• Re: A bottomless pit of plagiarism

    From Kevrob@kjrobinson@mail.com to rec.arts.sf.fandom,rec.arts.sf.movies on Sun Jul 20 07:54:21 2025
    From Newsgroup: rec.arts.sf.fandom

    On 6/16/2025 11:16 AM, Paul S Person wrote:
    On Sun, 15 Jun 2025 13:22:48 -0400 (EDT), kludge@panix.com (Scott
    Dorsey) wrote:

    Disney has long been in the business of taking old classics and=20
    copyrighting them as their own. Many of them not technically=20
    plagiarism, since the originals were never copyrighted. Snow White and=20 >>>> Cinderella, to name two off the top of my head.

    IANAL, but my understanding of this would be:
    1. The stories as such are not copyrighted.
    2. A particular book containing the stories may be copyrighted as
    regards any essays, notes, illustrations, etc added to the book by its
    publisher.
    3. A movie based on a book is copyrightable as such, whether the book
    was copyrighted or not. Of course, if it was, the rights to make the
    movie would have to be acquired.

    My objection is not necessarily that they are using old stories from the
    public domain. Shakespeare did that.

    However, having read both Othello and the story _Un Capitano Moro_ that the >> plot was taken from, I think Othello is a far better work. Shakespeare took >> a good idea with a mediocre workup and turned it into something great.

    Disney, however, takes great works and ruins them. That's my objection.
    Whoever decided to tack a happy ending on to Hunchback of Notre Dame deserves
    to be thrown in the catacombs.

    When the Disney film came out, on another newsgroup, this point was
    raised. One regular disappeared for a week, and reported he had
    watched every movie version of /Hunchback/ he could find. The results
    (as I recall them):

    1. The villain is sometimes split (as in the Disney film) and
    sometimes is not (as in the book).
    2. Phoebus sometimes dies half-way through (in which case he is
    replaced by another character -- no, not Quasimodo) or he makes it to
    the end (as in the Disney film).
    3. Esmeralda survives in all movie versions (but not in the book,
    where she is hanged).
    4. The book's ending has never been filmed. For the curious, this
    involves a coffin being opened and finding in the skeletons of a young
    woman and a horribly deformed man in an embrace.
    5. Quasimodo and Esmeralda never end up together; Esmeralda ends up
    with Phoebus (if he survived) or his replacement (if he didn't).

    The conclusion from this extensive research was:

    The only real difference between Disney's version and the other movie versions is -- the talking gargoyles.

    So you can complain about the ending if you wish, but your complaint
    applies to all the movie versions the person doing this could find and
    watch.

    IOW, there is an established tradition of how the book is filmed, and
    the Disney version stands well within that tradition.

    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    This makes a certain amount of sense, as the playwright has already
    reduced the story to something that can be shown in a reasonable
    length of time.

    And Disney does not really give credit to the sources... so many people today
    think Cinderella was originally a Disney story. That is another layer of
    shame.

    IIRC, at least one attibutes the story to a French author in the
    titles.

    Disney does appear to prefer the French versions to the German
    versions. No evil stepsisters getting their eyes pecked out by birds
    in Disney!

    The Disney family traces its origins to Normandy. They made a point of
    that when they launched their European park.
    --

    Kevin R


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  • From Kevrob@kjrobinson@mail.com to rec.arts.sf.fandom,rec.arts.sf.movies on Sun Jul 20 08:01:36 2025
    From Newsgroup: rec.arts.sf.fandom

    On 6/17/2025 11:09 AM, Paul S Person wrote:
    On Mon, 16 Jun 2025 13:46:07 -0700, Tim Merrigan <tppm@rr.ca.com>
    wrote:

    On 6/16/2025 8:16 AM, Paul S Person wrote:
    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    Also, the book is a collection of letters and diary entries, some
    "originally" in shorthand. It would be hard to maintain that in a
    visual format.

    Another novel done similarly is, IIRC, Wilkie Collins' /The Woman in
    White/. There were probably others: this is probably a recognized
    literary style.

    In the /Dracula/ I have seen, the closest to this is a scene where an
    orderly reads a newspaper report about small childern injured by a
    "bootiful lady". In the book, IIRC, you just get the newspaper story.

    You /could/ do a film of the book with characters reading the various letters, diaries, etc, but I agree that it would work very well. As
    you say, this literary style would be hard to maintain in a visual
    format.

    https://en.wikipedia.org/wiki/Epistolary_novel

    Or, short story, as in Avram Davidson's _Selectra Six-ten_
    --
    Kevin R



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