From Newsgroup: alt.obituaries

The music world is mourning the loss of one of their own. Rick Davies, co-founder of the iconic rock band, Supertramp, has died, this according
to Variety and several other sources.
The British rock band was renowned for its intelligent blend of
progressive rock, pop, and art rock. Their music was characterized by
witty lyrics, rich arrangements, and a signature fusion of piano,
saxophone, and layered vocals. Formed in 1969, Supertramp reached global acclaim in the 1970s and early 1980s, largely driven by the creative partnership between Rick Davies and Roger Hodgson.
Davies was the consistent force behind Supertramp throughout its
existence. Born in Swindon, England, Davies was a classically trained
pianist with a deep love for jazz and blues, which heavily influenced
the bandrCOs sound. His gravelly vocals, lyrical introspection, and piano-driven compositions added emotional depth and complexity to the
bandrCOs catalogue. While Hodgson contributed many of the band's radio-friendly hits, Davies provided the soul and backbone of
Supertramp. His songwriting often explored themes such as
disillusionment, social inequality, and inner struggle -particularly
evident in tracks like rCLBloody Well RightrCY and rCLCrime of the Century.rCY Following HodgsonrCOs departure in 1983, Davies continued to lead
Supertramp into a more jazz-influenced and experimental direction,
keeping the group alive well into the 2000s.
Supertramp's critical breakthrough came with Crime of the Century
(1974), a dark and dramatic album that showcased the strength of the Davies-Hodgson partnership. Rick Davies delivered the biting social
critique rCLBloody Well RightrCY and co-wrote the powerful, orchestral title track, rCLCrime of the Century,rCY which explored themes of madness and alienation. The follow-up, Crisis? What Crisis? (1975), was more
understated but refined the bandrCOs sound, with Davies contributing
standout tracks like the bold, piano-driven rCLAinrCOt Nobody But MerCY and the emotionally charged rCLAnother ManrCOs Woman.rCY On Even in the Quietest Moments... (1977), Davies offered the gentle piano ballad rCLDownstream,rCY revealing a more intimate side to his songwriting. The band reached its commercial peak with Breakfast in America (1979), selling over 20
million copies. While Hodgson wrote many of the hits, DaviesrCO songs such
as the funky and cynical rCLGoodbye StrangerrCY and the soulful rCLOh DarlingrCY
added depth and balance to the album. Their final collaboration came on ...Famous Last Words... (1982), where creative tensions were palpable.
Davies contributed the brooding rCLWaiting So LongrCY and the laid-back, bluesy rCLPut on Your Old Brown Shoes,rCY marking the end of SupertramprCOs classic era.
After HodgsonrCOs departure, Davies assumed full creative control of Supertramp. He continued releasing albums and touring with new lineups.
Davies remained committed to evolving SupertramprCOs sound. He led the
band through sporadic tours and recordings into the 2000s, until health
issues eventually forced his retirement from music.
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