• more Elizabethan piano

    From Todd M. McComb@21:1/5 to All on Sun Jul 7 18:21:26 2024
    This has been a topic of broader interest here in the not so distant
    past, although perhaps most of those interested have lapsed in the
    interim....

    Anyway, there's a new release by Mishka Rushdie Momen on Hyperion,
    and it may be the most idiomatic-sounding piano recital of this
    music yet.... The Hyperion liner notes are all available online,
    and she wrote her own, discussing both the individual pieces (& the
    general history) & her approach to piano. The latter sounds good,
    but isn't very concrete. However, the (concrete) result is quite
    good, with a real lightness & control of articulation. (This may
    involve leaving out some notes in favor of pedals at times....)

    Listening to the program for me, I'm pretty quickly feeling a real
    connection with the Byrd Prelude/Fantasia pair (BK12/13), although
    not every selection is my favorite. The "biggest" piece here is
    Bull's _Walsingham_ variations, a study in odd rhythms & resulting
    textures (Sorabji before Sorabji?) that's handled relatively well....
    The lighter "character" pieces are also especially coherent, charming
    being an apt term perhaps.... (But there's also plenty of melancholy
    in the program.)

    PS. Pace an earlier thread on the Byrd anniversary last year, while
    there was a welcome (updated) rendering of his _Psalmes, Sonets &
    Songs of Sadnes and Pietie_ (1588) by Alamire, there has yet to be
    a corresponding update for _Psalmes, Songs, and Sonnets_ (1611) --
    which has been warranted for some time.... (These Consort of Musicke
    albums are quite dated at this point, and the latter was never their
    best anyway.)

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  • From Todd M. McComb@21:1/5 to paoloapesenti@gmail.com on Mon Jul 8 06:08:07 2024
    In article <v6fumq$9gjj$2@paganini.bofh.team>,
    PPeso <paoloapesenti@gmail.com> wrote:
    I guess Bull intrinsically remains more piano-portable than Byrd or
    Gibbons or most of the Fitzwilliam composers for that matter.

    That's been my impression, but this new recording does some good
    things with Byrd & Gibbons too.

    The Kit Armstrong release was discussed here fairly extensively.

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