On Dec 3, 2024 at 4:32:25 AM EST, "Zionazi" <marcs12212@gmail.com> wrote:

Dan meets Wang After the concert:

„yo this was really an excellent performance“

Wang:

„Wow thank you“

Dan:

„It’s only worth hearing once though“

Wang:

„Wtf?!“

To paraphrase one of the better slogans of the womens movement:

"So many recordings, so little time."

-Owen

P.S. I thought it was excellent performance. There isn't any attempt at glitter, it's fine music making. The opening theme, which sounds like a
painful request for relief which is expected by the supplicant to be refused (sorry for interjecting some programme into the music!), is full of emotion. BTW, I've listened to it 3 times so far.



P.P.S. Yuja should stop and talk to me after a performance, instead of Dan.

-O

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On Dec 3, 2024 at 10:13:02 AM EST, "Zionazi" <marcs12212@gmail.com> wrote:

On Tue, 3 Dec 2024 14:23:44 +0000, Owen Hartnett wrote:

On Dec 3, 2024 at 4:32:25 AM EST, "Zionazi" <marcs12212@gmail.com>
wrote:

Dan meets Wang After the concert:

„yo this was really an excellent performance“

Wang:

„Wow thank you“

Dan:

„It’s only worth hearing once though“

Wang:

„Wtf?!“

To paraphrase one of the better slogans of the womens movement:

"So many recordings, so little time."

-Owen

P.S. I thought it was excellent performance. There isn't any attempt at
glitter, it's fine music making. The opening theme, which sounds like a
painful request for relief which is expected by the supplicant to be
refused
(sorry for interjecting some programme into the music!), is full of
emotion.
BTW, I've listened to it 3 times so far.

Yes, I find it in some ways over dramatic maybe — i was at First caught
off guard by this (in a positive sense - i like the pacing), Not quite
Sure what to make out of it (one of the parts i thought were beautiful
or at least interesting (she seems to bring out some things more than Eschenbach (also because of Pacing ofc), but maybe she accentuates too
much too often; just listened to it again)) — there is much more
innocence conceyed in how Eschenbach plays it… although id like it
played a Little slower; Olafsson is just super dry btw

I hadn't connected this work with innocence, more like guilt. But that kind of emotional richness is not something you usually expect from Yuja, and I think that's why both Dan and I reacted positively to it.

-Owen

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