• Baby Face from 1933

    From MummyChunk@21:1/5 to All on Sat Oct 26 17:15:20 2024
    "Baby Face" is a 1933 American pre-Code drama film directed
    by Alfred E. Green for Warner Bros., starring Barbara Stanwyck as Lily
    Powers, and featuring George Brent.

    Based on a story by Darryl F. Zanuck (under the pseudonym Mark
    Canfield), "Baby Face" portrays an attractive young woman
    who uses sex to advance her social and financial status. Marketed with
    the salacious tagline "She had it and made it pay," the
    film's open discussion of sex made it one of the most notorious films
    of the Pre-Code Hollywood era and helped bring the era to a close as enforcement of the code became stricter beginning in 1934.

    Aside from its depiction of a seductress, the film is notable for the "comradely" relationship Lily has with African-American
    Chico, who is her co-worker in Erie, Pennsylvania, and comes with her
    to New York City. She later becomes Stanwyck's maid, but their
    relationship remains friendly, and not that of a mistress and her
    servant. When Lily's father tries to fire Chico, Lily tells him that
    if Chico goes, she goes.

    Stanwyck had influence on the film's script. It was her suggestion
    that Lily had been forced by her father to have sex with the customers
    of his speakeasy.

    Twenty-five-year-old John Wayne appears briefly as one of Powers's
    lovers (below).

    In 2004, when Michael Mashon, a curator of the motion picture division
    at the Library of Congress, received a request for a print of this
    film, he discovered two negatives of the film: the original camera
    negative and a "duplicate negative" that was longer. The
    duplicate negative was the pre-release (uncensored) version of the
    film that was submitted to the New York State censorship board in 1933
    for approval.

    The uncensored version received its public premiere at the London Film
    Festival in November 2004, more than 70 years after it was made. The
    existence of these negatives allows pristine quality prints to be made
    as compared to other surviving films of that era.

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