• The intense heat on the set of The Wizard of Oz (1939)

    From MummyChunk@21:1/5 to All on Fri Oct 18 22:24:15 2024
    The set of "The Wizard of Oz" (1939) became notoriously hot
    due to the early use of Technicolor, which required extensive lighting
    and large sets with cameras strategically placed in various corners.
    This elaborate setup made the environment extremely uncomfortable.

    Cinematographer Harold Rosson recalled in *The Making of the Wizard of
    Oz*, "We had enormous banks of lights overhead. We borrowed every
    unused arc light in Hollywood. It was brutally hot. People were always
    fainting and being carried off the set."

    Temperatures reportedly soared above 38 degrees Celsius (100 degrees Fahrenheit). When the heat became unbearable, director Victor Fleming
    would order the lights to be turned off and the studio doors opened,
    allowing the cast and crew to step outside and cool down.

    Early Technicolor used three reels of negative film running
    simultaneously inside the camera....one for each of the primary
    colors. Prisms split the light coming through the lens into three
    images, one for each reel. That is why it required so much light.
    Later, Technicolor perfected negative film containing all three
    emulsions.

    This intense heat was just one of the many challenges faced during the production of this iconic film, which has since become a beloved
    classic in American cinema. The dedication of the cast and crew under
    such harsh conditions is a testament to their commitment to bringing
    this magical story to life.

    View the attachments for this post at: http://www.jlaforums.com/viewtopic.php?p=676410820#676410820

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  • From Ted Nolan @21:1/5 to MummyChunk on Fri Oct 18 23:49:27 2024
    In article <YI2dnWfuk4mSfY_6nZ2dnZfqn_GdnZ2d@giganews.com>,
    MummyChunk <mummycullen@gmail-dot-com.no-spam.invalid> wrote:
    The set of "The Wizard of Oz" (1939) became notoriously hot
    due to the early use of Technicolor, which required extensive lighting
    and large sets with cameras strategically placed in various corners.
    This elaborate setup made the environment extremely uncomfortable.

    Cinematographer Harold Rosson recalled in *The Making of the Wizard of
    Oz*, "We had enormous banks of lights overhead. We borrowed every
    unused arc light in Hollywood. It was brutally hot. People were always >fainting and being carried off the set."

    Temperatures reportedly soared above 38 degrees Celsius (100 degrees >Fahrenheit). When the heat became unbearable, director Victor Fleming
    would order the lights to be turned off and the studio doors opened,
    allowing the cast and crew to step outside and cool down.

    Early Technicolor used three reels of negative film running
    simultaneously inside the camera....one for each of the primary
    colors. Prisms split the light coming through the lens into three
    images, one for each reel. That is why it required so much light.
    Later, Technicolor perfected negative film containing all three
    emulsions.

    This intense heat was just one of the many challenges faced during the >production of this iconic film, which has since become a beloved
    classic in American cinema. The dedication of the cast and crew under
    such harsh conditions is a testament to their commitment to bringing
    this magical story to life.

    View the attachments for this post at: >http://www.jlaforums.com/viewtopic.php?p=676410820#676410820


    Buddy Ebsen was famously allergic to the Tin Man makeup, forcing him to
    abandon the part during filming.
    --
    columbiaclosings.com
    What's not in Columbia anymore..

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