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<div>"Tuxedo Junction" is a popular big band song recorded by Glenn Miller and His Orchestra, becoming a No. 1 hit in 1940. The music was written by Erskine Hawkins, Bill Johnson, and Julian Dash and the lyrics by Buddy Feyne.[1] The song was introduced by Erskine Hawkins and His Orchestra, a college dance band previously known as the Bama State Collegians.[2] RCA released it in 1939 and it climbed to #7 on the American pop charts.[3]</div><div></div><div></div><div>In the late 1930s Hawkins and his Orchestra were one of the house bands at the Savoy Ballroom. They alternated with the Chick Webb band and often used "Tuxedo Junction" as their sign-off song before the next band would take the stage so that the dancing would continue uninterrupted.[4]</div><div></div><div></div><div></div><div></div><div></div><div>junction mp3 song download</div><div></div><div>DOWNLOAD: https://t.co/0H6E5sff8G </div><div></div><div></div><div>The song was written as an instrumental. When it was given to Lewis Music Publishing, they sent it to several prospective lyricists to see who could write the best words for the song. Buddy Feyne asked Erskine Hawkins why he titled it "Tuxedo Junction." Erskine explained that the Junction was a whistle stop on the "Chitlin' Circuit". That information inspired Feyne's lyrics, which Hawkins preferred to the other submissions. Once the song had been published, American bands added it to their playlists.[6]</div><div></div><div></div><div>Glenn Miller and His Orchestra had the most successful recording of the song (Billboard No. 1). Miller's arrangement slowed down the tempo and added trumpet fanfares.[7] The trumpet lick in the original recording was played by band member Johnny Best. The main soloists on that recording were Best and Bobby Hackett. The Glenn Miller recording sold 115,000 copies in the first week.[8] It was featured in the 1953 Glenn Miller biopic The Glenn Miller Story starring James Stewart and Harry Morgan.</div><div></div><div></div><div>The Glenn Miller Orchestra recorded the song on February 5, 1940, in New York. The musicians on the Glenn Miller recording were: Saxes: Hal McIntyre, Tex Beneke, Wilbur Schwartz, Jimmy Abato, Al Klink; Trumpets: Clyde Hurley, Johnny Best, R. D. McMickle, Legh Knowles; Trombones: Glenn Miller, Tommy Mack, Paul Tanner, Frank D'Annolfo; Piano: Chummy MacGregor; String Bass: Rowland Bundock; Guitar: Richard Fisher; Drums: Moe Purtill.[9] The B side of the RCA Bluebird 78 single was "Danny Boy (Londonderry Air)".</div><div></div><div></div><div>"Tuxedo Junction" was covered by numerous bands and swing orchestras and solo artists, including The Andrews Sisters, Ella Fitzgerald, Duke Ellington, Harry James, Frankie Avalon and Joe Jackson. Stan Kenton included it on his 1961 Mellophonium Magic album. It became the theme song for The Manhattan Transfer, first recorded on their album The Manhattan Transfer in 1975.[10] Bob Marley used this song as an inspiration for his hit "Kaya". It was also the inspiration for an all-girl disco group, entitled "Tuxedo Junction".[11]</div><div></div><div></div><div>The song is about a jazz and blues club in the Birmingham, Alabama suburb of Ensley. The area is referred to as "Tuxedo Junction", though the building is called the "Nixon Building" (built in 1922). This is due to the location of a streetcar crossing at Tuxedo Park, hence "Tuxedo Junction".[12] A punk rock venue bearing the same name operated near there briefly in the mid-1980s.[13]</div><div></div><div></div><div>I really love that song. It makes me so emotional for some reason. I think it's how it starts off with happy lyrics, and then shifts towards a sadder ending, but the tune stays the same. It has a really nostalgic feeling. It sounds like it's a forced happy sound for such a sad song.</div><div></div><div></div><div></div><div></div><div></div><div></div><div>Conjunction Junction, what's your function?</div><div></div><div> Hooking up words and phrases and clauses.</div><div></div><div> Conjunction Junction, how's that function?</div><div></div><div> I got three favorite cars</div><div></div><div> That get most of my job done.</div><div></div><div> Conjunction Junction, what's their function?</div><div></div><div> I got "and", "but", and "or", </div><div></div><div> They'll get you pretty far.</div><div></div><div></div><div>[sung] Conjunction Junction, what's your function?</div><div></div><div> Hooking up two boxcars and making 'em run right.</div><div></div><div> Milk and honey, bread and butter, peas and rice.</div><div></div><div> Hey that's nice!</div><div></div><div> Dirty but happy, digging and scratching,</div><div></div><div> Losing your shoe and a button or two.</div><div></div><div> He's poor but honest, sad but true,</div><div></div><div> Boo-hoo-hoo-hoo-hoo!</div><div></div><div></div><div>Conjunction Junction, what's your function?</div><div></div><div> Hooking up phrases and clauses that balance, like:</div><div></div><div> Out of the frying pan and into the fire.</div><div></div><div> He cut loose the sandbags,</div><div></div><div> But the balloon wouldn't go any higher.</div><div></div><div> Let's go up to the mountains,</div><div></div><div> Or down to the seas.</div><div></div><div> You should always say "thank you",</div><div></div><div> Or at least say "please".</div><div></div><div></div><div>Conjunction Junction, what's your function?</div><div></div><div> Hooking up words and phrases and clauses</div><div></div><div> In complex sentences like:</div><div></div><div> [spoken] In the mornings, when I'm usually wide awake, I love to take a walk through the gardens and down by the lake, where I often see a duck and a drake, and I wonder, as I walk by, just what they'd say if they could speak, although I know that's an absurd thought.</div><div></div><div></div><div>Conjunction Junction, what's your function?</div><div></div><div> Hooking up cars and making 'em function.</div><div></div><div> Conjunction Junction, how's that function?</div><div></div><div> I like tying up words and phrases and clauses.</div><div></div><div> Conjunction Junction, watch that function.</div><div></div><div> I'm going to get you there if you're very careful.</div><div></div><div> Conjunction Junction, what's your function?</div><div></div><div> I'm going to get you there if you're very careful.</div><div></div><div> Conjunction Junction, what's your function?</div><div></div><div> I'm going to get you there if you're very careful.</div><div></div><div></div><div>All Forums</div><div></div><div> Other Banjo-Related Topics</div><div></div><div> Other Banjo-Related Topics</div><div></div><div> ARCHIVED TOPIC: Original Petticoat Junction opening song </div><div></div><div>Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link:</div><div></div><div></div><div>Discussed but did not answer my question. I saw a black and white version of the show where the intro song was a banjo instumental that I had not heard. There were no words to the song and it was not the Petticoat Junction song. My original question , has anyone heard this?</div><div></div><div></div><div>Based upon the sample I cannot see how this is possible with the presented information. For example, there is no way of knowing who the artist is for Honey, Honey. Because of that, there is no means to create an entry in the junction table.</div><div></div><div></div><div>If your table with the songs is ordered by some criteria it may be possible to cheat a bit.</div><div></div><div>So, if you know the songs from Id 200 to 250 are from ABBA, it may be possible to set the artist-ids as a group.</div><div></div><div></div><div>"My children watched Friendly Junction and really enjoyed it. I </div><div></div><div>don't remember much about it except for the songs that Leslie </div><div></div><div>sang for almost every show. We even bought a record (a 45!)so </div><div></div><div>the kids could sing along and do the motions. One song is "Have </div><div></div><div>a Nice Day", which I believe was her theme song. My kids also </div><div></div><div>loved the "Numbers Song" which had motions to go with each number </div><div></div><div>up to ten. I'm a teacher and have been hoping to find a </div><div></div><div>recording of those two songs to use in my classroom. The record </div><div></div><div>is so scratched it's unusable. Any help would be appreciated."</div><div></div><div></div><div>The blood-brain barrier (BBB) is essential for maintaining brain homeostasis and low permeability. BBB maintenance is important in the central nervous system (CNS) because disruption of the BBB may contribute to many brain disorders, including Alzheimer disease and ischemic stroke. The molecular mechanisms of BBB development remain ill-defined, however. Here we report that src-suppressed C-kinase substrate (SSeCKS) decreases the expression of vascular endothelial growth factor (VEGF) through AP-1 reduction and stimulates expression of angiopoietin-1 (Ang-1), an antipermeability factor in astrocytes. Conditioned media from SSeCKS-overexpressing astrocytes (SSeCKS-CM) blocked angiogenesis in vivo and in vitro. Moreover, SSeCKS-CM increased tight junction proteins in endothelial cells, consequently decreasing [3H]sucrose permeability. Furthermore, immunoreactivity to SSeCKS gradually increased during the BBB maturation period, and SSeCKS-expressing astrocytes closely interacted with zonula occludens (ZO)-1-expressing blood vessels in vivo. Collectively, our results suggest that SSeCKS regulates BBB differentiation by modulating both brain angiogenesis and tight junction formation.</div><div></div><div></div><div>Background: Integrated relaxation pressure (IRP) is a key metric for diagnosing esophagogastric junction outflow obstruction (EGJOO). However, its normal value might be different according to the manufacturer of high-resolution manometry (HRM). This study aimed to investigate optimal value of IRP for diagnosing EGJOO in Sandhill HRM and to find clinicomanometric variables to segregate clinically relevant EGJOO.</div><div></div><div></div><div>As long as it's used well and fit in with the movie is most important. Better yet being a Zeppelin song. The band have been much more open to doing this over the last several years than years ago. "Almost Famous" for example with five Zep tunes.</div><div></div><div></div><div>Does anybody know anything about the music that sounds like 'Thank You'. I looked at the songs listed at the end, and it is not listed as far as I can tell, so was probably recorded just for the film?</div><div></div><div></div><div>I find the lyrics to this song endlessly fascinating. The story is clear; the song is musically quite unvaried - why does it work so well? I couldn't comment on the detail of the music, but I think that one of the reasons why the lyrics work so well is the way they use shifts of time and perspective. Just when you think you have settled into understanding what you think is now the end of the story (the romance; then the baby; then the birth; then the rupture), the lyrics plunge you into a new time and a new perspective that puts the last "chapter" into a new frame. Given that the music does NOT signal these shifts by moving from verse to chorus or introducing radically different forms or melodies, I think part of the reason for the song's genius is how the propulsive nature of the music acts as a misleading overlay to the time-shifting lyrics.</div><div></div><div> df19127ead</div>
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