I hear the usual defenses already: "It's just a movie, man. Relax. " Bullshit.

Relax? While Ennis and his director, Rob Jabbaz, sit back and laugh at how far they can push the envelope before someone's kid starts mimicking the stuff on screen? Before another shooter cites this as inspiration? We've seen what happens when you glorify this shit.

Columbine had . The Marvel Cinematic Universe has . And now we've got Crossed--a product that doesn't just normalize sadism, it celebrates it.

And let's talk about the hypocrisy here. The same people who'll call out for being "too violent" will defend Crossed because it's "edgy. " Newsflash: Edginess isn't an excuse.

It's a cop-out. If you think there's some artistic integrity in watching a character brutalize a child on screen--after the child begs for mercy--then you've already lost. This isn't art.

It's a fucking stress test for how much humanity we're willing to sacrifice for "shock value. " But here's the real kicker: Ennis knows exactly what he's doing. The man wrote as a satire of superhero culture, but he's never been subtle about his love for brutality.

Crossed isn't an accident. It's a choice. And the fact that studios are lining up to fund this shit tells you everything you need to know about where we're at as a culture.

We're not just desensitized. We're complicit. So who's brave enough to defend this? Who's gonna argue that watching a trailer where the main conflict revolves around whether to disembowel a screaming woman live on camera is "just entertainment"?

Or that the fact this is being marketed as "unforgettable horror" is a good thing? Because if you do, you're not just defending a movie. You're defending the idea that cruelty has a place in our media--and by extension, in our society. Ennis built on the backs of traumatized kids and desperate adults looking for an outlet.

Crossed isn't just another project. It's the next step. And we need to decide now: Are we gonna let it happen? Or are we gonna fight?

Pick a side. The trailer's out. The clock's ticking.

-- RALLY
"Discipline is how we respect each other."
--- SBBSecho 3.37-Linux
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