From Newsgroup: rec.music.classical

<div>One minute you are engrossed in an anecdote about SD's tiff with filmmaker O.P. Ralhan of Talash (1969), who wanted Mukesh to sing the song 'Tere naina talaash kare', and how the composer prevailed over him with his choice of Manna Dey. The next minute you are confronted with SD's sleepless nights when his son Pancham (R.D. Burman) decided to move out of his home in search of an independent identity in music.</div><div></div><div></div><div>While certain anecdotes are familiar, such as SD testing the voice of a singer before each recording by making a brief telephone call and his penchant for switching lead singers to keep his music fresh, where the book scores is in unearthing little-known facts: that SD refused Madhumati (1958) because he felt that Salil Chowdhury would do it justice; that Pandit Shivkumar Sharma played the tabla in the song 'Mose chhal kiye jaaye' (Guide, 1965); that SD confessed to actor Waheeda Rehman he was let down by the way his songs were filmed in Prem Pujari (1970); that he told composer Shankar (of Shankar-Jaikishan fame) that he had not paid anyone to get the Filmfare Award for Abhimaan (1973).</div><div></div><div></div><div></div><div></div><div></div><div>download song tere naina tabla mix</div><div></div><div>Download: https://t.co/PpFnp3DP0l </div><div></div><div></div><div>As a tabla player, rhythm in Hindi songs was something I always paid special attention to. Just as any music, Hindi songs follow certain rhythmic patterns as decided by the composer. One of the rhythmic cycles, or talas, is a 7 beat cycle aka Rupak taal. All hindi songs on this tala are super hit and can be listened to 100s of times.</div><div></div><div></div><div>If you just say the above numbers, then you are playing in Rupak taal. To demonstrate, follow this lovely song from Abhimaan. Start with the very first note of the tabla as 1 and then follow the rhythm 1 2 3 1 2 3 4.</div><div></div><div> 7c6cff6d22</div>
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