From Newsgroup: rec.music.classical

<div>In an early chapter of Elizabeth Stoddard's 1862 novel, The Morgesons, three vivacious old ladies assert in unison: "Miss Cassy don't play [the piano]. . . . Miss Verry's sun puts out her fire" (62).2 Their enthusiastic assessment of Verry's musical performance, rendered in metaphor, underscores a duality in the novel and points to musical skill as one basis of comparison. Stoddard offers here two distinct delineations of female musicianship: that of Cassy (or Cassandra), the novel's protagonist and narrator, in the form of the publicly sanctioned performer and singer in the parlor; and that of Verry (or Veronica), her younger sister, in the form of privately realized musical genius. Although music plays an integral role in the work, with almost forty references in the text, little critical analysis has been offered concerning its importance. Scholars have not considered this difficult novel in light of nineteenth-century attitudes toward female musical performance, composition, or genius. This paper discusses these conceptualizations and considers how Stoddard uses them in depicting her female characters' search for agency and self-expression. Additionally, it examines how the text's musical references contribute to its strikingly proto-modernist style. Often subversive in her use of music, Stoddard, like the mosquito referenced in the opening epigraph, both sings and stings throughout her self-styled recitative.</div><div></div><div></div><div></div><div></div><div></div><div>genius ft jay melody juu video download</div><div></div><div>Download Zip: https://t.co/XjJolBLEoj </div><div></div><div></div><div>After WWII, with the availability to the consuming public of technology, many cultural changes began to occur. Not only was listening to music available to the masses (as it had been since the invention of the wireless radio), but, through television, the observing of music being created was also enjoyed. This fact, coupled with the mass production of musical instruments and the deep desire of the American "frontiersman" to become civilized (how old were you when you first took music lessons?) laid the foundation for a particular kind of music. One that coupled rhythm and melody and then, through technology, allowed the masses to dabble. The emergence of genius in contemporary music was inevitable.</div><div></div><div></div><div>It is very difficult in Rock to separate the music as it is written from the music as it is performed. To illustrate this point, imagine Heifitz or the Romeros performing a Bach concerto. The music as it is written is of a simple melody/counterpoint pattern. The technique of the artist transforms a piece that perhaps an amateur could play into a thing of immense beauty. In Rock there are many simple songs that are transformed by technique and improvisation (which occurs often in Rock) into art with the emotional impact of any acclaimed classical piece. I might suggest listening to Eric Clapton play "Nobody Knows You When You're Down and Out" on the album Layla (Atco: SD2-704). The sounds Clapton coaxes from his Fender Stratocaster transform an old blues song into a concert of gut-level emotions difficult to surpass. This is nothing more than a result of genius.</div><div></div><div></div><div>That's right, the whole band. The four Atlanta-based hard-rockers would, with their unique blend of progressive melody and heavy metal tone, bring forth a soundtrack unlike anything ever heard. The band regularly produces concept albums, often tying extensive, bizarre storylines through their music, such as the story of a desert wanderer being tied into their latest effort Emperor of Sand and their sophomore album Leviathan, following the story of the classic novel Moby Dick.</div><div></div><div></div><div>He's not a household name and many in the rock community might turn their noses up at the idea of calling YouTuber Rob Scallon a genius, but listen. Rob Scallon is a creative force to be reckoned with. He is a genuinely talented musician, comedian, and video creator. In his videos, he regularly has backing tracks and snippets of music to play over and use for his comedy, all of which he writes and produces himself and all of it is good. Not basic good, not kind of good, but honest-to-goodness good.</div><div></div><div></div><div></div><div></div><div></div><div> df19127ead</div>
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