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SHAMANISM IN THE RELIGIOUS EXPERIENCES

From Ricky Sutphin@RICKSBBS/TIME to All on Sun Mar 30 04:18:38 2025

- Dissertation Bibliography from LISTSERV@Uottawa or LISTSERV@Acadvm1.Uottawa.CA as SHAMAN-1 BIBLIO

This bibliography is also available from the CONTENTS Project
FTP server (PANDA1.UOTTAWA.CA or 137.122.6.16) as
SHAMAN-1.TXT (low ascii text without indentation)

Copyright (C) 1991 by Maureen Elizabeth Korp.

All rights reserved. No part of this document may be reproduced,
stored in a retrieval system, or transmitted in any form or by any
means, electronic, mechanical, photocopying, recording, or
otherwise, without the prior permission of the author, Maureen
Elizabeth Korp.

For more information about this dissertation, contact:

Maureen Elizabeth Korp
Religious Studies Department
University of Ottawa
177 Waller
Ottawa, Ontario
CANADA K1N 6N5

(613) 237-2052 (voice)
(613) 564-6641 (fax)

E-Mail Address:

<MKORP@UOTTAWA> Bitnet
<MKORP@ACADVM1.UOTTAWA.CA> Internet ==========================================================

EARTHWORKS:
SHAMANISM IN THE RELIGIOUS EXPERIENCES
OF CONTEMPORARY ARTISTS IN NORTH AMERICA

by
Maureen Elizabeth Korp

Dissertation presented to the Graduate School
of the University of Ottawa
as partial fulfillment of the requirements
for the degree of Doctor of Philosophy
(Religious Studies)

Thesis Supervisor: Robert Choquette, Ph.D.

Ottawa, Canada
1991

Maureen Elizabeth Korp, Ottawa, Canada, 1991.

Volume I

CONTENTS

Acknowledgements iii

List of Illustrations xi

List of Tables xiv

Abstract xvii

page
Introduction 1-43

Kratophany and Theophany 5
Earthworks 16
So-called "Primitivism" 19
Intellectual and Scholarly Interpretations 21
Shamanism and the Artist 25
Statement of the Problem 30
Outline of the Approach 34
Endnotes 41

PART I: THE PROBLEM OF EARTHWORKS AS SACRED SPACE

Chapter page

1. Ancient Earthworks in the New World 45-107

Marks upon the Land 48
A Structured Cosmology 55
A Typology of Set-Apart Space 63
"The Earth is My Mother" 81
Impact of Language 87
Conclusions 92
Endnotes 95♀

Volume I

CONTENTS

Chapter page

2. The Sacred Place: Theoretical Considerations 108-180

Recognition of the Sacred Place 111
Two Sites--sacred or non-sacred? 120
The Art Historian's Approach 124
The Religious Approach of Mircea Eliade 128
The Application of a Sacred Place Typology 134
Esoteric and Occult Interpretations 149
Aesthetic Response 151
Animism as Kratophany 154
Summary 165
Endnotes 171

3. The Contemporary Earthwork in the New World 181-250

The 1969 "Earth Art" Exhibition 185
Site Specificity and the Earthwork 191
Sun Tunnels 196
Complex One/City 200
Lightning Field 205
Spiral Jetty 209
Star Axis 216
Roden Crater 223
The Contemporary Earthwork as Sacred Place 232
Endnotes 240

Volume I

CONTENTS

PART II: THE SHAMAN AS ARTIST (THE ARTIST AS SHAMAN)

Chapter page
4. The Artist's Shamanic Vision 252-314

The Shaman 255
The Shaman and the Artist 257
Lascaux as an Example of Shamanic Art 259
Other Primal Examples of Shamanic Art 264
Style Characteristics 267
Phosphenes and Photisms 269
The Shaman's Vision 273
The Earth-Centered Vision 276
The Artist's Vision 282
A Re-Appraisal of Artistic Vision 286
Conclusion 293
Endnotes 298

PART III: WHAT THE ARTISTS SAY:
AN EXPLORATORY STUDY OF A GROUP OF NORTH AMERICAN ARTISTS

Chapter page

5. Survey Design and Administration 316-356

Some Methodological Issues 317
Design of the Questionnaire 324
Format of the Questionnaire 327
Survey Participant Selection 330
Response Rate to the Questionnaire 334
Interview Procedures 339
Interviewing 340
Interview Text Verification 343
Participant Follow-up 345
Conclusions 346
Endnotes 349

Volume I

CONTENTS

Chapter page

6. The Artists' Questionnaire Results 357-425

Statistical Profile of the Artists Surveyed 362
Summary of the Group's Statistical Profile 379
Questions concerning Artistic Vision and Inspiration 350
Summary of the Group's Shamanic Experiences 397
Earthworks and the Artists 398
The Artist's Empathy for Native Peoples 403
The Artist's Experience of Kratophany 413
Conclusion 416
Endnotes 423

7. Interviews with the Artists 426-517

The Artist as Shaman 428
Franz Geierhaas's Study of 15 Artists 432
Selection of the Artists To Be Interviewed 436
Views on Religion and Religious Art 438
The Power of Art 445
Views on Nature 448
The Artists' Visions 452
Work Routines 462
A Proprietary Point of Discussion 466
Earthworks in America 476
The Artist's Community Role 492
Conclusion 498
Endnotes 501

Volume I

CONTENTS

PART IV: LAST WORDS AND FURTHER THOUGHTS

Chapter page

8. The Earthwork as Geo-Metaphor 519-554

With Words and Pointing Fingers 520
Art as a Religious Discipline 527
The Rigney and Smith Study 530
The Barron Study 533
The Gallup Poll on Religious Experience 536
Studies of Psychedelic Agents, Mysticism, and
Creativity 539
The Buffalo Commons 540
The Earthwork as Geo-Metaphor 543
Afterword 549
Endnotes 550
♀

Volume II

CONTENTS

page
APPENDIX 1. Artist's Questionnaire: Sources of
Archaic Motifs in Contemporary Art 2

Consent for Artist's Interview:
Procedure and Interview Form 8

APPENDIX 2. Artist's Interview Text
anonymous 14
Lorenzo Baca 23
Rick Bartow 35
Betsy Damon 45
Jennifer Dickson 55
Martin Dunn 64
Anita Endrezze 75
Andy Fabo 84
Donna Henes 94
Peter Hutchinson 105
Alex Janvier 115
Ann McCoy 122
Eva Manly 138
Jody Pinto 147
Charles Ross 155
Jim Schoppert 169
Tal Streeter 178
Meryl Taradash 196
Carla Whiteside 209

APPENDIX 3. Curriculum 220

WORKS CONSULTED 221
♀
Volume I

List of Illustrations

figure page

1. Gary Dwyer. "Mea Culpa, My Fault." 2
2. James Turrell. "Roden Crater." 3
3. Charles Ross. "Star Axis." 4
4. Alex Janvier. "Fort Simpson." 6
5. Jody Pinto. "Split Tongue Pier." 7
6. Meryl Taradash. "Waves." 8
7. Betsy Damon. "Memory of Clean Water." 9
8. Jennifer Dickson, R.A. "Memories and Dreams:
Villa Torrigiani di Carmigliano, near Luca, Italy." 10

9. Monks Mound, Mississippian, East St. Louis,
Illinois. 57

10. Flat circular architectonic shapes. 65

11. Flat rectilinear architectonic shapes. 66

12. Conical architectonic shapes. 67

13. Enclosed rectangular architectonic forms. 68

14. Dome-shaped architectonic forms. 69

15. a. Cutaway view of a Thompson Indian pit house,
c. 1900; b. Montezuma's Castle, Sinaqua, c.1250. 70

16. Great Serpent Mound, Adena, Peebles, Ohio. 75

17. a. Reconstruction of the central district of the
Poverty Point, Louisiana, site, c.1000 BCE;
b. detail of the Poverty Point "monster mound." 76

18. Moose Mountain Medicine Wheel, Saskatchewan. 141

19. Ancient lava flow, Oahu. 146

20. Nancy Holt. "Sun Tunnels." 197

Volume I

List of Illustrations

figure page

21. Michael Heizer. "Complex One/City." 202

22. Walter de Maria. "Lightning Field." 206

23. Robert Smithson. "Spiral Jetty." 210

24. Charles Ross. "Sunlight Convergence/Solar Burn." 217

25. Composition with images of a shaman, bison, and a
rhinocerous, from the cave of Lascaux, France,
c. 17000 BCE. 262

26. Manitokanac figure, Ojibway, c. 1870. 281

Volume II

27. Lorenzo Baca. Polychromed wood table. 24

28. Rick Bartow. "Protection." 36

29. Betsy Damon. "Shrine for Everywoman." 46

30. Jennifer Dickson, R.A. "The Fountain of Queen
Dona Maria, Queluz." 56

31. Martin Dunn. "Self-portrait," colourized
videotape. 65

32. Anita Endrezze. Book plate design. 76

33. Andy Fabo. "Sweat Lodge Vision." 86

34. Donna Henes. "Cocoon Ceremony." 95

35. Peter Hutchinson. "Floating Calabash,
August 1969." 106

36. Alex Janvier. "Apple Skydome." 117

37. Ann McCoy. "Altar." 123

Volume II

List of Illustrations

figure page

38. Eva Manly. "Seaweed Circle." 139

39. Jody Pinto. "Fingerspan Bridge." 148

40. Charles Ross. "Star Axis" excavation site,
view S. 157

41. James Schoppert. "Blueberries." 170

42. Tal Streeter, "Dragon Stair." 179

43. Meryl Taradash. "Wings of Light." 197

44. Carla Whiteside. "Le Premier Recit: Qui la
separait des tenebres (The first book: was
divided from the darkness)." 210

Volume I

List of Tables

Table page

1. Summary of Raw Materials, Structural Types, and
Built Forms in Amerindian Architecture 73

2. Artist's Questionnaire Response Rate 337

3. Highest Level of Education Completed by Ethnicity 363

4. Studio Art Training by Sex 364

5. Religious Site Travel by Ethnicity 365

6. Impact of Religious Sites 367

7. Knowledge of Multiple Languages by Ethnicity 368

8. Cultural and Ethnic Groups with whom the Artists
Empathize 370

9. Reasons for Empathy with Another Group 371

10. Important Personal Life Crisis Events 372

11. The Experience of Loss or Disappointment in Love
as an Important Life Crisis Event by Sex 373

12. The Experience of a Joyful Event as an Important
Life Crisis Event by Sex 374

13. The Experience of Racism as an Important Life
Crisis Event by Sex 374

14. The Experience of Sexual Hurt as an Important
Life Crisis Event by Sex 375

15. The Experience of Harm, Hurt, or Loss of Another
Person as an Important Life Crisis Event by
Ethnicity 375

16. The Experience of Racism as an Important Life
Crisis Event by Ethnicity 376

17. Change in Religious Identification: Artists'
Childhood and Adult Affiliations Compared 378

Volume I

List of Tables

Table page

18. Sex Difference in the Experience of Kratophany 381

19. Frequency in Artist's Lifetime of Visionary
Experiences 386

20. Sex Difference in the Age for Obtaining a Vision 387

21. Types of Paranormal Experiences Reported by
Artists 390

22. Sources of Influence upon Arts Imagery 397

23. Ethnicity Difference in Personal Interest in
Earthworks 399

24. A Comparison of Interest in Earthworks and Types
of Paranormal Experiences Reported by Artists 400

25. A Comparison of Interest in Earthworks and
Visionary Experiences Reported by Artists 401

26. A Comparison of Interest in Earthworks and the
Selection by Artists of Earth or Blood as the
Most Important for Their Own Artwork of Four
Archaic Motifs (Blood, Water, Earth, Sun) 402

27. A Comparison of Interest in Earthworks and Travel
to Religious Sites by the Artists 403

28. A Comparison of Interest in Earthworks and Highest
Level of Education Completed 403

29. Reasons for Empathy with Native Peoples and/or
Other Ethnic Groups 406

30. Frequency in Artist's Lifetime of Visionary
Experiences among Those Expressing Feelings of
Empathy for Native Peoples 407

31. The Experience of Kratophany among Those
Expressing Feelings of Empathy for Native Peoples 407

32. The Experience of Religious Conversion among
Those Expressing Feelings of Empathy for Native
Peoples 408

Volume I

List of Tables

Table page

33. Childhood Religious Affiliations among Those
Expressing Feelings of Empathy for Native Peoples 409

34. The Experience of Personal Hurt among Those
Expressing Feelings of Empathy for Native Peoples 410

35. Belief in the Ability of Art to Heal among Those
Expressing Feelings of Empathy for Native Peoples 410

36. Migratory Travel away from Home to Work on Site
among Those Expressing Feelings of Empathy for
Native Peoples 411

37. Travel to New World Archaic Sites by Those
Expressing Feelings of Empathy for Native Peoples 411

38. Visionary Experiences among Those Reporting
Instances of Kratophany 415

39. Paranormal Experiences among Those Reporting
Instances of Kratophany 415

40. Influence of Paranormal Experiences upon Artistic
Endeavors among Those Reporting Instances of
Kratophany 415♀

Abstract

Within the last 30 years a number of earthworks have been
built by artists, primarily in North America, but extant
examples are known elsewhere in the world. These artworks
are not intended to be bought and sold or displayed within
the usual gallery-focused art distribution system. They are
site-specific works, often located in remote, hard-to-reach
areas. Curatorial documentation is sometimes incomplete.
Some artists do not even list their earthwork projects on
their resumes. What then is the purpose of the contemporary
earthworks? They appear to be similar in siting and
materials to archaic earthworks which we assume to be sacred
in intentionality. Are the contemporary works also religious
statements of sacral orientation?

In this exploratory study, 203 questionnaires were sent to
artists throughout North America whose work seemed to show an
especial interest in earthworks, visionary experiences,
and/or nature. (Half of the artists selected were female
artists, one-fourth were artists of self-identified
Amerindian ancestry, and half had Canadian addresses.)
Questions were asked of the artists concerning visionary
experiences, paranormal experiences, life crises, religious
background and current religious affiliation, among other
things. The questionnaire return rate was 54.7% or 120
completed questionnaires. Subsequent interviews were
conducted with 19 artists.

The findings of the survey indicate that for most of the
artists in the group--native and non-native alike, male and
female alike--their visions and paranormal experiences
inspire and authenticate their work as artists, work which
they themselves believe to be "healing" and linked to the
earth as sacred, a world in which they frequently encounter
"sacred places," power centers, and other experiences of mana
or kratophany. In very special ways, the artists feel
themselves to be mediums for a sacred knowledge which they
believe comes from nature, from the earth, from the energies
of all life, of all time--but not from god or gods per se.
The artists appear to perceive the world as a self-contained
whole, a healing whole, and in their art they take part in
that healing whole.

Thus, the dissertation argues that the analogy of shaman as
artist (artist as shaman) is a useful one to make to
explicate the religious experiences of artists; that artists
can be studied as a group using the statistical profile
methods of social sciences; and that contemporary earthworks
may constitute a hitherto unrecognized body of sacred art.
If so, they are sacred places.♀

WORKS CONSULTED

The following list of articles, monographs, and interviews is
divided into nine parts arranged under two major headings--
primary and secondary documents. Under the heading of
primary documents is one subheading for the list of first-
person statements by artists used in the study. Some are
published articles and interviews. Others are artists'
catalogue statements. Still others are unpublished
interviews and letters, plus notes from telephone
conversations and informal meetings.

Under the heading of secondary documents are eight further
subheadings arranged with the hope that the reader will find
the subject listings helpful because the bibliography is both
lengthy and interdisciplinary. Titles are not double-listed
under different headings. Under art criticism will be found
articles about contemporary art and artists, particularly
with reference to earthworks, which were not written by the
artists being discussed.

Under shamanism, the reader can locate general writings on
shamanism and neo-shamanism. Most of the titles listed are
for cross-cultural and/or comparative studies. Tribal-
specific studies of shamanism and individual profiles of
shamans are also listed here, and studies of shamanism and
"primitive" and/or archaic art forms.

The listings for Amerindian traditions and culture comprise
a variety of items, including visual arts, but omitting
shamanism, having to do with the peoples of the first nations
of North and South America.

The psychology of art, creativity, and mysticism listings
are, for the most part, Western-oriented contemporary studies
of creativity in the visual arts, trance experiences, and psi
phenomena.

The religion and art listing includes studies which discuss
the relationship of art to religion and studies concerned
with the origin of religion (and/or art), especially those of
the Old World paleolithic and neolithic eras. The listing
also includes some general work in religious studies typology
and "patterns" (Mircea Eliade's felicitiously chosen term) of
religiosity.

The section entitled topofilia includes studies of North
American cultural geography, ecology, eco-theology and geo-
piety. Studies of architectonic space, particularly with
reference to contemporary North American culture and
religions, are listed here also.

The social sciences methodology section lists the how-to
titles which guided the survey design (questionnaire and
interviews), and the interpretation of the survey's findings.

Finally, miscellany as a subsection heading is just what its
title says--a catch-all list of reference books which I
consulted from time-to-time.

PRIMARY DOCUMENTS

1. Artist's Statements and Interviews

Andre, Carl. Carl Andre. The Hague: Gemeentemuseum,
1969.

Anonymous artist. Interview, by telephone, British
Columbia, July 13, 1989.

Baca, Lorenzo. Interview, by telephone, Sonora,
California, July 30, 1989.

Barrie, David. "Religion, Science, and Art," Apollo,
vol.79, nr.327 (May 1989). pp.313-316.

Bartow, Rick. Interview, by telephone, South Beach,
Oregon, July 24, 1989.

Bridges, Marilyn. "High Overview, Newark, Ohio, 1982," 
Aperture, issue 98 (Spring 1985). unpaged.

________. Markings: Aerial views of sacred
landscapes. New York: Aperture Foundation, 1986.

________. "Serpent Mound, Adams County, Ohio, 1982," 
Aperture, issue 98 (Spring 1985). unpaged.

Damon, Betsy. Interview, in-person, New York City, July 2,
1989.

Dickson, Jennifer. Interview, in-person, Ottawa, July 5,
1989.

"Discussions with Heizer, Oppenheim, Smithson,"
Avalanche, Fall 1970. pp.48-70.

Dunn, Martin. Interview, in-person, Ottawa, June 26, 1989.

Dwyer, Gary. "Mea Culpa, My Fault: A report on an
earthwork in progress," Leonardo, vol. 19, nr.4
(1986). pp.285-287.

________. "The Power under our Feet: Mea Culpa (My
Fault): A work in progress," Landscape
Architecture, May/June 1986. pp.65-68. (Response:
July/August 1986, p.9.)

Edelson, Mary Beth. Seven Cycles: Public rituals.
New York: Privately published, 1980.

Endrezze, Anita. Interview, by telephone, Spokane,
Washington, July 26, 1989.

Fabo, Andy. Interview, in-person, Ottawa, June 17, 1989.

Haacke, Hans. Earth. Ithaca: Andrew Dickson White
Museum, Cornell University, 1969.

Heizer, Michael. "Discussions with Heizer, Oppenheim,
Smithson," Avalanche, issue 1 (Fall 1970).
pp.24ff.

________. Michael Heizer. Essen: Museum Folkwang,
1979.

Henes, Donna. Dressing Our Wounds. Los Angeles:
Astro Artz, 1982.

________. Interview, in-person, Brooklyn, New York, July
19, 1989.

Hompson, Davi Det (David Thompson). Richmond, Virginia.
Personal communication, January 25, 1990.

Hutchinson, Peter. "Earth in Upheaval: Earthworks and
landscapes," Arts Magazine, November 1978.
pp.19-21.

________. Interview, by telephone, Provincetown,
Massachusetts, July 27, 1989.

Janvier, Alex. Interview, in-person, Ottawa, June 25,
1989.

_________. Personal communication, February 1989.
Kiesler, Frederick. Inside the Endless House, Art,
People, and Architecture: A journal. New
York: Simon and Schuster, 1966.

Lipke, William C. "Earth Systems," Earth Art.
Ithaca, New York: Andrew Dickson White Museum of
Art, 1969. unpaged.

McCoy, Ann. Interview, in-person, New York City, July 20,
1989.

Manly, Eva. Interview, in-person, Ottawa, July 6, 1989.

Meadmore, Clement. "Thoughts on Earthworks, Random
Distribution, Softness, Horizontality, and Gravity,"
Arts Magazine, February 1969. pp.26-28.

Morris, Robert. "Statement by Robert Morris," The Arts
(Earthworks): Newsletter of the King County Arts
Commission, vol. 8, nr. 7 (July 1979). pp.1-6.

Munro, Eleanor. "Art in the Desert," New York Times,
December 7, 1986. pp.9, 38.

Orion, Ezra. "Sculpture in the Solar System: From
geologically based earthworks to astro-sculpture,"
Leonardo, vol.18, nr.3 (1985). pp.157-160.

Pinto, Jody. Excavations and Constructions: Notes for
the body/land. Philadelphia: Marian Locks
Gallery, 1979.

________. Interview, in-person, New York City, July 21,
1989; by telephone, New York City, July 26, 1989.

Ross, Charles. Interview, by telephone, Las Vegas, New
Mexico, September 12, 1989.

_________. Personal communication, August 2, 1990.

________. "Star Axis: Where the earth meets the sky."
Unpublished prospectus, 1987, revised 1990.

_________. The Substance of Light: Sunlight Dispersion,
the Solar Burns, Point Source/Star Space: Selected work
of Charles Ross, February 6-March 14, 1976.
LaJolla, California: LaJolla Museum of Contemporary
Art, 1976.

________. "Sunlight Convergence/Solar Burns," Co-
Evolution Quarterly, Winter 1977-78.
pp.104-107.

Saad-Cook, Janet. "Touching the Sky: Artworks using
natural phenomena, earth, sky, and connections to
astronomy," Leonardo, vol.21, nr.2 (1988).
pp.123-134.

Schoppert, Jim. Interview, by telephone, Seattle,
Washington, July 24, 1989.

Simonds, Charles. "Microcosm to Macrocosm," Art
Forum, February 1974. pp.36-39.

________. Three Peoples. Genoa, Italy:
Samanedizioni, 1976.

Sonfist, Alan. "Letters to the Editor," New York Times
Magazine, December 10, 1989. p.18.

Streeter, Tal. Interviews, by telephone, Milbrook, New
York, September 17, 24, 1989.

________. Six Sculptors in America: Jacques Lipchitz,
Louise Nevelson, Seymour Lipton, Jose de Rivera, Richard
Stankiewicz, and John Chamberlain. Unpublished MFA
thesis, University of Kansas, 1961.

Taradash, Meryl. Interview, in-person, New York City, July
20, 1989.

Turrell, James. Personal communication. Flagstaff,
Arizona, March 24, 1989.

Whiteside, Carla. Interview, in-person, Ottawa, July 12,
1989.

SECONDARY DOCUMENTS

2. Art Criticism

Abadie, Daniel. "Simonds: Life built to dream
dimensions." Charles Simonds. Chicago: Museum
of Contemporary Art, 1981. pp.31-34.

Adcock, Craig. "Anticipating 19,084: James Turrell's
Roden Crater Project," Arts Magazine, May
1984. pp.76-85.

________. "The Big Bad: A critical comparison of Mount
Rushmore and modern earthworks," Arts Magazine,
April 1983. pp.104-107.

Alloway, Lawrence. "Robert Smithson's Development." In
Art in the Land: A critical anthology of
environmental art, ed. Alan Sonfist. New
York: E.P. Dutton, 1983. pp.125-141.

Amaya, Mario. "Land Reform: New monuments by Michael
Heizer," Studio International, vol. 198, nr. 1009
(l985). pp.18-22.

Baele, Nancy. "Inuit Artist Draws to Sell," Ottawa
Citizen, July 7, 1990. p.G-3.

Baker, Elizabeth C. "Artworks on the Land." In Art in the
Land: A critical anthology, ed. Alan Sonfist.
New York: E.P. Dutton, 1983. pp.73-84.

Beardsley, John. Earthworks and Beyond. New York:
Abbeville Press, 1989.

________. "On the Loose with the Little People: A
geography of Simond's art." In Charles Simonds.
Chicago: Museum of Contemporary Art, 1981. pp.26-30.

________. Probing the Earth: Contemporary land
projects. Washington: Smithsonian
Institution Press, 1977.

________. "Traditional Aspects of New Land Art," Art
Journal, Fall 1982. pp.226-232.

Bletter, Rosemarie Haag. "Global Earthworks," Art
Journal, Fall 1982. pp.222-225.

Brenson, Michael. "Sculpture for Troubled Places," New
York Times, October 15, 1989. sec.2, pp.1,42.

Castle, Ted. "Nancy Holt, Siteseer," Art in America,
March 1982. pp.84-91.

Chafee, Katherine Smith. "Charles Ross," Artspace,
Fall 1981. pp.24-27.

Christ, Ronald. "Masks, Tents, Vessels, Talismans: The
Institute of Contemporary Art, University of
Pennsylvania, Dec.5, 1979-Jan.13, 1980,"
artscanada, April/May 1980. pp.46-47.

Clay, Grady. "King County's Earthworks Symposium Breaking
New Ground with Land Reclamation as Sculpture," The
Arts (Earthworks): Newsletter of the King County Arts
Commission, vol.8, nr.7 (July 1979). pp.1-6.

Crone, Rainer. "Prime Objects of Art: Scale, Shape, Time,"
Perspecta, issue 19. pp.1 4-35.

Dalton, Deborah W. "Still Life in Quarry," Landscape
Architecture, May/June 1985. pp.66-69.

Dancer, Daniel. "In Concert with Nature," Southwest
Art, issue 16 (January 1987). p.84.

Davies,Peter and Tony Knipe, eds. A Sense of Place:
Sculpture in the landscape. Tyne and Wear,
England: Ceolfrith Press, 1984.

Deitch, Jeffrey. "The New Economics of Environmental Art."
In Art in the Land: A critical anthology of
environmental art ed. Alan Sonfist. New York:
E.P. Dutton, 1983. pp.85-91.

Dotson, Esther Gordon. "Shapes of Earth and Time in
European Gardens," Art Journal, Fall 1982.
pp.210-216.

Dwan, Virginia. "Reflections on Robert Smithson," Art
Journal, Fall 1982. p.232.

Eaton, Linda B. "Nora Naranjo-Morse: Santa Clara
sculptor." A Separate Vision. Flagstaff,
Arizona: Museum of Northern Arizona,
Plateau, vol. 60, nr. 1, 1989.

Evans, Karen. "Walking through Rainbows: A new trip at
the San Francisco Airport," Image, May 10, 1987.
p.29.

Fry, Edward. Robert Morris/Projects. Philadelphia:
Institute of Contemporary Art, 1974.

Fuller, Peter. "Carl Andre," Art Monthly, issue 16/17
(1978). pp.5-11.

Gablik, Suzi. "Making Art as if the World Mattered," Utne
Reader, issue 34 (July/August 1989). pp. 71-76.

Gadon, Elinor W. The Once and Future Goddess: A symbol
for our time. San Francisco: Harper & Row,
1989.

Geierhaas, Franz and Birgitte Hellgoth. The Creative Act:
Paths to realization/interviews with 15
artists. New Hope, Pennsylvania:
International Print Society, 1984.

Gilbert-Rolfe, Jeremy. "Sculpture as Everything Else,
Twenty Years or So of the Question of Landscape,"
Arts Magazine, January 1988. pp.71-75.

Gill, Brendan. "A Sculptor's Obsession in Upstate New
York," Architectural Digest, issue 46 (March
1989). pp.46-54.

Goldwater, Robert. Primitivism in Modern Art (1938).
New York: Vintage Books, 1967.

Gopnick, Adam. "Basic Stuff: Robert Smithson, science,
and primitivism," Arts Magazine, March 1983.
pp.74-88.

Grundberg, Andy. "As it must to all, death comes to post-
modernism," New York Times, September 16,
1990, pp.H-47, 52.

Hall, Carol. "Environmental Artists: Sources and
Directions." In Art in the Land: A critical
anthology of environmental art, ed. Alan
Sonfist. New York: E.P. Dutton, 1983. pp.8-59.

Hall, James. "Landscape Art: Public art or public
convenience," Apollo, vol. 79, nr.325 (March
1989). pp.157-222.

Hapgood, Fred. "Roden's Eye," Atlantic Monthly,
August 1987. pp.46-52.

Hobbs, Robert. "Editor's Statement: Earthworks, past and
present," Art Journal, Fall 1982. pp.191-194.

House, Dorothy. Roden Crater. Flagstaff, Arizona:
Museum of Northern Arizona, 1988.

Hughes, Robert. The Shock of the New: Art and the
century of change. London: British
Broadcasting Corporation, 1980.

Johnson, Jory. "Presence of Stone," Landscape
Architecture, July/August 1986. pp.64-69.

Johnson, Yankee. "Earthworks: Combining environmental and
land issues," The Arts (Earthworks): Newsletter of
the King County Arts Commission, vol. 8, nr. 7 (July
1979). pp.1-6.

Kantrowitz, Barbara and Karen Springen. "Glass, Steel, and
Sunlight: The `solar sculptures' of Dale Eldred,"
Newsweek, May 15, 1989. p.69.

Kelley, Jeff. "Light-Years," Art Forum, November
1985. pp.73-75.

Kimmelman, Michael. "Getting to the Heart of an Image's
Power," New York Times, October 29, 1989. sec.H,
pp.37, 43.

Kluesing, Cherie. "Site Artists: The role of outsiders in
landscape design," Landscape Architecture, issue
78 (April/May 1988). pp.120ff.

Kuspit, Donald B. "Caves and Temples," Art in
America, April 1982. pp.129-33.

________. "Charles Ross: Light's measure." In Art in the
Land: A critical anthology of environmental
art, ed. Alan Sonfist. New York: E.P.
Dutton, 1983. pp.159-168.

________. "The Pascalian Spiral: Robert Smithson's
drunken boat," Arts Magazine, October 1981.
pp.82-88.

Langager, Craig. "Getting a Symposium off the Ground: A
process in itself," The Arts (Earthworks):
Newsletter of the King County Arts Commission, vol.
8, nr.7 (July 1979). pp.1-6.

Leavitt, Thomas W. "Foreword," Earth Art. Ithaca,
New York: Andrew Dickson White Museum of Art,
1969.
unpaged.

LeVeque, Terry Ryan. "Nancy Holt's `Sky Mound': Adaptive
technology creates celestial perspectives," Landscape
Architecture, issue 78 (April/May 1988). pp.82, 85-
86.

Levin, Gail. "American Art." In Primitivism in 20th
Century Art: Affinity of the tribal and the modern,
ed. William Rubin. New York: Museum of Modern Art,
1984. pp.453-474.

Levy, Mark. "The Shaman is a Gifted Artist: Shamanism in
the work of Yves Klein, Joseph Beuys, Mary Beth Edelson,
and Karen Finley," High Performance 43, vol. 11,
nr.3 (Fall 1988). pp.54-67.

Lippard, Lucy R. "Fire and Stone: Politics and ritual."
In Seven Cycles: Public rituals, by Mary
Beth Edelson. New York: Mary Beth Edelson, 1980.
pp.6-9.

________. Overlay: Contemporary art and the art of
prehistory. New York: Pantheon Books, 1983.

McEvilley, Thomas. "Art in the Dark," Art Forum,
Summer 1983, pp.62-71. (Responses: Art
Forum, October 1983, pp.2-4.)

Malone, Maggie. "The Great Outdoors: No more giant
sculptures plopped in plazas," Newsweek, October
23, 1989. pp.76-79.

Mansbach, S.A. "An Earthwork of Surprise: the 18th-
century ha-ha," Art Journal, Fall, 1982. pp.217-
221.

Massie, Sue. "Timeless Healing at Buffalo Rock,"
Landscape Architecture, May/June 1985.
pp.70-71.

Miller, Naomi. Heavenly Caves: Reflections on the garden
grotto. New York: George Braziller, 1982.

Molderings, Herbert. Charles Simonds: Floating Cities
and Other Architectures. Munster, Germany:
Westfalischer Kunstverein, 1978.

Munro, Eleanor. "Art in the Desert," New York Times,
December 7, 1986. p.38.

Neff, John Hallmark. "Charles Simonds' Engendered Places:
Towards a biology of architecture." In Charles
Simonds, John Hallmark Neff, et al. Chicago:

Museum of Contemporary Art, 1981. pp.12-25.

________. "Commentaries." In Charles Simonds, John
Hallmark Neff, et al. Chicago: Museum of
Contemporary Art, 1981. pp.68-72.

________, John Beardsley, and Daniel Abadie. Charles
Simonds. Chicago: Museum of Contemporary Art,
1981.

Piper, David, ed. "Land and Earth Art." In RandomHouse
Library of Painting & Sculpture, vol. 3.
New York: Random House, 1981.
pp.248-249.

Ranney, Edward. "Excavating the Present," Aperture,
issue 98 (Spring 1985). pp.42-47.

Rickey, Carrie. "Naive Nouveau and its Malcontents,"
Flash Art, issue 98/99 (Summer 1980).
pp.36-39.

Rodiger-Diruf, Erika. "Ausstellung: Zuruck zur Natur,
aber wie?" Du, issue 6 (1988), pp.78-86.

Rosenthal,Mark. "Some Attitudes of Earth Art: From
competition to adoration." In Art in the Land:
A critical anthology of environmental art, ed.
Alan Sonfist. New York: E.P. Dutton, 1983.
pp.60-72.

Roos, Sandra. "Women's Imagery/Women's Art." In Women's
Culture: The women's renaissance of the
seventies. Metuchen, New Jersey: Scarecrow
Press, 1981. pp.42-59.

Rubin, William. "Modernist Primitivism: An introduction."
In Primitivism in 20th Century Art: Affinity of the
tribal and the modern, ed. William Rubin. New York:
Museum of Modern Art, 1984. pp.1-81.

Russell, John. "James Turrell (1986)," Reading Russell:
Essays 1941-1988 on ideas, literature, art, theatre,
music, places, and persons. New York: Harry N.
Abrams, 1989. pp.123-126.

________. "Joseph Beuys (1986)," Reading Russell: Essays
1941-1988 on ideas, literature, art, theatre, music,
places, and persons. New York: Harry N. Abrams,
1989. pp.121-123.

Saltz, Jerry. "Notes on a Sculpture: Alan Sonfist's
`Slice of Life'," Arts Magazine, May 1989.
pp.13-44.

"Scorched Earth: An elemental work by Hideho Tanaka," 
Crafts, issue 76 (September-October 1985), pp.28-31.

Shaffer, Diana. "Nancy Holt: Spaces for reflections or
projections." In Art in the Land: A critical
anthology of environmental art, ed. Alan
Sonfist. New York: E.P. Dutton, 1983. pp.169-
177.

Shapiro, Gary. "Entropy and Dialectic: The signatures of
Robert Smithson," Arts Magazine, June 1988.
pp.99-104.

Sharp, Willoughby. "Notes toward an Understanding of Earth
Art," Earth Art. Ithaca, New York: Andrew
Dickson White Museum of Art, 1969. unpaged.

Sonfist, Alan, ed. Art in the Land: A critical anthology
of environmental art. New York: E.P. Dutton, 1983.

Speed, Harold. "The Shock of Modern Art," Utne
Reader, issue 34 (July/August 1989).
pp.68-71.

Spektorov, Bette. "The Impact of Megalithic Landscapes on
Contemporary Art," Studio International, vol.
196, nr. 999 (April/May 1983). pp.6-9.

Stevens, Mark. "Turrell's Celestial Vault," Newsweek,
February 10, 1986, p.71.

"This art all rock but hard to roll," The Ottawa
Citizen, May 11, 1989, pp.D-10.

Thorson, Alice. "A Paragon of Art in the '80s," Art
News, January 1986. pp.11-12.

Titterington, Chris. "The Unpainted Landscape,"
Apollo, August 1988. pp.129-131.

Varnedoe, Kirk. "Abstract Expressionism." In Primitivism
in 20th Century Art: Affinity of the tribal and the
modern, ed. William Rubin. New York: Museum of
Modern Art, 1984. pp.615-660.

________. "Contemporary Explorations." In Primitivism in
20th Century Art: Affinity of the tribal and the
modern, ed. William Rubin. New York: Museum of
Modern Art, 1984. pp.661-685.

________. "Preface." In Primitivism in 20th Century Art:
Affinity of the tribal and the modern, ed.
William Rubin. New York: Museum of Modern Art,
1984.

Vastokas, Joan M. "The Roots of Abstraction: An
introduction," artscanada, issue 226/227
(May-June 1979), pp.2-23, 68.

Wedewer, Rolf. "Neuer Exotismus," Kunstwerk
Stuttgart, vol.33, nr.5 (1980). pp.3-34.

Wilkinson, Alan G. "Henry Moore." In Primitivism in 20th
Century Art: Affinity of the tribal and the modern,
ed. William Rubin. New York: Museum of Modern Art,
1984. pp.595-614.

Zellweger, Harry. "Mythos und Ritual in der Kunst der 70er
Jahre, Kuntsthaus Zurich (5.6-23.8.81)," Kunstwerk,
Stuttgart, vol. 34, nr. 5 (1981). pp. 74-75.

3. Shamanism

Achterberg, Jeanne. "The Shaman: Master healer in an
imaginary realm." In Shamanism: An expanded view of
reality, ed. Shirley Nicholson. Madras, India:
Theosophical Publishing House, 1987. pp.103-124.

Backmann, Louise and Ake Hultkrantz. Studies in Lapp
Shamanism. Stockholm: Almqvist & Wiksell, 1978.

Boyd, Doug. Rolling Thunder. New York: Delta
Books, 1976.

Boyer, L. Bryce. "Further Remarks Concerning Shamans and
Shamanism," Israel Annals of Psychiatry and Related
Disciplines, vol. 2, nr. 2 (1964). pp. 235-257.

________. "Notes on the Personality Structure of a North
American Indian Shaman," Journal of the Hillside
Hospital, issue 10 (1961). pp.14-33.

Brasser, Ted. "Wolf Collar: The shaman as artist," 
artscanada, issue 184, 185, 186, 187 (December 1973-
January 1974). pp. 70-73.

Brown, Michael Forbes. "Dark Side of the Shaman," Natural
History, November 1989. pp.8-10.

Casteneda, Carlos. The Teachings of Don Juan: A
Yaqui way of knowledge. New York: Pocket
Books, 1974.

Ch'oe, Kil-song. "The Symbolic Meaning of Shamanic Ritual
in Korean Folk Life," Journal of Ritual
Studies, Summer 1989, vol.3, nr.2. pp.217-
233.

Davenport, Demorest and Michael A. Jochim. "The Scene in
the Shaft at Lascaux," Antiquity, issue 62
(1988). pp.558-562.

Eaton, Evelyn. The Shaman and the Medicine Wheel.
Wheaton, Illinois: Theosophical Publishing House, 1982.

Eliade, Mircea. Shamanism: Archaic techniques of
ecstasy (1951). Princeton: Princeton
University Press, 1964.

Elkin, A. P. Aboriginal Men of High Degree (1946).
New York: St. Martin's Press, 1978.

Faulstich, Paul. "Shaman, Ritual, Place: Sacred sites and
spiritual transformation," Earth First!,
September 22, 1989. p.26.

Furst, Peter T. "The Roots and Continuities of Shamanism,"
artscanada, issue 184, 185, 186, 187
(December 1973- January 1974). pp.33-60.

Grim, John A. The Shaman: Patterns of Siberian and
Ojibway Healing. Norman, Oklahoma:
University of Oklahoma Press, 1983.

Guedon, Marie-Francoise. "Critical Workshop on Shamanic
Method and Exploration of Athapaskan Shamanic Method,"
Department of Religious Studies, University of Ottawa,
March 2, 1989. Department seminar.

________. "Dreams in Northern Athapaskan Shamanism,"
University of Ottawa, March 2, 1989. Public lecture.

________. "An Introduction to Tsimshian World View and Its
Practitioners." In The Tsimshian: Images of the
past; views for the present, ed. Margaret Seguin.
Vancouver: University of British Columbia Press, 1984.
pp.137-159.

________. Personal communication, Nov. 13, 1989.

________. "Tsimshian Shamanic Images." In The Tsimshian:
Images of the past; views for the present, ed.
Margaret Seguin. Vancouver: University of British
Columbia Press, 1984. pp.174-211.

Harner, Michael. The Way of the Shaman: A guide to power
and healing. New York: Bantam Books, 1980.

________, ed. Hallucinogens and Shamanism. Oxford:
Oxford University Press, 1973.

________ and Gary Doore. "The Ancient Wisdom in Shamanic
Cultures: An interview with Michael Harner conducted by
Gary Doore." In Shamanism: An expanded view of
reality, ed. Shirley Nicholson. Madras, India:
Theosophical Publishing House, 1987. pp.3-16.

Hoppal, Mihaly. "Shamanism: An archaic and/or recent
system of beliefs." In Shamanism: An expanded view
of reality, ed. Shirley Nicholson. Madras, India:
Theosophical Publications, 1987. pp.76-99.

Houston, Jean. "Foreword." In Shamanism: An expanded
view of reality, ed. Shirley Nicholson. Madras,
India: Theosophical Publications, 1987. pp.vii-xvi.

Hultkrantz, Ake. "A Definition of Shamanism,"
Temenos, issue 9 (1973). pp.25-37.

________. "Ecological and Phenomenological Aspects of
Shamanism." In Studies in Lapp Shamanism, eds.
Louise Backman and Ake Hultkrantz. Stockholm: Almqvist
& Wiksell, 1978. pp.9-35.

Johnson, Nick. "Bits of Dough, Twigs of Fire,"
artscanada, issue 184, 185, 186, 187 (December
1973- January 1974). pp.61-69.

Johnson, Ronald. The Art of the Shaman. Iowa City,
Iowa: Iowa University Museum of Art Publications,
1973.

Kalweit, Holger. Dreamtime and Inner Space: The world of
the shaman. Boston and London: Shambhala, 1988.

King, Serge. "The Way of the Adventurer." In Shamanism:
An expanded view of reality, ed. Shirley Nicholson.
Madras, India: Theosophical Publishing House, 1987.
pp.189-203.

Krippner, Stanley. "Dreams and Shamanism." In Shamanism:
An expanded view of reality, ed. Shirley Nicholson.
Madras, India: Theosophical Publishing House, 1987.
pp.125-132.

Levy, Mark. "Book Review: Dreamings, the Art of
Aboriginal Australia, ed. Peter Sutton," Shaman's
Drum, issue 16 (Spring 1989). pp.58-59.

Lewis, Ioan M. "What is a Shaman?" Folk, issue 23
(1981), pp.25-35.

Lewis, Michael. "Shamanism: A link between two worlds,"
Earth First!, September 22, 1989.
pp.27-28.

Lommel, Andreas. Shamanism: The beginnings of art.
New York: McGraw-Hill, 1967.

Luna, Luis Eduardo. "The Ayahuasca Visions of Pablo
Amaringo," Shaman's Drum, issue 20 (Summer 1990),
pp.30-43.

Merkur, Daniel. "Inuit Conceptions of Witchcraft." In 
Saami Religion, ed. Tore Ahlback. Uppsala, Sweden:
Donner Institute for Research in Religious and Cultural
History, 1987. pp.279-293.

Nicholson, Shirley. Shamanism. Madras, India:
Theosophical Publishing House, 1982.

Noel, Daniel. "Can the New Shamanism Come of Age? Cross-
Cultural Fantasy and Fictive Power in a Popular
Religious Movement." Unpublished paper. Presented at
the American Academy of Religion Annual Meeting, New
Orleans, November 17, 1990.

Norlander-Unsgaard, Siv. "On Time-reckoning in Old Saami
Culture." In Saami Religion, ed. Tore Ahlback.
Uppsala, Sweden: Donner Institute for Research in
Religious and Cultural History, 1987. pp.81-93.

Paul, Anne and Solveig A. Turpin. "The Ecstatic Shaman
Theme of Paracas Textiles," Archaeology,
September/October 1986. pp.20-27.

Pentikainen, Juha Y. "Saami Shamanic Drum in Rome." In
Saami Religion, ed. Tore Ahlback. Uppsala,
Donner Institute for Research in Religion and Cultural
History, 1987. pp.124-149.

Pettersson, Olof. "Old Nordic and Christian Elements in
Saami Ideas about the Realm of the Dead." Saami
Religion, ed. Tore Ahlback. Uppsala, Sweden:
Donner Institute for Research in Religious and Cultural
History, 1987. pp.69-79.

Porterfield, Amanda. "Shamanism: A psychosocial
definition," Journal of the American Academy of
Religion, vol.55, nr.4 (Winter 1987). pp.721-740.

Rogo, D. Scott. "Shamanism, ESP, and the Paranormal." In
Shamanism: An expanded view of reality, ed.
Shirley Nicholson. Madras, India: Theosophical Publishing
House, 1987. pp.133-144.

Schlesier, Karl H. The Wolves of Heaven: Cheyenne
shamanism, ceremonies, and pre-historic origins.
Norman, Oklahoma: University of Oklahoma Press, 1987.

Siikala, Anna-Leena. The Rite Technique of the Siberian
Shaman. Helsinki: Suomalainen
Tiiedeakatemia/Academia Scientarum Fennica, 1978.

Sommarstrom, Bo. "Ethnoastronomical Perspectives on Saami
Religion." In Saami Religion, ed. Tore Ahlback.
Uppsala: Donner Institute for Research in Religions and
Cultural History, 1987. pp.211-250.

Sun Bear, Wabun, and Barry Weinstock. Sun Bear: The path
of power. New York: Prentice-Hall Press, 1987.

Vastokas, Joan M. "The Shamanic Tree of Life,"
artscanada, issue 184, 185, 186, 187
(December 1973- January 1974). pp.125-149.

Vorren, Ornulv. "Sacrificial Sites, Types, and Functions."
In Saami Religion, ed. Tore Ahlback. Uppsala:
Donner Institute for Research in Religions and Cultural
History, 1987. pp.94-109.

Wilbert, Johannes. "The Calabash of the Ruffled Feathers,"
artscanada, issue 184, 185, 186, 187
(December 1973-January 1974). pp.90-93.

Zachrisson, Inger. "Sjiele Sacrifices, Odin Treasures, and
Saami Graves?" In Saami Religion, ed. Tore
Ahlback. Uppsala: Donner Institute for Research in
Religious and Cultural History, 1987. pp.61-68.

4. Amerindian Traditions and Culture

Albers, Patricia and Jeanne Kay. "Sharing the Land: A
study in American Indian territoriality." In A
Cultual Geography of North American Indians, eds.
Thomas E. Ross and Tyrel G. Moore. Boulder, Colorado:
Westview Press, 1987. pp.47-92.

Allen, Paula Gunn. The Sacred Hoop. Boston: Beacon
Press, 1986.

Aveni, Anthony F. Archaeoastronomy in Pre-columbian
America. Austin: University of Texas, 1975.

________. Native American Astronomy. Austin:
University of Texas, 1975.

________. "The Nazca Lines: Patterns in the desert,"
Archaeology, July/August 1986. pp.32-39.

Ballas, Donald J. "Historical Geography and American
Indian Development." In A Cultural Geography of
North American Indians, eds. Thomas E. Ross and
Tyrel G. Moore. Boulder, Colorado: Westview Press,
1987. pp.15-31.

Barbar, John. "Oriental Enigma: Controversial evidence
suggests Asian sailors explored the New World
centuries before the first Europeans,"
Equinox, July/August 1990. pp.83-95.

Barnouw, Victor. "Language and Cognition." In An
Introduction to Anthropology: Ethnology. Homewood,
Illinois: Dorsey Press, 1971. pp.65-75.

Barringer, Felicity. "Mixed-Race Generation Emerges But Is
Not Sure Where It Fits," New York Times,
September 24, 1989. p.22.

Bridges, Diane. Museum of Canadian Civilization, Ottawa.
Personal Communication, December 26, 1988.

Brown, Dee. Bury my Heart at Wounded Knee: An Indian
history of the American West. New York: Holt,
Rinehart & Winston, 1970.

Brown, Joseph Epes. "The Question of `Mysticism' within
Native American Traditions." In Understanding
Mysticism, ed. Richard Woods. Garden City, New
York: Image Books, 1980. pp.261-269.

________. The Spiritual Legacy of the American
Indian. New York: Crossroad, 1987.

Brown, Karen McCarthy. "The Power to Heal: Reflections on
women, religion, and medicine." In Shaping New
Vision: Gender and Values in American Culture, eds.
Clarissa W. Atkinson, Constance H. Buchanen, and
Margaret R. Miles. Ann Arbor, Michigan: UMI Research
Press, 1987. pp.123-141.

________. Masks of God: Primitive mythology. New
York: Penquin Books, 1984.

Cardinal-Schubert, Joanne. "In the Red: Safeguarding the
legacy of Canada's First Nations," Artscraft,
vol.2, nr.1 (Spring 1990). pp.4-21.

Carrasco, David. Religions of Mesoamerica: Cosmovision
and Ceremonial Centers. Harper & Row, to be
published, 1990. Uncorrected manuscript copy.

Chafe, Wallace L. "Siouan, Iroquoian, and Caddoan." In
Native Languages of the Americas, vol. 1, ed.
Thomas A. Sebeok. New York: Plenum Press, 1976. pp.527-572.

Clark, Matt; Jane Whitmore; and Eduardo, Levy-Spira. "Move
Over, King Tut: A Peruvian dig yields gorgeous clues
about an old civilization," Newsweek, September
26, 1988. pp.66-67.

Corbitt, David Leroy, ed. Explorations, Descriptions, and
Attempted Settlements of Carolina, 1584-1590.
Raleigh, North Carolina: State Department of Archives
and History, 1948.

Craik, Brian. "The Animate in Cree Languages and
Ideology." In Papers of the 14th Algonquian
Conference, ed. William Cowan. Ottawa: Carleton
University Press, 1982. pp.29-35.

David, Jay, ed. The American Indian: The first
victim. New York: William Morrow, 1972.

Devereux, George. Reality and Dream: Psychotherapy of a
Plains Indian. New York: International
Universities Press, 1951.

Driver, Harold E. Indians of North America. Chicago:
University of Chicago Press, 1969.

Duff, Wilson. "The World is as Sharp as a Knife: Meaning
in northern Northwest Coast art." In The World is as
Sharp as a Knife: An anthology in honour of Wilson
Duff, ed. Donald N. Abbott. Victoria: British
Columbia Provincial Museum, 1981. pp.209-224.

Eaton, Linda B. "Nora Noranjo-Morse: Santa Clara
Sculptor," A Separate Vision (Museum of
Northern Arizona, Plateau, 1989, vol. 60,
nr.1). pp.10-17.

Eliades, David K. "Two Worlds Collide: The European
advance into North America." In A Cultural Geography
of North American Indians, eds. Thomas E. Ross and
Tyrel G. Moore. Boulder, Colorado: Westview Press,
1987. pp.33-44.

Farb, Peter. Man's Rise to Civilization as Shown by the
Indians of North America from Primeval Times to the
Coming of the Industrial State. New York: E.P.
Dutton & Co., 1968.

Fedorick, Joy Asham. "Fencepost Sitting and How I Fell Off
to One Side," Artscraft, vol. 2, nr.3 (Fall
1990). pp.9-14.

Feest, Christian F. "From North America." In Primitivism
in 20th Century Art: Affinity of the tribal and the
modern, ed. William Rubin. New York: Museum of
Modern Art, 1984. pp.84-97.

Fell, Barry. America B.C.: Ancient settlers in the New
World. London: Wildwood House, 1976.

________. Saga America. New York: Times Books,
1980.

Fienup-Riordan, Ann. "Eye of the Dance: Spiritual life of
the Bering Sea Eskimo." In Crossroads of Continents:
Cultures of Siberia and Alaska, eds. William W.
Fitzhugh and Aron Crowell. Washington, D.C.:
Smithsonian Institution, 1988. pp.256-307.

Folsom, Franklin and Mary Ellen Folsom. America's Ancient
Treasures: A guide to archaeological sites and museums
in the United States and Canada. Albuquerque:
University of New Mexico Press, 1983.

Freed, Stanley A. "Dwelling Places," Natural History,
July 1989. pp.56-59.

Gardner, William. "The Palaeoindians of the Shenandoah
Valley, Virginia," Archaeology, May/June 1986.
pp.28-34.

"Geographica," National Geographic Magazine, vol. 177,
nr.6 (June 1990), unpaged.

Gibson, Jon L. Poverty Point: A culture of the lower
Mississippi Valley. Baton Rouge, Louisiana:
Department of Culture, Recreation and Tourism,
Louisiana Archaeological Survey and Antiquities
Commission, Anthropological Study nr. 7, 1983.

Gill, Sam D. Mother Earth: An American Story.
Chicago: University of Chicago Press, 1987.

________. Native American Religious Action: A
performance approach to religion.
Columbia, South Carolina: University of South Carolina
Press, 1987.

Goldman, Irving. The Mouth of Heaven: An introduction to
Kwakiutl religious thought. New York: John Wiley
& Sons, 1975.

Guedon, Marie-Francoise. Personal communication, April 13,
1991.

Guidoni, Enrico. Primitive Architecture. New York:
Rizzoli International Publications, 1987.

Highwater, Jamake. "Art and the North American Indian,"
Structurist, issue 19/20 (1979/80).
pp.44-49.

________. Arts of the Indian Americas: Leaves from the
sacred tree. New York: Harper & Row, 1983.

Hoijer, Harry. "The Nature of Language." In Exploring
the Ways of Mankind, ed. Walter Goldschmidt.
New York: Holt, Rinehart, & Winston, 1960.
pp.77-89.

Hultkrantz, Ake. "Feelings for Nature among North American
Indians," Belief and Worship in Native North
America. Syracuse: Syracuse University Press,
1981. pp.117-134.

________. Native Religions of North America: The power
of visions and fertility. San Francisco: Harper &
Row, 1987.

________. Prairie and Plains Indians. Leiden: E.J.
Brill, 1973.

Iseminger, William R. "Excavations at Cahokia Mounds," 
Archaeology, January/Febuary 1986. pp.58-59.

Jett, Stephen C. "The Navajo Hogan." In A Cultural
Geography of North American Indians, eds. Thomas E.
Ross and Tyrel G. Moore. Boulder, Colorado: Westview
Press, 1987. pp.243-256.

Kehoe, Alice B. North American Indians: A comprehensive
account. Boulder, Colorado: Westview Press, 1987.

Kehoe, Thomas F. "Corralling Life," Wisconsin Academy
Review, March 1987. pp.45-48.

Kluckhorn, Clyde. "Recurrent Themes in Myths and
Mythmaking." In Myth and Mythmaking, ed. Henry
A. Murray. Boston: George Braziller, 1960. pp.46-60.

Korp, Maureen. The Sacred Geography of the American Mound
Builders. Lewiston, New York: Edwin Mellen Press,
1990.

Landes, Ruth. Ojibwa Religion and the Midewiwin.
Madison: University of Wisconsin Press, 1968.

MacDonald, George. "Cosmic Equations in Northwest Coast
Art." In The World is as Sharp as a Knife: An
anthology in honour of Wilson Duff, ed. D.N. Abbott.
Victoria: British Columbia Provincial Museum, 1981.
pp.225-238.

________. Haida Monumental Art. Vancouver:
University of British Columbia Press, 1983.

McMillan, Alan D. Native Peoples and Cultures of Canada:
An anthropological overview. Vancouver: Douglas &
McIntyre, 1988.

Matteson, Esther, et al. Comparative Studies in
Amerindian Languages. The Hague: Mouton, 1972.

Morgan, William N. Prehistoric Architecture in the
Eastern United States. Cambridge, Massachusetts:
The MIT Press, 1980.

Morris, Walter F., Jr. "Maya Time Warps,"
Archaeology, May/June 1986. pp.52-59.

Moynihan, Daniel Patrick. "Book Review: We the People:
An atlas of America's Ethnic Diversity by James Paul
Allen and Eugene James Turner," New York Times Book
Review, October 8, 1989. p.10.

Muller, Werner. "The Passivity of Language and the
Experience of Nature: A study in the structure of the
primitive mind." In Myths and Symbols: Studies in
honor of Mircea Eliade, eds. Joseph M. Kitagawa and
Charles H. Long. Chicago: University of Chicago Press,
1969. pp.227-240.

Murdock, George Peter. Our Primitive Contemporaries.
New York: Macmillan, 1934.

Nabokov, Peter. "Native American Architecture: Preserving
Social and religious life," Four Winds,
Winter/Spring 1981. pp.43-47.

Neuman, Robert W. and Nancy W. Hawkins. Louisiana
Prehistory: Anthropological study nr. 6. Baton
Rouge: Louisiana Department of Culture, Recreation, and
Tourism, 1982.

Paper, Jordan. "Through the Earth Darkly: The female
spirit in Native American religions. In Religion in
Native North America, ed. Christopher Vecsey.
Moscow, Idaho: University of Idaho Press, to be
published 1990. Typescript.

Pendergast, David M. "The Ancient Maya: Life and death of
a jungle civilization." In Man in Nature:
Historical perspectives on man in his environment,
ed. Louis D. Levine. Toronto: Royal Ontario Museum,
1975. pp.111-132.

Phillips, Ruth B. Patterns of Power: The Jasper Grant
Collection and the Great Lakes Indian art of the early
nineteenth century. Kleinberg, Ontario: McMichael
Collection, 1984.

Pinxten, Rik; Ingrid van Dooren; Frank Harvey.
Anthropology of Space: Explorations into the natural
philosophy and semantics of the Navajo.
Philadelphia: University of Pennsylvania Press, 1983.

Reichel-Dolmatoff, G. "Cosmology as Ecological Analysis:
A view from the rain forest," Man, vol.11, nr.3
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________. Shamanism and Art of the Eastern Tukanoan
Indians. Leiden: E.J. Brill, 1987.

Riley, Thomas J. and Glen Freimuth. "Prehistoric
Agriculture in the Upper Midwest," Field Museum
Bulletin, June 1977. pp.4-8.

Rogers, E.S. "The Indian and the European: Two views of
the land." In Man in Nature: Historical
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110.

Rooth, A.G. "The Creation Myths of the North American
Indians," Anthropos, issue 52 (1957). pp.497-
508.

Ross, Thomas E. and Tyrel G. Moore, eds. A Cultural
Geography of North American Indians. Boulder,
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________. "Indians in North America." In A Cultural
Geography of North American Indians, eds.
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Colorado: Westview Press, 1987.

Sapir, Edward. Time Perspective in Aboriginal American
Culture: A study in method. Ottawa: Canada
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Scully, Vincent. Pueblo: Mountain, Village, Dance.
New York: Viking Press, 1975.

Seeman, Mark F. "Ohio Hopewell Trophy-Skull Artifacts as
Evidence for Competition in Middle Woodlands Societies
c. 50BC-AD350," American Antiquity, vol. 53, nr.
3 (1988). pp.565-577.

Shele, Linda and Mary Ellen Miller. "The Blood of Kings:
A new interpretation of Maya art," Archaeology,
May/June 1986. pp.60-63.

Sherrod, P. Clay and Martha Ann Rolingson. Surveyors of
the Ancient Mississippi Valley (Arkansas
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Sherzer, Joel. "Areal Linguistics in North America." In
Current Trends in Linquistics, ed. Thomas A.
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Stuart, George E. and Gene S. Stuart. The Mysterious
Maya. Washington, D.C.: National Geographic
Society, 1977.

Trigger, Bruce. Natives and Newcomers: Canada's `Heroic
Age' reconsidered. Kingston and Montreal:
McGill-Queen's University Press, 1985.

Vastokas, Joan and Romas K. Vastokas. Sacred Art of the
Algonkians: A study of the Peterborough
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1973.

Waters, Frank. Book of the Hopi. New York:
Penquin Books, 1977.

Waugh, Earle H. and K. Paul Prithipaul, eds. Native
Religious Traditions. Waterloo: Canadian
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Wheeler, C.J. and A.P. Buchner. "Rock Art: A
metalinguistic interpretation of the Algonkian word for
stone." In Papers of the Sixth Algonquian
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National Museums of Canada, 1975. pp.362-371.

White, Edmund and Dale Brown. The First Men. New
York: Time-Life Books, 1973.

Whorf, Benjamin. "Language, Thought, and Reality." In 
Exploring the Ways of Mankind, ed. Walter
Goldschmidt. New York: Holt, Rinehart, and Winston,
1960. pp.103-107.

Wilford, John Noble. "What Unearth Is Going On? New
Evidence Surfaces Man Migrated to the Americas
45,000 Years Ago," The Ottawa Citizen, June
18, 1989, p.E-7.

Williamson, Ray A. Living the Sky: The cosmos of the
American Indian. Norman, Oklahoma:
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Wilson, David J. "Desert Ground Drawings in the Lower
Santa Valley, North Coast of Peru," American
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Winkler, Daryold, Fr. Personal communication, Ottawa,
January 1989.

Wittry, Warren L. "An American Woodhenge." In Native
North American Art History: Selected readings, eds.
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Wright, Ronald. "Beyond Words," Saturday Night, April
1988. pp.38-48.

Young, T. Cuyler, Jr. "Pollution begins in Prehistory: The
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perspectives on man in his environment, ed. Louis D.
Levine. Toronto: Royal Ontario Museum, 1975. pp.9-26.

5. Psychology of Art, Creativity, and Mysticism

Anastasi, A. "Artistic Aptitudes." In Psychology and the
Visual Arts, ed. James Hogg. Harmondsworth,
England: Penquin Books, 1969. pp.365-375.

Arbman, Ernst. Ecstasy or Religious Trance: In the
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point of view. Vol. 1, Vision and Ecstasy.
Stockholm: Svenska Boksforlaget, 1963.

________. "Mythic and Religious Thought." In Dragma:
Martin P. Nilsson...Dedicatum. Lund: Privately
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Arnheim, Rudolf. "Gestalt and Art." In Psychology and
the Visual Arts, ed. James Hogg. Harmondsworth,
England: Penquin Books, 1969. pp.257-262.

________. "The Gestalt Theory of Expression." In
Psychology and the Visual Arts, ed. James Hogg.
Harmondsworth, England: Penquin Books, 1969. pp.263-
287.

________. New Essays on the Psychology of Art.
Berkeley: University of California Press, 1986.

Barron, Frank. "The Creative Personality: Akin to
madness." In Understanding Mysticism, ed.
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1980. pp.312-320.

Berger, John. Ways of Seeing. London: British
Broadcasting Corporation, 1972.

Beit-Hallahmi, Benjamin. "Understanding Religion through
the Psychology of Art," Leonardo, Summer
1983, pp.237-240.

Boernstein, Walter S. "Perceiving and Thinking: Their
interrelationship and organismic organization." In
Annals of the New York Academy of Sciences. Third
Conference on the Fundamentals of Psychology: Various
approaches to the study of perception, issue 169.
pp.673-682.

Bourguigon, Erika. Possession. San Francisco:
Chandler and Sharp, 1976.

Butcher, Peter. "Art Images associated with State of
Expanded Consciousness: A study of the individual
case," Leonardo, Summer 1983. pp.222-224.

van de Castle, Robert L. "Anthropology and Psychic
Research." In Psychic Exploration: A challenge for
science, ed. John White. New York: G.P. Putnam's
Sons, 1974. pp.269-287.

Cupchik, Gerald C. "The Scientific Study of Artistic
Creativity," Leonardo, Summer 1983. pp.193-195.

Dean, E. Douglass. "Precognition and Retrocognition." In
Psychic Exploration: A challenge for science,
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pp.153-177.

Deikman, Arthur J. "Bimodal Consciousness and the Mystic
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1980. pp.261-269.

________. "Deautomatization and the Mystic Experience." In
Altered States of Consciousness, ed. Charles T.
Tart. New York: Anchor Books, 1972. pp.25-46.

________. "Experimental Meditation." In Altered States
of Consciousness, ed. Charles T. Tart. New York:
Anchor Books, 1972. pp.203-223.

Edwards, Betty. Drawing on the Right Side of the Brain:
A course in enhancing creativity and artistic
confidence. Los Angeles: Jeremy P. Tarcher,
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van Eeden, Frederick. "A Study of Dream (1913)." In 
Altered States of Consciousness, ed. Charles T.
Tart. New York: Anchor Books, 1972. pp.147-160.

Ehrenzweig, Anton. The Hidden Order of Art: A study in
the psychology of artistic imagination. Berkeley:
University of California Press, 1971.

________. "A New Psychoanalytical Approach to Aesthetics."
In Psychology and the Visual Arts, ed. James
Hogg. Harmondsworth, England: Penquin Books, 1969.
pp.109-128.

Eliade, Mircea. "Spirit, Light, and Seed," Occultism,
Witchcraft, and Cultural Fashions. Chicago:
University of Chicago Press, 1976. pp.93-119.

Ferrari, Stefano. "Freud and Arnheim: Psychoanalysis and
the visual arts," Salmagundi, issue 78-79
(Spring/Summer 1988). pp.83-96.

Field, Joanna. A Life of One's Own. London: Penquin
Books, 1934.

Fischer, Roland. "A Cartography of the Ecstatic and
Meditative States." In Understanding Mysticism,
ed. Richard Woods. Garden City, New York: Image Books,
1980. pp.286-305.

________. "On Creative, Psychotic, and Ecstatic States."
In The Highest State of Consciousness, ed.
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pp.175-194.

________. "State-bound Knowledge: 'I can't remember what
I said last night, but it must have been good.'" In
Understanding Mysticism, ed. Richard Woods.
Garden City, New York: Image Books, 1980. pp.306-311.

Fishman, Steve. "Questions for the Cosmos," New York
Times Magazine, November 26, 1989. pp.50-55.

Flaste, Richard. "The Power of Concentration," New York
Times Magazine, October 8, 1989. pp.26-27, 94, 99,
102.

Foulkes, David. "Theories of Dream Formation and Recent
Studies of Sleep Consciousness." In Altered
States of Consciousness, ed. Charles T. Tart.
New York: Anchor Books, 1972. pp.119-133.

Freud, Sigmund. Leonardo da Vinci: A study in
psychosexuality. New York: Random House, 1947.

________. "A Premonitory Dream Fulfilled (1899)." In 
Freud: Early Psychoanalytic Writings, ed. Philip
Rieff. New York: Collier Books, 1969. pp.251-254.

________. "The Relation of the Poet to Daydreaming
(1908)," Delusion and Dreams and other Essays.
Boston: Beacon Press, 1956. pp.122-129.

________. "Screen Memories (1899)." In Freud: Early
Psychoanalytic Writings, ed. Philip Rieff. New
York: Collier Books, 1969. pp.229-250.

________. "The Uncanny (1919)." In Studies in
Parapsychology, ed. Philip Rieff. New York:
Collier Books, 1971. pp.19-60.

Fuller, Peter. Art and Psychoanalysis. London:
Writers and Readers Publishing Cooperative, Ltd., 1980.

Gallup, G., Jr. "The Gallup Report on Religious
Experience," Fate, April 1963. pp.31-37.

Gardner, Howard. "Claude Levi-Strauss: Toward the
structures of art," Art, Mind and Brain: A cognitive
approach to creativity. New York: Basic Books,
1982. pp.27-39.

________. "Creativity in the Adult Years," Art, Mind and
Brain: A cognitive approach to creativity. New
York: Basic Books, 1982. pp.352-357.

________. "Nelson Goodman: The symbol of art," Art, Mind
and Brain: A cognitive approach to creativity. New
York: Basic Books, 1982. pp.55-64.

________. "What We Know (and Do Not Know) about the Two
Halves of the Brain," Art, Mind and Brain: A
cognitive approach to creativity. New York: Basic
Books, 1982. pp.278-285.

Gass, William H. "Where East Meets West to Boogie," New
York Times Magazine, March 4, 1990. pp.63, 66-67.

Gedo, Mary Mathews. "The Healing Power of Art: Goya as
his own physician." In Psychoanalytic Perspectives
on Art, vol. 1. London: Analytic Press, 1985.
pp.75-106.

Gibson, Jennifer. "Surrealism before Freud: Dynamic
psychiatry's 'simple recording instrument,'" Art
Journal, Spring 1987. pp.56-60.

Gombrich, Ernst. Meditations on a Hobby Horse.
London: Phaidon, 1963.

Harmon, Willis W; Robert H. McKim; Robert E. Mogar; James
Fadiman; and Myron J. Stolaroff. "Psychedelic Agents in
Creative Problem Solving: A pilot study." In
Altered States of Consciousness, ed. Charles T.
Tart. New York: Anchor Books, 1972. pp.455-472.

Hellerstein, David. "Plotting a Theory of the Brain," New
York Times Magazine, May 22, 1988. pp.16-29, 27-28,
55, 61, 64.

Henderson, Joseph L. "Inner Perception in Terms of Depth
Psychology," Annals of the New York Academy of
Sciences, issue 169. pp.664-672.

Henderson, Linda Dalrymple. "Editor's Statement:
Mysticism and occultism in modern art," Art
Journal, Spring 1987. pp.5-8.

________. "Mysticism as the `Tie that Binds:' The case of
Edward Carpenter and modernism," Art Journal,
Spring 1987. pp.29-37.

Hilgard, Ernest R. Divided Consciousness: Multiple
controls in human thought and action. New
York: John Wiley & Sons, 1986.

Hocking, William Ernest. "The Meaning of Mysticism as Seen
through its Psychology" (1912). In Understanding
Mysticism, ed. Richard Woods. Garden City, New
York: Image Books, 1980. pp.223-239.

________. "The Mystical Spirit and Protestantism" (1944).
In Understanding Mysticism. Garden City, New
York: Image Books, 1980. pp.192-202.

Honorton, Charles. "Psi-Conducive States of Awareness."
In Pyschic Exploration: A challenge for science,
ed. John White. New York: G.P. Putnam's Sons, 1974.
pp.616-638.

Houston, Jean. "Myth, Consciousness, and Psychic
Research." In Psychic Exploration: A challenge for
science. New York: G.P. Putnam's Sons, 1974.
pp.577-596.

Huxley, Aldous. On Art and Artists. New York:
Harper & Row, 1960.

Jung, C.G. "Foreword." In The I Ching or Book of
Changes. Princeton: Princeton University
Press, 1950. pp.xxi-xxxix.

King, Joanna. "Characteristics of Women's Dreams." In 
Women's Culture: The women's renaissance of the
seventies, ed. Gayle Kimball. Metuchen, New Jersey:
Scarecrow Press, 1981. pp.215-228.

Krippner, Stanley. "Altered States of Conciousness." In
The Highest State of Consciousness, ed. John
White. New York: Anchor Books, 1972. pp.1-5.

________. "The Psychedelic State, the Hypnotic Trance, and
the Creative Act." In Altered States of
Consciousness, ed. Charles T. Tart. New York:
Anchor Books, 1972. pp.276-296.

________. "Telepathy." In Psychic Explorations: A
challenge for science, ed. John White. New York:
G.P. Putnam's Sons, 1974. pp.112-131.

Kris, Ernst. Psychoanalytic Explorations in Art
(1952). New York: Schocken Books, 1971.

________ and Otto Kurz. Legends, Myth and Magic in the
Image of the Artist: A historical experiment
(1934). New Haven: Yale University Press, 1979.

Langer, Suzanne K. Problems of Art. New York:
Charles Scribner's Sons, 1957.

Lasher, Margot D.; John M. Carroll; and Thomas G. Bever.
"The Cognitive Basis of Aesthetic Experience,"
Leonardo, Summer 1983. pp.196-199.

Leshan, Lawrence L. "Psychic Phenomena and Mystical
Experience." In Psychic Exploration: A challenge
for science, ed. John White. New York: G.P.
Putnam's Sons, 1974. pp.571-576.

Ludwig, Arnold M. "Altered States of Consciousness." In
Altered States of Consciousness, ed. Charles T.
Tart. New York: Anchor Books, 1972. pp.11-24.

________. "Altered States of Consciousness and Psi." In
Psi-favorable States of Consciousness: Proceedings
of an International Conference on Methodology in Psi
Research, ed. R. Cavanna. New York: Parapsychology
Foundation, 1970. pp.55-62.

McElroy, W.A. "Psi Testing in Anheim Land," Oceania,
issue 26 (1955-56). pp.118-125.

McKenna, Dennis J. and Terence K. McKenna. The Invisible
Landscape: Mind, Hallucinogens, and the I Ching.
New York: Seabury Press, 1975.

Masters, Robert. "Consciousness and Extraordinary
Phenomenon." In Psychic Exploration: A challenge
for science, ed. John White. New York: G.P.
Putnam's Sons, 1974. pp.598-614.

May, Rollo. My Quest for Beauty. New York:
Saybrook, 1985.

Miller, Alice. Pictures of a Childhood. New York:
Farrar, Straus & Giroux, 1986.

Miller, Michael Vincent. "Book Review: Permit Me to Be
Terrified (The Discovery of the Art of the Insane
by John M. MacGregor)," New York Times Book
Review, December 17, 1989. p.24.

Milner, Marion. On Not Being Able to Paint. New
York: International Universities Press, 1957.

Mitchell, Edgar D. "Introduction: From outer space to
inner space...." In Psychic Exploration: A
challenge for science, ed. John White. New York:
G.P. Putnam's Sons, 1974. pp.25-50.

Morris, Robert L. "The Psychobiology of Psi." In Psychic
Exploration: A challenge for science, ed. John
White. New York: G.P. Putnam's Sons, 1974. pp.225-
245.

O'Connor, Francis V. "The Psychodynamics of the Frontal
Self-Portrait." In Psychoanalytic Perspectives on
Art, vol. 1, ed. Mary Matthews Gedo. London: The
Analytic Press, 1985. pp.169-221.

Ornstein, Robert E. "Two Sides of the Brain." In
Understanding Mysticism, ed. Richard Woods.
Garden City, New York: Image Books, 1980. pp.270-285.

Oster, Gerald. "Phosphenes," Scientific American,
issue 222 (February 1970). pp.82-87.

Otto, Rudolf. The Idea of the Holy: An inquiry into the
non-rational factor in the idea of the divine and its
relation to the rational. London: Oxford
University Press, 1957.

Ouspensky, P.D. In Search of the Miraculous: Fragments
of an Unknown Teaching. New York: Harcourt, Brace
& World, 1949.

Owens, Claire Myers. "The Mystical Experience: Facts and
values." In The Highest State of Consciousness,
John White, ed. New York: Anchor Books, 1972. pp.135-
152.

Pahnke, Walter N. and William A. Richards. "Implications
of LSD and Experimental Mysticism." In Altered
States of Consciousness, ed. Charles T. Tart. New
York: Anchor Books, 1972. pp.409-439.

Pearce, Joseph Chilton. The Crack in the Cosmic Egg:
Challenging constructs of mind and reality.
London: Lyrebird Press, 1973.

Pratt, Carroll, C. "The Perception of Objects of Art,"
Annals of the New York Academy of Sciences, issue
169 (1960). pp.731-738.

Prince, Raymond. "Cocoon Work: An interpretation of the
concern of contemporary youth with the mystical." In
Understanding Mysticism, ed. Richard Woods.
Garden City, New York: Image Books, 1980. pp.338-354.

________ and Charles Savage. "Mystical States and the
Concept of Regression." In The Highest State of
Consciousness, ed. John White. New York: Anchor
Books, 1972. pp.114-134.

Rank, Otto. Art and Artist: Creative urge and
personality development (1932). New York: Agathon
Press, 1968.

Rieff, Philip. "Introduction." In Delusion and Dreams and
Other Essays, Sigmund Freud. Boston: Beacon Press,
1956. pp.1-24.

Rigney, Francis J. and L. Douglas Smith. The Real
Bohemia: A sociological and psychological study of the
Beats. New York: Basic Books, 196l.

Roll, William g. "Survival Research: Problems and
possibilities." In Psychic Exploration: A challenge
for science, ed. John White. New York: G.P.
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Schachtel, Ernest G. "The Development of Focal Attention
and the Emergence of Reality," Metamorphosis: On the
development of affect, perception, attention, and
memory. New York: Basic Books, 1959. pp.251-278.

________. "On Memory and Childhood Amnesia,"
Metamorphosis: On the development of affect,
perception, attention, and memory. New York: Basic
Books, 1959. pp.279-322.

________. "Perception as Creative Experience,"
Metamorphosis: On the development of affect,
perception, attention, and memory. New York: Basic
Books, 1959. pp.237-248.

Schmeidler, Gertrude. "The Psychic Personality." In 
Psychic Exploration: A challenge for science, ed.
John White. New York: G.P. Putnam's Sons, 1974.
pp.94-111.

Schmidt, Helmut. "Psychokinesis." In Exploration: A
challenge for science, ed. John White. New York:
G.P. Putnam's Sons, 1974. pp.179-193.

Smart, Ninian. "Interpretation and Mystical Experience."
In Understanding Mysticism, Richard Woods, ed.
Garden City, New York: Image Books, 1980. pp.78-91.

Smith, Huston. "Do Drugs Have Religious Import?" In LSD:
The consciousness-expanding drug, ed. David Solomon.
New York: G.P. Putnam's Sons, 1964. pp.152-167.

Spector, Jack. The Aesthetics of Freud. London:
Allen Lane, 1972.

Spence, Rick. "Rethinking Creativity," Equinox, July-
August, 1988. pp.22-23.

Spiegel, Leo A. "The Self, Reality, and Perception," 
Annals of the New York Academy of Sciences, issue
169 (1960). pp.683-694.

Spitz, Ellen Handler. "A Critique of Pathography, Freud's
Original Psychoanalytic Perspectives on Art." In
Psychoanalytic Perspectives on Art, vol. 1, ed.
Mary Mathews Gedo. London: Analytic Press, 1985.
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Staal, Fritz. "Superstructures." In Understanding
Mysticism, ed. Richard Woods. Garden City, New
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Stanford, Rex G. "Clairvoyance." In Psychic Exploration:
A challenge for science, ed. John White. New York:
G.P. Putnam's Sons, 1974. pp.133-151.

Stewart, Kilton. "Dream Theory in Malaysia." In Altered
States of Consciousness, ed. Charles T. Tart. New
York: Anchor Books, 1972. pp.161-170.

Tart, Charles T. Altered States of Consciousness.
New York: Anchor Books, 1972.

________. "Did I Really Fly?" In Psi-Favorable States of
Consciousness: Proceedings of an International
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New York: Parapsychology Foundation, 1970. pp.3-
10.

________. "OBE Experiences." In Psychic Exploration: A
challenge for science, ed. John White. New York:
G.P. Putnam's Sons, 1974. pp.349-374.

________. "On the Nature of Altered States of
Consciousness, with Special Reference to
Parapsychological Phenomena." In Research in
Parapsychology 1973, eds. W. Roll, R. Morris, and J.
Morris. Metuchen, New Jersey: Scarecrow Press, 1974.
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________. "Some Methodological Problems in Research on OBE
Experiences." In Research in Parapsychology
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Metuchen, New Jersey: Scarecrow Press, 1974. pp.116-
120.

________. States of Consciousness. New York: E.P.
Dutton, 1975.

________. "Toward the Experimental Control of Dreaming: A
review of the literature." In Altered States of
Consciousness, ed. Charles T. Tart. New York:
Anchor Books, 1972. pp.134-146.

Ullman, Montague. "Psi and Psychiatry." In Psychic
Exploration: A challenge for science, ed. John
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267.

Underhill, Evelyn. "The Essentials of Mysticism (1960)."
In Understanding Mysticism, ed. Richard Woods.
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________. "The Mystic as Creative Artist." In
Understanding Mysticism, ed. Richard Woods.
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Vogel, Gerald, David Foulkes, and Harry Trosman. "Ego
Functions and Dreaming during Sleep Onset." In
Altered States of Consciousness, ed. Charles T.
Tart. New York: Anchor Press, 1972. pp.77-94.

Waelder, Robert. Psychoanalytic Avenues to Art. New
York: International Universities Press, 1965.

Wapnick, Kenneth. "Mysticism and Schizophrenia." In The
Highest State of Consciousness, ed. John White. New
York: Anchor Books, 1972. pp.153-174.

Warlick, M.E. "Max Ernst's Alchemical Novel: `Une Semaine
de bonte'," Art Journal, Spring 1987. pp.61-73.

White, Rhea. "Parapsychology Today." In Psychic
Exploration: A challenge for science, ed. John
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221.

Witkin, Robert W. "The Psychology of Abstraction and the
Visual Arts," Leonardo, Summer 1983. pp. 200-
203.

Wollheim, Richard. "Freud and the Understanding of Art,"
British Journal of Aesthetics, vol.10, nr. 3
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Woods, Richard. "Introduction." In Understanding
Mysticism, ed. Richard Woods. Garden City, New
York: Image Books, 1980. pp.1-18.

Zaehner, R.C. "Mysticism, Sacred and Profane." In
Understanding Mysticism, ed. Richard Woods.
Garden City, New York: Image Books, 1980. pp.56-77.

6. Religion and Art History

Assunto, Rosario. "Demythization: The end of nature and
the death of art (from a Schellingian perspective),
Flash Art, issue 96/97 (March-April 1980).
pp.11-14.

Austin, M.R. "A Coloured State of Grace," British Journal
of Aesthetics, vol. 19, nr. 4 (Fall 1979). pp. 352-
360.

Bainbridge, William Sims and Rodney Stark.
"Superstititions: Old and new," The Skeptical
Inquirer, Summer 1980. pp.18-31.

Baum, Gregory. "The Grand Vision: It needs social
action." In Thomas Berry and the New Cosmology,
eds. Anne Lonergan and Caroline Richards. Mystic,
Connecticutt: Twenty-third Publications, 1987. pp.51-
56.

Benson, Timothy O. "Mysticism, Materialism, and the
Machine in Berlin Dada," Art Journal, Spring
1987. pp.46-55.

Boas, Franz. Primitive Art (1927). New York: Dover
Publications, 1955.

Bode, Barbara. "The Art of People, Period." Book review
of Henry Glassie, The Spirit of Folk Art, 1990.
New York Times Book Review, January 21, 1990.
pp.13,14.

Bolle, Kees W. "Animism and Animatism." Encyclopedia of
Religion. Edited by Mircea Eliade. New York:
Macmillan, 1987.

Brenson, Michael. "When Nature Became God, Art Changed,"
New York Times, March 11, 1990. sec.H, pp.39,42.

Breuil, Abbe Henri. "The Palaeolithic Age." In Larousse
Encyclopedia of Prehistoric and Ancient Art, ed.
Rene Huyghe. New York: Prometheus Press, 1962. pp.30-
39.

Brockway, Robert. Personal communication, May 1990.

Brown, M.A. "Grave Orientation: A further view,"
Archaeological Journal, issue 140 (1983).
pp.322-328.

Carp, Richard M. "After Modernism: Sacred secularity,"
unpublished paper, 1987. Presented: American Academy
of Religion Annual Meeting, Boston, December 1987.
Photocopied. 28pp.

________. "Art, Religion, and the Reconstruction of
Perception," unpublished paper, 1985. Photocopied.
39pp.

Cheetham, Mark A. "Mystical Memories: Gauguin's
neoplatonism and 'abstraction' in late-nineteenth-
century French painting," Art Journal, Spring
1987. pp.15-21.

Chippendale, Christopher. "Stonehenge Astronomy: Anatomy
of a modern myth," Archaeology, January/February
1986. pp.48-52.

Clarke, John R. "Image, Technique, and Spirituality in
Susan Hall's New Work," Arts Magazine, June 1988.
pp.60-62.

Cohn, Sherrye. "Arthur Dove and Theosophy: Visions of a
transcendental reality," Arts Magazine, September
1983. pp.86-91.

Daix, Pierre. "Dread, Desire, and the Demoiselles," Art
News, Summer 1988. pp.133-137.

Danto, Arthur C. "Gauguin's Tahitian Daze," Art News,
Summer 1988. pp.128-132.

Delattre, Pierre. "Beauty and the Aesthetics of Survival,"
Utne Reader, issue 34 (July/August 1984),
pp.64-68.

De Mille, Agnes. "Measuring the Steps of a Giant: Martha
Graham's dance style was not a variation or
extension of an old way. It was totally new,"
New York Times, April 7, 1991, pp.1, 22.

Dillenberger, John. "Visual Arts and Religion: Modern and
contemporary contours," Journal of the American
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Dillistone, F.W. The Power of Symbols in Religion and
Culture. New York: Crossroad, 1986.

Dissanayake, Ellen. "Aesthetic Experience and Human
Evolution," Journal of Aesthetics and Art
Criticism, Winter 1982. pp.145-155.

Dixon, John W. Art and the Theological Imagination.
New York: Seabury Press, 1978.

________. "Towards an Aesthetic of Early Earth Art," Art
Journal, Fall 1982. pp.195-199.

Doniger, Wendy. "Why the Body is Disgusting: Book Review
of Sin and Fear: The Emergence of a Western
Guilt Culture by Jean Delumeau (New York: St.
Martin's Press, 1990)," New York Times Book
Review, September 23, 1990, pp.27-28.

Dunn, Stephen G. "Needed: A new genre for moral
theology." In Thomas Berry and the New
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Mystic, Connecticut: Twenty-third Publications, 1987.
pp.73-79.

Eaton, Ruth. "Earth Architecture: Building in mud," 
Studio International, vol. 196, nr.999 (April/May
1983). pp.44-48.

Eliade, Mircea. "Brancusi and Mythology (1967)." In 
Symbolism, the Sacred, and the Arts, ed. Diane
Apostolos-Cappadona. New York: Crossroad, 1986.
pp.93-102.

________. "Cultural Fashions and the History of Religions,"
Occultism, Witchcraft, and Cultural
Fashions. Chicago: University of Chicago
Press, 1976. pp.1-17.

________. "A Dialogue with Marc Chagall (1963)." In 
Symbolism, the Sacred, and the Arts, ed. Diane
Apostolos-Cappodona. New York: Crossroad, 1986.
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________. "Divinities: Art and the Divine (1961)." In
Symbolism, the Sacred, and the Arts, ed. Diane
Apostolos-Cappadona. New York: Crossroad, 1986.
pp.55-63.

________. "Mythologies of Death," Occultism, Witchcraft,
and Cultural Fashions. Chicago: University of
Chicago Press, 1976. pp.32-46.

________. Myths, Dreams, and Mysteries: The encounter
between contemporary faiths and archaic
realities. New York: Harper Torchbooks,
1960.

________. "The Occult and the Modern World," Occultism,
Witchcraft, and Cultural Fashions. Chicago:
University of Chicago Press, 1976. pp.47-68.

________. Patterns in Comparative Religion. New
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________. "The Sacred and the Modern Artist (1964)." In
Symbolism, the Sacred, and the Arts, ed. Diane
Apostolos-Cappadona. New York: Crossroad, 1986.
pp.81-85.

________. The Sacred and the Profane: The nature of
religion. San Diego: Harcourt Brace Jovanovich,
1959.

________. "Sacred Architecture and Symbolism (1978)." In
Symbolism, the Sacred, and the Arts, ed. Diane
Apostolos-Cappadona. New York: Crossroad, 1986.
pp.105-129.

________ and Laurence E. Sullivan. "Hierophany." In 
Encyclopedia of Religion, vol. 6, ed. Mircea Eliade.
Chicago: University of Chicago Press, 1987. pp.313-
317.

Farris, James. "Redemption: Fundamental to the story."
In Thomas Berry and the New Cosmology, eds. Anne
Lonergan and Caroline Richards. Mystic, Connecticut:
Twenty-third Publications, 1987. pp.65-71.

Faulstich, Paul. "Pictures of the Dreaming: Aboriginal
rock art of Australia," Archaeology, July/August
1986. pp.18-25.

Frankfort, Henri. Before Philosophy. New York:
Penquin Books, 1974.

Gadon, Elinor. The Once and Future Goddess: A symbol for
our time. San Francisco: Harper & Row, 1988.

Gedo, Mary Matthews. "The Grande Jatte as the Icon of
a New Religion: A psycho-iconographic interpretation,"
Art Institute of Chicago Museum Studies, vol. 14,
nr. 2 (1989). pp.223-237.

Gilbert, Michelle V. "Art: The primitive view," British
Journal of Aesthetics, vol. 22, nr.2 (Spring 1982).
pp.167-171.

Gimbutas, Marija. The Language of the Goddess. San
Francisco: Harper & Row, 1989.

____________. The Prehistory of Eastern Europe: Part I:
Mesolithic, Neolithic, and Copper Age cultures in
Russia and the Baltic area. Cambridge,
Massachusetts: Peabody Museum, 1956.

Gitlin, Todd. "Postmodernism Defined, At Last!" Utne
Reader, issue 34 (July/August 1989). pp.52-53.

Hall, Nor. Mothers and Daughters. Minneapolis:
Rusoff Books, 1976.

Handy, Bruce. "A Guide to Postmodern Everything," Utne
Reader, issue 34 (July/August 1989). pp.53-64.

Harrod, James. "Goddesses and Shamans or the Semiotic of
Psychic Transformation in the Upper Palaeolithic
(Europe)." Unpublished paper. Presented at the
American Academy of Religion Annual Meeting, Boston,
December 6-8, 1987. Photocopied. 29pp.

Heiser, Charles B., Jr. Seed to Civilization: The story
of man's food. San Francisco: W.H. Freeman and
Company, 1973.

Himes, Norman. Medical History of Contraception. New
York: Schocken, 1970.

Jirat-Wasiutynski, Vojtech. "Paul Gauguin's `Self-Portrait
with Halo and Snake': the artist as initiate and
magus," Art Journal, issue 46 (Spring 1987).
pp.22-28.

Johnstone, Keith. "Touching the Earth: Primitive artists
and Western theorists," Structuralists, issue
19/20 (1979/80). pp.65-69.

Korshak, Yvonne. "Realism and Transcendent Imagery: Van
Gogh's `Crows over the Wheatfield'," Pantheon,
issue 43 (1985). pp.115-123.

Kosinski, Dorothy M. "Gustave Moreau's `La Vie de
l'Humanite': Orpheus in the context of religious
sycretism, universal histories, and occultism," Art
Journal, Spring 1987. pp.9-14.

Kuspit, Donald. "Concerning the Spiritual in Contemporary
Art." In The Spiritual in Art: Abstract painting
1890-1985, Maurice Tuchman, et al. New York:
Abbeville Press, 1986. pp.313-325.

Langer, Susanne K. Feeling and Form: A theory of
art. New York: Charles Scribner's Sons, 1953.

van der Leeuw, G. Religion in Essence and
Manifestation, vol. 1 (1933). New York: Harper &
Row, 1963.

Leroi-Gourhan, Andre. "The Beginnings of Art." In
Larousse Encyclopedia of Prehistoric and
Ancient Art, ed. Rene Huyghe. New York:
Prometheus Press, 1962. pp.26-29.

________. Treasures of Prehistoric Art. New York:
Harry N. Abrams, 1967.

Lethbridge, T.C. Gogmagog: The buried gods. London:
Routledge and Kegan Paul, 1957.

Levy, G. Rachel. Religious Conceptions of the Stone
Age (published in 1948 as The Gate of Horn).
New York: Harper & Row, 1963.

Lockyer, Sir Joseph Norman. The Dawn of Astronomy: A
study of the temple worship and mythology of the
ancient Egyptians (nd). Cambridge,
Massachusetts: MIT Press, 1964.

Long, Charles H. Alpha: The Myths of Creation.
Chico, California: Scholars Press, 1963.

________. Significations: Signs, symbols, and images in
the interpretation of religion. Philadelphia:
Fortress Press, 1986.

Long, Rose-Carol Washton. "Occultism, Anarchism, and
Abstraction: Kandinsky's art of the future," Art
Journal, Spring 1987. pp.38-45.

McMann, Jean. Riddles of the Stone Age: Rock Carvings of
Ancient Europe. London: Thames & Hudson, 1980.

Marrett, R.R. Faith, Hope, and Charity in Primitive
Religion. New York: Benjamin Blom, Inc., 1972.

Mellaart, James. Catal Huyuk. London: Thames &
Hudson, 1967.

________. The Neolithic of the Near East. New
York: Scribner's, 1975.

Miller, Alan L. "Power," Encyclopedia of Religion.
Edited by Mircea Eliade. New York: MacMillan,
1987. vol.11, p.468.

Nickel, Cheryl. "The Semiotics of Andean Terracing," Art
Journal, Fall 1982. pp.200-203.

Noel, Daniel. Approaching Earth: A search for the mythic
significance of the space age. New York: Amity
House, 1986.

Oroschakoff, Haralampi G. and Wilfried W. Dickhoff. "A
Reverberation in the Realm of the Sacred?" Flash
Art, October 1987. pp.86-89.

Pfeiffer, John E. The Creative Explosion: An inquiry
into the origins of art and religion. New
York: Harper & Row, 1982.

Pohorecky, Zenon. "Different Ethnic Arts and Artists
Celebrate Many Truths," Structuralist, issue
19/20 (1979/80). pp.50-55.

Potente, Eugene, Jr. "Man is by his Constitution a
Religious Animal," National Sculpture Review,
vol. 28, nr.4 (Winter 1979-80). pp.14-15.

Powell, Earl A., III. "Foreword." In The Spiritual in
Art: Abstract Painting 1890-1985, ed. Maurice
Tuchman, et al. New York: Abbeville Press,
1986. pp.11-15.

Prussin, Labelle. "West African Earthworks," Art
Journal, Fall 1982. pp.204-209.

"The Psychology of Lawn Ornament," Ottawa Citizen,
June 10, 1989. p.D-1.

Richard, Betti. "Second International Seminar on Crafts,
Art, and Religion," National Sculpture Review,
vol.27, nr.4 (Winter 1978-79). pp.14-15.

Rushing, W. Jackson. "The Impact of Nietzsche and
Northwest Coast Indian Art on Barnett Newman's Idea of
Redemption in the Abstract Sublime," Art Journal,
Fall 1988. pp.187-205.

________. "Ritual and Myth: Native American culture and
abstract expressionism," The Spiritual in Art:
Abstract painting 1890-1985, Maurice Tuchman, et
al. New York: Abbeville Press, 1986. pp.273-295.

Scully, Vincent. The Earth, the Temple, and the Gods:
Greek sacred architecture. New York:
Frederick A. Praeger, 1969.

Senior, Donald. "The Earth Story: Where does the Bible
fit in?" In Thomas Berry and the New Cosmology,
eds. Anne Lonergan and Caroline Richards. Mystic,
Connecticut: Twenty-third Publications, 1987. pp.41-
50.

Sharpe, Eric J. Comparative Religion: A history.
London: Duckworth, 1975.

Swanson, Guy E. The Birth of the Gods. Ann Arbor,
Michigan: University of Michigan Press, 1960.

"Tales of the Human Dawn," Smithsonian World, WNPE-WNPI,
Watertown, New York, television broadcast, March 28,
1990.

Tillich, Paul. On Art and Architecture. New York:
Crossroad, 1987.

Topitsch, Ernst. "World Interpretation and Self-
Interpretation: Some basic patterns." In Myth
and Mythmaking, edited by Henry A. Murray.
Boston: George Braziller, Inc. 1960. pp.157-173.

Tuchman, Maurice. "Hidden Meaning in Abstract Art," The
Spiritual in Art: Abstract painting 1890-1985, eds.
Maurice Tuchman, et al. New York: Abbeville
Press, 1986. pp.17-61.

________, et al. The Spiritual in Art: Abstract
painting 1890-1985. New York: Abbeville Press,
1986.

Tylor, Edward Burnett. Religion in Primitive Culture
(1873). New York: Harper & Row, 1958.

Vastokas, Joan M. "The Roots of Abstraction: An
introduction," artscanada, May/June 1979.
pp.2-23, 68.

Watson-Jones, Virginia. "Evidence of the Visionary
Tradition in Contemporary Sculpture." Taped lecture, 60
minutes. Presented at the International Sculpture
Center, Washington, D.C., June 6, 1990 for
"International Sculpture '90."

West, Paul. "A Death I May Have Caused," New York Times
Book Review, May 13, 1990. p.13.

Wijsenbeek, L.J.F. "Mondrian und Kandinsky: Theosophische
Einflusse in den Jahren 1905 bis 1910," Pantheon,
issue 43 (1985). pp. 141-143.

7. Topofilia

Albanese, Catherine L. Nature Religion in America from
the Algonkian Indians to the New Age. Chicago:
University of Chicago Press, 1990.

Berry, Thomas. "The Earth: A new context for religious
unity." In Thomas Berry and the New Cosmology,
eds. Anne Lonergan and Caroline Richards. Mystic,
Connecticut: Twenty-third Publications, 1987. pp.26-
40.

________. "Economics: Its effects on the life systems of
the world." In Thomas Berry and the New
Cosmology, eds. Anne Lonergan and Caroline Richards.
Mystic, Connecticut: Twenty-third Publications, 1987.
pp.5-26.

________. "Twelve Principles: For understanding the
universe and the role of the human in the universe
process." In Thomas Berry and the New Cosmology,
eds. Anne Lonergan and Caroline Richards. Mystic,
Connecticut: Twenty-third Publications, 1987. pp.107-
108.

Bolle, Kees W. "Speaking of a Place." In Myths and
Symbols: Studies in honor of Mircea Eliade,
eds. Joseph M. Kitagawa and Charles H. Long.
Chicago: University of Chicago Press, 1969.
pp.127-139.

Brennan, Margaret. "Patriarchy: The root of alienation
from the earth?" In Thomas Berry and the New
Cosmology, eds. Anne Lonergan and Caroline Richards.
Mystic, Connecticut: Twenty-third Publications, 1987.
pp.57-63.

Chatwin, Bruce. Songlines. New York: Viking
Penquin, 1987.

Critchlow, Keith and Graham Challifour, eds. Earth
Mysteries: A study in patterns. Hammersmith,
England: Research into Lost Knowledge Organization
(RILKO), 1977.

von Daniken, Erich. Chariots of the Gods? Unsolved
mysteries of the past. London: Souvenir Press,
1969.

Davidson, Michael. "The Spiritual Geometry of Ottawa."
Ottawa, 1987. Unpublished manuscript.

Dyment, Margaret. Personal communication, Ottawa, August 9,
1990.

Eliade, Mircea. Myths, Dreams, and Mysteries: The
encounter between contemporary faiths and archaic
realities. New York: Harper Torchbooks, 1960.

________. Patterns in Comparative Religion. New
York: New American Library, 1958.

________. The Sacred & the Profane: The nature of
religion. San Diego: Harcourt Brace Jovanovich,
1959.

________. "The World, the City, the House," Occultism,
Witchcraft, and Cultural Fashions. Chicago:
University of Chicago Press, 1976.

Higuchi, Tadahiko. The Visual and Spatial Structure of
Landscape. Cambridge, Massachusetts: The MIT
Press, 1983.

Jordan, Bart and Steve Sherman. "Roots: One man's search
for the origins of ancient symbols," New Hampshire
Times, January 12, 1977. pp.16-19.

________. "Roots: Unlocking the secrets of the White
Goddess and the Cretan maze," New Hampshire
Times, January 19, 1977. pp.13-15.

________. "The Secrets of Stonehenge," New Hampshire
Times, July 6, 1977. pp.20-21.

Kolodny, Annette. The Lay of the Land: Metaphor as
experience and history in American life and letters.
Chapel Hill, North Carolina: University of North
Carolina Press, 1975.

Lane, Belden C. Landscapes of the Sacred: Geography and
narrative in American spirituality. New York:
Paulist Press, 1988.

Lethaby, W.R. Architecture, Mysticism, and Myth. New
York: George Braziller, 1975.

Leveson, Paul. A Sense of the Earth. New York:
Anchor Natural History Books, 1972.

Lonergan, Anne and Caroline Richards, eds. Thomas Berry
and the New Cosmology. Mystic, Connecticut:
Twenty-third Publications, 1987.

Lowenthal, David. "The Place of the Past in the American
Landscape." In Geographies of the Mind: Essays in
historical geography in honour of John Kirkland
Wright, eds. David Lowenthal and Martyn J. Bowden.
New York: Oxford University Press, 1976. pp.89-117.

Marling, Karal Ann. "The Wet Nurse of all Creation," New
York Times Book Review, October 16, 1988. pp.47,
49.

Matthews, Anne. "The Poppers and the Plains," New York
Times Magazine, June 24, 1990, pp.24-26, 41,
48-49, 53.

Michell, John. City of Revelation: On the proportions
and symbolic numbers of the cosmic temple. London:
Garnstone Press, 1972.

________. The Earth Spirit. London: Thames &
Hudson, 1975.

________. A Little History of Astro-Archaeology: Stages
in the transformation of a heresy. London: Thames
& Hudson, 1977.

________. The New View over Atlantis. San Francisco:
Harper & Row, 1983.

Mol, Hans. Meaning and Place: An introduction to the
social scientific study of religion. New York:
Pilgrim Press, 1983.

Nichols, Ross and James Kirkup. The Cosmic Shape: An
interpretation of myth and legend with three poems and
lyrics. London: The Forge Press, 1946.

Norberg-Schulz, Christian. The Concept of Dwelling: On
the way to figurative architecture. New York:
Rizzoli International, 1985.

________. Genius Loci: Towards a phenomenology of
architecture. New York: Rizzoli International,
1979.

________. Intentions in Architecture. Cambridge,
Massachusetts: The MIT Press, 1965.

________. Meaning in Western Architecture. New York:
Rizzoli International, 1980.

O'Connor, Larry. "Where the World Changed," New York
Times, December 9, 1990. sec.xx, p.41.

Phillips, Bob. "View from the Outaouais: Ancient secrets
just aren't safe here in Cantley," Ottawa
Citizen, February 26, 1990. p.C-3.

Pollan, Michael. "Autumn: It's no garden party," New
York Times Magazine, September 16, 1990. pp.54-57,
98, 100.

________. "Putting Down Roots," New York Times
Magazine, May 6, 1990. pp.38-40, 44, 82.

________. "Why Mow? The Case against Lawns," New York
Times Magazine, May 28, 1989. pp.23-26, 41-42, 44.

Porter, Philip W. and Fred E. Lukermann. "Geographies of
Utopia." In Geographies of the Mind: Essays in
historical geography in honor of John Kirkland
Wright, eds. David Lowenthal and Martyn J. Bowden.
New York: Oxford University Press, 1976. pp.197-223.

Research into Lost Knowledge Organization (RILKO). Earth
Mysteries. London: RILKO, 1977.

Richards, Caroline. "The New Cosmology: What it really
means." In Thomas Berry and the New Cosmology,
eds. Anne Lonergan and Caroline Richards. Mystic,
Connecticut: Twenty-third Publications, 1987. pp.91-
101.

Ross-Bryant, Lynn. "The Land in American Religious
Experience," Journal of the American Academy of
Religion, Fall 1990, vol.58, nr.2, pp.333-355.

Russell, John. "Art Tells Us Where We Are (1981)," 
Reading Russell: Essays 1941-1988 on ideas, literature,
art, theatre, music, places, and persons. New York:
Harry N. Abrams, 1989. pp.184-189.

Rybczynski, Witold. The Most Beautiful House in the
World. New York: Penquin Books, 1989.

Smith, Johnathan Z. To Take Place: Toward theory in
ritual. Chicago: University of Chicago Press,
1987.

Swimme, Brian. "Science: A partner in creating the
vision." In Thomas Berry and the New Cosmology,
eds. Anne Lonergan and Caroline Richards. Mystic,
Connecticut: Twenty-third Publications, 1987. pp.81-
90.

Treib, Marc. "Traces upon the Land: The formalistic
landscape," Architectural Association Quarterly
(London), vol.11, nr.4 (1979). pp.28-39.

Tuan, Yi-Fu. "Geopiety: A theme in man's attachmet to
nature and to place." In Geographies of the Mind:
Essays in historical geography in honor of John Kirkland
Wright, eds. David Lowenthal and Martyn J. Bowden.
New York: Oxford University Press, 1976. pp.11-39.

________. Topofilia: A study of environmental
perception, attitudes, and values.
Englewood Cliffs, New Jersey: Prentice-Hall, 1974.

Walter, E.V. Placeways: A theory of the human
environment. Chapel Hill and London: University of
North Carolina Press, 1989.

________. "A Shelter for Dreams," New York Times Book
Review, May 21, 1989. pp.1, 52.

Zelinsky, Wilbur. "Unearthly Delights: Cemetery delights
and the map of the changing American afterworld." In
Geographies of the Mind: Essays in historical
geography in honor of John Kirkland Wright, eds.
David Lowenthal and Martyn J. Bowden. New York: Oxford
University Press, 1976. pp.171-195.

8. Social Science Methodology

Anderson, Marsha Kobre. "Life after Douglass," Douglass
Alumnae Bulletin, Fall 1989. pp.8-10.

Cicourel, Aaron V. Method and Measurement in
Sociology. London: Free Press of Glencoe, 1964.

Cochran, William, et al. "Principles of Sampling,"
American Statistical Association Journal, March
1954. pp.13-35.

Eichler, Margrit. Nonsexist Research Methods: A
practical guide. Boston: Allen & Unwin, 1988.

Gleick, James. "Why We Can't Count," The New York Times
Magazine, July 15, 1990. pp.22-26, 54.

Goode, William J. and Paul K. Hatt. Methods in Social
Research. New York: McGraw-Hill, 1952.

Gottschalk, Louis, et al. The Use of Personal
Documents in History, Anthropology, and
Sociology. New York: Social Science Research
Council, n.d. (c.1945).

Gould, Stephen Jay. "The Creation Myths of Cooperstown,"
Natural History, November 1989. pp.14-24.

Jackson, Winston. Research Methods: Rules for Survey
Design and Analysis. Scarborough, Ontario:
Prenctice-Hall, Canada, 1988.

Kluckhorn, Clyde. "The Personal Document in
Anthropological Science." In The Use of Personal
Documents in History, Anthropology, and Sociology,
Louis Gottschalk, et al. New York: Social
Science Research Council, n.d. (c.1945). pp.79-173.

Li, Peter S. Social Research Methods. Toronto:
Butterworths, 1981.

Nachmias, Chava and David Nachmias. Research Methods in
the Social Sciences. New York: St. Martin's Press,
1981.

Northrop, F.S.C. The Logic of the Sciences and the
Humanities. New York: World Publishing, 1974.

Payne, Stanley L. The Art of Asking Questions (1951).
Princeton: Princeton University Press, 1980.
Scott, C. "Research on Mail Surveys," Journal of the
Royal Statistical Society, 1961. pp.143-205.

Selltiz, Claire, et al. Research Methods in Social
Relations. New York: Holt, Rinehart & Winston,
1966.

Smithsonian World: "Tales of the Human Dawn." WNPE-WNPI,
Watertown, New York. March 28, 1990.

Stanley, Liz and Sue Wise. Breaking Out: Feminist
consciousness and feminist research. London:
Routledge & Kegan Paul, 1983.

Whissell, M. Basic Statistics and Experimental
Methodology. Part I: Descriptive
Statistics. Ottawa: University of Ottawa, 1979.
Typescript.

9. Miscellany

Bartlett, John, ed. Bartlett's Familiar Quotations.
Boston: Little, Brown & Company, 1982.

The Compact Edition of the Oxford English Dictionary.
Oxford: Oxford University Press, 197l.

The Concise Oxford Dictionary of the English Language,
6th edition. Oxford: Clarendon Press, 1976.

Frank, W.J. "Nuclear Weapons," Encyclopaedia
Britannica, 15th edition. Chicago:
Encyclopaedia Britannica, 1984. Macropaedia, vol.
13, pp.325-326.

Green, Johnathan, ed. Says Who: A guide to quotations of
the century. Essex, England: Longman Group, 1988.

Morris, William, ed. American Heritage Dictionary of the
English Language. Boston: Houghton Mifflin Company,
1978.

"Periscope," Newsweek, May 6, 1991, p.21.

Rycroft, Charles. A Critical Dictionary of
Psychoanalysis (1968). New York: Penquin Books,
1986.

Smith, John. Sucking-stones. Dunvegan, Ontario:
Quadrant Editions, 1982.

Webster's Third New International Dictionary of the
English Language Unabridged. Chicago:
Encyclopaedia Britannica, 1981.

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1992
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