XPost: uk.media.tv.sf.drwho, rec.arts.sf.tv, rec.arts.tv
XPost: can.arts.sf
**Review of "Mummy on the Orient Express"**
In *"Mummy on the Orient Express,"* the Doctor and Clara find themselves
aboard a luxurious, space-bound version of the Orient Express, where
passengers are being mysteriously killed by a creature only they can see-a terrifying mummy. With a strict countdown of 66 seconds to death for each victim, the tension is palpable as the Doctor works to solve the mystery
before the creature strikes again.
The episode thrives on its unique blend of horror, mystery, and vintage glamour. The train's art-deco-inspired interiors and period costumes create a stylish, immersive setting. Director Paul Wilmshurst expertly builds tension, with the mummy's appearances choreographed to evoke dread. The design of the Foretold, the episode's central villain, is genuinely chilling-a tattered, decaying figure that feels like an unstoppable force of nature.
Peter Capaldi shines as the Twelfth Doctor, balancing his cold, calculating nature with moments of warmth and empathy. His methodical unraveling of the mystery highlights his intelligence, though his seemingly indifferent approach to the deaths pushes Clara to her emotional limits. Jenna Coleman delivers a strong performance as Clara, navigating her character's conflicted feelings about continuing her travels with the Doctor after the events of
*"Kill the Moon."* Their dynamic evolves further, with Clara's frustration adding depth to their relationship.
The supporting cast is solid, particularly Frank Skinner as Perkins,
the train's engineer, who provides humor and insight without feeling
intrusive. The passengers, though less developed, serve their roles in advancing the plot, particularly in heightening the stakes
as the mummy's victims mount.
The resolution of the Foretold's mystery is satisfying and ties neatly
into the episode's central theme: the lengths to which people will go to survive. The revelation that the mummy is a soldier trapped in an endless
cycle of killing adds poignancy to an otherwise terrifying entity.
The Doctor's solution-to declare surrender and break the cycle-is clever
and consistent with his character's reliance on intellect over brute force.
Murray Gold's score complements the episode's atmosphere, oscillating between eerie and triumphant as the story unfolds. The pacing is brisk, though it allows room for character moments, such as Clara's heartfelt conversations
with the Doctor and her phone call with Danny.
Where the episode slightly falters is in its thematic follow-through.
The moral implications of the Doctor's decisions-particularly his willingness to let people die for the sake of solving the puzzle-are touched on but not fully explored. While this adds to the complexity of Capaldi's Doctor,
it could leave viewers wanting a deeper reckoning.
**Final Rating: 92/100**
*"Mummy on the Orient Express"* is a stylish, suspenseful episode that
masterfully combines horror and intrigue. With a memorable villain,
strong performances, and a gripping mystery, it stands out as one of
the Twelfth Doctor's best adventures. Its exploration of morality
and survival adds weight to the thrills,
even if some themes remain underdeveloped.
--
Member - Liberal International This is
doctor@nk.ca Ici
doctor@nk.ca
Yahweh, King & country!Never Satan President Republic!Beware AntiChrist rising! Look at Psalms 14 and 53 on Atheism ;
Merry Christmas 2024 and Happy New Year 2025
--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)