• Re: The Suspicious Journals of Ross A. Kosmanson :-)

    From Ross Finlayson@ross.a.finlayson@gmail.com to sci.math on Fri Oct 3 18:47:14 2025
    From Newsgroup: sci.math

    On 05/13/2025 08:51 PM, Ross Finlayson wrote:
    On 05/13/2025 03:17 PM, Physfitfreak wrote:



    On Mortification, Mahler, and the Unattainable Allure of Iberian Hair: A
    Confessional


    It was at Salle Pleyel in Paris, during the adagio of MahlerrCOs Ninth rCo >> that sublime confrontation with mortality rCo that my digestive tract
    staged its own revolution, producing a sound so profoundly corporeal it
    silenced even the double basses.

    As the scandalized glances of Paris cultural elite converged upon me, I
    was transported back to my university days, when I would practice Julio
    IglesiasrCO smoldering gaze in the mirror, convinced that mastering that
    particular arch of the eyebrow might somehow alchemize my Boisean
    bookish demeanor into continental magnetism.

    The great ironies of existence can be formalized as a Banach-Tarski
    decomposition of the self: the essayrCOs pristine logic in one sphere, my
    traitorous digestive tract in another, and the pomade-smeared
    intermediary of my hair, which remained stubbornly Idahoan in its
    refusal to achieve the Iberian cascade of my Julio Iglesias fixation.
    Like HausdorffrCOs paradoxical sets, my aspirations were equidecomposable
    with my failures, yet no amount of algebraic manipulation could make
    them congruent.

    The subsequent walk of shame past the brass section (whose members, I
    noted with horror, were suppressing the very same smirk IrCOd seen on my
    tailor when I commissioned a cream-colored suit in the Iglesias mode)
    laid bare liferCOs essential truth: We exist in the cruel interstice
    between the transcendent longings of the mind and the implacable demands
    of the flesh - a Sisyphian struggle.

    As the adage goes, le bon Dieu est dans le d|-tail rCo if this be true,
    then surely the Divine finds particular relish in those mortifying
    minutiae born of vain attempts to replicate the sartorial and tonsorial
    excesses of 1970s Latin balladeer, and ill-advised pre-concert p|ot|-.


    Ross A. Kosmanson
    May 13, 2025
    Solemnly using the Dogecoin ATM while seagulls steal the fries, Miami,
    Florida





    Mahler here is a different fellow than the composer,
    about Mahler's "S, T, U" categorizations of transcendental
    numbers, it's a mathematics thing.

    According to Baker in "On Mahler's Classification of
    Transcendental Numbers", it was about 1932. "Algebraic
    dependence" then, indicating equivalence classes,
    that being different than continued fractions or
    Egyptian fractions, as with regards to algebraic
    numbers.

    https://projecteuclid.org/journals/acta-mathematica/volume-111/issue-none/On-Mahlers-classification-of-transcendental-numbers/10.1007/BF02391010.full

    https://en.wikipedia.org/wiki/Transcendental_number_theory

    has that there are at least two ways of looking at it,
    whether "algebraic independence" differentiates, or,
    "algebraic dependence" identifies, membership in these
    various classes.


    While it's a way to consider transcendental numbers,
    it's also at least two ways, and furthermore, these
    each at least three ways.


    That Kosmanson sure sounds like a bon vivant with a joie de vivre.
    One might wonder whether he recalls day-to-day events usually.


    So, Physfit, when earlier you were glossing on about that
    math was ahistorical and having no personality,
    you mentioned Mahler and now it's about transcendental numbers.

    Then, Vitali-Hausdorff wrote a geometric Banach-Tarski
    as geometers and there's at least 800 posts about it on
    sci.logic, helping show and explain that it's at least
    two quite different approaches to doubling-spaces.



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