• purchasing, formats... (was: WAYLTL 2025!)

    From Todd M. McComb@21:1/5 to Todd M. McComb on Tue Mar 4 20:00:01 2025
    In article <vq51hb$c2t$1@hope.eyrie.org>,
    Todd M. McComb <mccomb@medieval.org> wrote:
    Ha, well, I have this recording in hand (from jpc.de) & will probably
    write the review this week.... It's already on at least Qobuz (&
    is supposedly an April release for the US).

    Perhaps this is a spot for a tangent that is of interest to me for
    public discussion, and had basically been part of this group from
    the beginning, i.e. the various options for hearing or purchasing
    recorded classical music....

    I don't want to pick on Beauty Farm (the group) or Fra Bernardo
    (the label), or at least not much, but this situation is perhaps
    illustrative. The recording arrived without notice on Qobuz, and
    in high-def. (I appreciate many of these newer high-def recordings,
    including in choral music, but for some reason, that became a flame
    bait topic here....) The only reason I know about it is a younger
    colleague spotted it somehow. It also appeared at JPC (which I
    found by searching). But not at UK or US retailers, the latter of
    which should appear in April. Perhaps that will also mean that
    I'll receive further information from the US distributor, but maybe
    not, as not only are more of the music files not given out this way
    anymore (the feeling being, apparently, that everyone has streaming
    anyway at this point...), but the liner note info (etc.) may not
    appear. It hasn't for recent Fra Bernardo releases, and so the
    only way to read the liner notes has been to purchase the physical
    CD. (Like the distributor, the label used to be in touch with me,
    but now their own website doesn't even get updated, and they don't
    respond....) And remember, this is then a lower audio quality than
    I can already stream online! Anyway, I wanted to lay out these
    actual current facts, in the spirit of ongoing consumer information....

    And I think I've said this before, but IMO one thing these producers
    need to decide is whether the liner notes are a value add or not,
    and if they are, how to make those of us who want to read them pay
    for it, because this "system" is really dumb. (And as noted, I do
    feel obliged to read notes before commenting on the performance,
    because the notes might address something on which I'd comment! It
    just seems like a basic part of not spewing in ignorance, a sense
    of restraint of course deprecated in our current world....)

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